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Exploring Transnational Dimensions of Activism in Contemporary Book Culture 当代图书文化行动主义的跨国维度探索
Mémoires du livre Pub Date : 1900-01-01 DOI: 10.7202/1100559ar
Rachel Noorda, C. Norrick-Rühl, Elizabeth le Roux
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引用次数: 6
« Ce n’est pas tous les jours qu’une étudiante a la chance d’écrire à un auteur » : lettres d’admiratrices et d’admirateurs dans les archives de Marie‑Claire Daveluy (1880-1968) 《不是每天都有学生有机会给作家写信》:《玛丽-克莱尔·戴维伊档案中的崇拜者来信》(1880-1968)
Mémoires du livre Pub Date : 1900-01-01 DOI: 10.7202/1089045ar
Louise Bienvenue
{"title":"« Ce n’est pas tous les jours qu’une étudiante a la chance d’écrire à un auteur » : lettres d’admiratrices et d’admirateurs dans les archives de Marie‑Claire Daveluy (1880-1968)","authors":"Louise Bienvenue","doi":"10.7202/1089045ar","DOIUrl":"https://doi.org/10.7202/1089045ar","url":null,"abstract":"","PeriodicalId":197720,"journal":{"name":"Mémoires du livre","volume":"138 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115670266","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Trouver lieu 找到地点
Mémoires du livre Pub Date : 1900-01-01 DOI: 10.7202/1060976AR
Cécile Vergez-Sans
{"title":"Trouver lieu","authors":"Cécile Vergez-Sans","doi":"10.7202/1060976AR","DOIUrl":"https://doi.org/10.7202/1060976AR","url":null,"abstract":"Cet article propose une analyse du discours de l’editeur d’albums pour enfants de la fin des annees 1960, periode de recomposition du paysage editorial et des institutions de l’enfance. Quelle peut etre la legitimite de ces discours dans le champ litteraire alors que les oeuvres pour enfants sont traditionnellement considerees comme mineures? L’analyse des catalogues d’editeurs montre que l’existence meme d’un discours ne va pas de soi. Le discours constitue une strategie de recents editeurs innovants. L’etude monographique de l’un d’entre eux, Francois Ruy-Vidal, permet de decouvrir les multiples fonctions du discours, didactique, litteraire, politique, mais aussi les limites du dicible et les risques du discours.","PeriodicalId":197720,"journal":{"name":"Mémoires du livre","volume":"313 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115855371","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Experiments with Book Festival People (Real and Imaginary) 与书展人的实验(真实与想象)
Mémoires du livre Pub Date : 1900-01-01 DOI: 10.7202/1070271ar
Beth Driscoll, C. Squires
{"title":"Experiments with Book Festival People (Real and Imaginary)","authors":"Beth Driscoll, C. Squires","doi":"10.7202/1070271ar","DOIUrl":"https://doi.org/10.7202/1070271ar","url":null,"abstract":"While there are multiple approaches to researching cultural events, predominant academic frames tend to be either sociological or situated within a creative industries discourse. Neither of these approaches have supported sustained engagement with individual, interior experience at book festivals. Creative writers have imaginatively depicted these sites of author-reader interaction, and developing scholarship focuses on autoethnography and the phenomenological. In this article, we extend and materialise these approaches through a series of creative, arts-informed interventions: @AuthorsYurt, a personification on Twitter of the Edinburgh International Book Festival’s green room; Paper Dolls, a series of cut-out-and-dress dolls depicting audience members at a variety of book festivals across Europe, North America and Australia; and ClueButeDo, a satirical reworking of the audience feedback form at a small island crime festival in the UK. Each of the three experiments reveals aspects of personhood at book festivals, engaging with ideas of interiority, individuality, and experientiality, as well as of inclusion and exclusion. In pursuing this aim, we are guided by the autoethnographic slogan, “No Insight Without Inside, No Inside Without Outside” (Nunu Otot).","PeriodicalId":197720,"journal":{"name":"Mémoires du livre","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123302099","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
« Au final, je me suis bien amusée » : Claire Martin, présidente de la Société des écrivains canadiens “最后，我玩得很开心”:加拿大作家协会主席克莱尔·马丁
Mémoires du livre Pub Date : 1900-01-01 DOI: 10.7202/1089040ar
Catherine Parent
{"title":"« Au final, je me suis bien amusée » : Claire Martin, présidente de la Société des écrivains canadiens","authors":"Catherine Parent","doi":"10.7202/1089040ar","DOIUrl":"https://doi.org/10.7202/1089040ar","url":null,"abstract":"","PeriodicalId":197720,"journal":{"name":"Mémoires du livre","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128904288","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Unstoppable!”: Children as Readers and Researchers of Reading in an Arts‑Based Project “不可阻挡!:以艺术为基础的阅读项目中的儿童读者和阅读研究人员
Mémoires du livre Pub Date : 1900-01-01 DOI: 10.7202/1100571ar
Danielle Fuller
{"title":"“Unstoppable!”: Children as Readers and Researchers of Reading in an Arts‑Based Project","authors":"Danielle Fuller","doi":"10.7202/1100571ar","DOIUrl":"https://doi.org/10.7202/1100571ar","url":null,"abstract":"Historians of children’s reading highlight how the voices, opinions and ideas of actual children, are missing from most institutional archives. Contemporary scholars have an opportunity to change that situation for the future by co‑producing research with children. This paper examines how a class of ten‑year‑old schoolchildren in England engaged with a multidisciplinary arts project involving creative writing, digital game‑making and reading research activities. The paper builds upon scholarship that emphasizes the importance of conceptualizing research projects about children’s reading with reference to transliteracies, multimodality and creative reading. It argues that, by offering the","PeriodicalId":197720,"journal":{"name":"Mémoires du livre","volume":"102 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128594532","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La conception éditoriale du lecteur en France des années 1950 à la fin des années 1970 从20世纪50年代到70年代末，法国读者的编辑观念
Mémoires du livre Pub Date : 1900-01-01 DOI: 10.7202/1060975AR
Brigitte Ouvry-Vial
{"title":"La conception éditoriale du lecteur en France des années 1950 à la fin des années 1970","authors":"Brigitte Ouvry-Vial","doi":"10.7202/1060975AR","DOIUrl":"https://doi.org/10.7202/1060975AR","url":null,"abstract":"Cet article examine les premices de la notion de lecteur et d’acte de lecture dans un contexte litteraire et intellectuel qui annonce la mort de l’auteur et ou l’arrivee des medias audiovisuels fait concurrence au livre. La reflexion s’appuie en particulier sur les « discours d’escorte » de Jean Cayrol, Jean Paulhan et Gaetan Picon, trois editeurs contemporains les uns des autres qui ont en commun leur souci de commenter par ecrit leur activite editoriale, les modeles esthetiques et les conceptions de la mediation de la litterature en train de se faire. Ces notes et ecrits d’editeurs-essayistes ou editeurs-critiques constituent une sorte de journal de bord professionnel, un « discours d’escorte » ayant pour fonction d’etablir une relation de proximite non pas tant avec le public, mais d’abord avec leurs pairs. Ils permettent une approche des protocoles de lecture que les lecteurs professionnels mettent en oeuvre et qu’ils suggerent plus ou moins implicitement aux lecteurs ordinaires de suivre. Ils eclairent ainsi en filigrane le developpement des theories de la reception et la prise en compte editoriale du role du lecteur, une figure encore anonyme mais de plus en plus au centre du dispositif de production-reception de la litterature.","PeriodicalId":197720,"journal":{"name":"Mémoires du livre","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127788169","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Anatomie du discours de lancement 启动演讲的剖析
Mémoires du livre Pub Date : 1900-01-01 DOI: 10.7202/1060968AR
Marie-Pier Luneau, Virginie Mailhot
{"title":"Anatomie du discours de lancement","authors":"Marie-Pier Luneau, Virginie Mailhot","doi":"10.7202/1060968AR","DOIUrl":"https://doi.org/10.7202/1060968AR","url":null,"abstract":"Entre 1950 et 1970, les lancements de livres sont frequents aux Editions Fides. A chaque evenement, le pere Paul-Aime Martin, fondateur de la maison, ne manque pas de prendre la parole. Editeur aguerri, grand erudit et fin publiciste, le pere Martin manifeste une enonciation editoriale particuliere a travers ses allocutions de lancement. Cense s’effacer devant l’auteur, de quoi parle exactement l’editeur a ce moment ou il chante les louanges de telle nouveaute? Cet article vise a jeter les premisses d’une reflexion sur un type particulier de « discours » d’editeur, soit l’allocution prononcee lors de lancements. Au-dela d’une certaine part de flagornerie consubstantielle a ce type d’enonce, comment l’editeur parvient-il a mettre en valeur son propre catalogue? Il s’agit d’observer quelles strategies discursives deploie l’editeur dans ce type d’enonce, et quels rapports de force le sous-tendent.","PeriodicalId":197720,"journal":{"name":"Mémoires du livre","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117099942","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Jaipur Literature Festival, the Gendered Literary Field, and the MeToo Movement in India 斋浦尔文学节、性别文学领域与印度的MeToo运动
Mémoires du livre Pub Date : 1900-01-01 DOI: 10.7202/1070267ar
Arpita Das
{"title":"Jaipur Literature Festival, the Gendered Literary Field, and the MeToo Movement in India","authors":"Arpita Das","doi":"10.7202/1070267ar","DOIUrl":"https://doi.org/10.7202/1070267ar","url":null,"abstract":"As the literary field in India begins to become more complex, layered and diverse in terms of its gender representation despite the stubborn persistence of many aspects of its “tradition” male bastion character, the most celebrated and successful literary festival in the country emerges as a microcosmic manifestation of this tussle for power. Based on an autoethnographic account of the literary festival over eight editions and a close narrative of the sessions in its 2018 and 2019 editions along with a look at how these editions were reported in the media, and placing them within the frame of scholarship researching literary festivals as representations or fragments of “public culture”, this article looks at gender representation at the Jaipur Literature Festival in the immediate aftermath of the two waves of the MeToo Movement in India.","PeriodicalId":197720,"journal":{"name":"Mémoires du livre","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124395753","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
The Discourse and Value of Being an Independent Publisher 独立出版人的话语与价值
Mémoires du livre Pub Date : 1900-01-01 DOI: 10.7202/1060971AR
Rachel Noorda
{"title":"The Discourse and Value of Being an Independent Publisher","authors":"Rachel Noorda","doi":"10.7202/1060971AR","DOIUrl":"https://doi.org/10.7202/1060971AR","url":null,"abstract":"Publishing did not have independents enter self-discourse until the 1960s when media conglomeration created a need to distinguish other publishers from this network of corporate giants. But rather than decimating the independent publishing landscape, the corporate conglomeration of book publishing has opened a space for independent publishers to thrive (Simon and McCarthy, 2009; Schiffrin, 2001; Hawthorne, 2014, 2016; Kogan 2007, 2010), in part because of the social currency that positioning themselves as independent in discourse affords. In order to analyze the use, purpose, and meaning of independent in publisher discourse, this article conducts a content analysis on mission statements of 39 US-based independent publishers. Through content analysis of mission statements, this article illuminates the way that certain publishers construct a particular social function and marketing appeal by the use of independent in twenty-first century book publishing discourse in the US.","PeriodicalId":197720,"journal":{"name":"Mémoires du livre","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126810983","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
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