RSSI. Recherches sémiotiques. Semiotic inquiry最新文献_第3页

L’image et l’image peinte : Panofsky d’après Peirce 图像和绘画图像:皮尔斯之后的帕诺夫斯基

RSSI. Recherches sémiotiques. Semiotic inquiry Pub Date : 2016-02-22 DOI: 10.7202/1035289AR

Pere Salabert

引用次数: 0

Perception, Dreams, Films: Iconicity and Indexicality in Peirce's Theory of Perception 知觉、梦、电影:皮尔斯知觉理论中的象似性与指标性

RSSI. Recherches sémiotiques. Semiotic inquiry Pub Date : 2016-02-22 DOI: 10.7202/1035283AR

A. Dymek

{"title":"Perception, Dreams, Films: Iconicity and Indexicality in Peirce's Theory of Perception","authors":"A. Dymek","doi":"10.7202/1035283AR","DOIUrl":"https://doi.org/10.7202/1035283AR","url":null,"abstract":"Chronologically speaking, Charles S. Peirce (1839-1914) could have mentioned the technique of film in the context of his phenomenological, or as he called them, phaneroscopic theories. But when he compared the human percepts to “moving pictures accompanied by sounds and feelings” in 1905 (MS 939 : 24), Peirce did not speak of the cinema. However, his investigations in the fields of cognition and phenomenology show relevant intersections with major concepts and problems of filmic perception theory. The present article aspires to investigate Peircian philosophy and film theory through some of their common concepts. The question will be raised as to whether the filmic viewing situation can be understood as a genuine perceptual situation in the Peircian sense. In a first step, I will give an analysis of Peirce’s theory of perception. In contrast to the majority of interpretations of the latter, which emphasize its iconic character, I shall argue for a perceptual process where iconicity is not the starting point but rather the outcome of it. This will imply an analysis of the roles of iconicity and indexicality in perception and of their relation to cinema’s “impression of reality”. Despite the phenomenological realism of cinematic images, the nature of what the viewer actually perceives is not as obvious as one might be tempted to think. Finally, an interpretation of filmic images as “diagrams of perception” will open up to some pedagogical dimensions of film viewing.","PeriodicalId":191586,"journal":{"name":"RSSI. Recherches sémiotiques. Semiotic inquiry","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122854753","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

La représentation diagrammatique chez Peirce et Wittgenstein : quelques remarques sur une ressemblance de famille 皮尔斯和维特根斯坦的图解表现:关于家族相似性的一些评论

RSSI. Recherches sémiotiques. Semiotic inquiry Pub Date : 2016-02-22 DOI: 10.7202/1035284AR

F. Latraverse

引用次数: 0

Iconoscopy Between Phaneroscopy and Semeiotic 图像学:在显像学和符号学之间

RSSI. Recherches sémiotiques. Semiotic inquiry Pub Date : 2016-02-22 DOI: 10.7202/1035282AR

Andre De Tienne

引用次数: 3

« Un meilleur exemple est une photographie » (CP 2.320). De la valeur de la photographie comme exemple dans les écrits de C. S. Peirce sur le signe. “照片是一个更好的例子”(CP 2.320)。在c·s·皮尔斯关于这个标志的著作中，摄影作为一个例子的价值。

RSSI. Recherches sémiotiques. Semiotic inquiry Pub Date : 2016-02-22 DOI: 10.7202/1035293AR

F. Brunet

{"title":"« Un meilleur exemple est une photographie » (CP 2.320). De la valeur de la photographie comme exemple dans les écrits de C. S. Peirce sur le signe.","authors":"F. Brunet","doi":"10.7202/1035293AR","DOIUrl":"https://doi.org/10.7202/1035293AR","url":null,"abstract":"This paper further develops a previous discussion on the role of photography in C.S. Peirce’s semiotic thinking, in order to identify more precisely the function of the photographic image, as an examplar in Peirce’s semiotic theory rather than a theoretical object in its own right. Based on several texts from the 1890s, the argument claims that Peirce refered to the photograph in order to illustrate theoretical points – such as the icon/index distinction – rather than formulating a theory of the photograph – as index, especially. Next, Peirce’s use of the photograph as “example” is discussed in relation to both a historical context – that of the popularization of photography in the late 19th century – and to the frequently invoked notion, in Peircian semiotics, of “collateral knowledge”, a knowledge that is implied in the correct functionning of signs. Lastly, the article proposes to re-interrogate the exemplary value of the photograph and the notion of collateral knowledge in the context of digital photography, which has been viewed by some commentators as the site of a radical change in the semiotic make-up of the photograph. A hypothesis is offered, introducing the notion of “collateral doubt” as an attempt to account for a new form of indeterminacy in the common understanding of the technical operations of photography. A short post-scriptum notes that this hypothesis remains a conjecture and briefly reviews some recent developments in the discussion of Peirce’s views on photography.","PeriodicalId":191586,"journal":{"name":"RSSI. Recherches sémiotiques. Semiotic inquiry","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131389583","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Processes of Imaging and Imagining: Toward a Pragmatic Clarification of the Image 意象与想象的过程:对意象的语用澄清

RSSI. Recherches sémiotiques. Semiotic inquiry Pub Date : 2016-02-22 DOI: 10.7202/1035286AR

V. Colapietro

{"title":"Processes of Imaging and Imagining: Toward a Pragmatic Clarification of the Image","authors":"V. Colapietro","doi":"10.7202/1035286AR","DOIUrl":"https://doi.org/10.7202/1035286AR","url":null,"abstract":"The paper aims at a pragmatist clarification of imaging and imagining. Using Peirce’s doctrine of the three grades of conceptual clarification (tacit familiarity, abstract definition, and pragmatic elucidation), the author tries to clarify our processes and practices of imaging and imagining by considering them in light of these distinct levels. Above all, he endeavors to push the discussion from the level of abstract definition to that of pragmatic clarification, thereby focusing on the habits of agents in situ, not simply verbal formulations offered in the abstract. Borrowing from Barbara Bolt, he uses as one of his examples that of an artist “working hot”. A process wherein conscious intentions and unconscious drives, cognitive designs and thick materiality, conspire to embody themselves in perceptible media is one especially worthy of examination. Hence, from an overview of Peirce’s general theory of signs, the author turns to some of the specific uses of that theory, uses not central to Peirce’s own interests. Artistic production and performance are foremost among these uses. These are, after all, ones in which the dynamics of imaging and imagining are often more vividly on display than elsewhere.","PeriodicalId":191586,"journal":{"name":"RSSI. Recherches sémiotiques. Semiotic inquiry","volume":"117 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126312857","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Authenticities: A Semiotic Exploration 真实性:符号学探索

RSSI. Recherches sémiotiques. Semiotic inquiry Pub Date : 2014-12-10 DOI: 10.7202/1027774AR

Janina Fenigsen, J. Wilce

{"title":"Authenticities: A Semiotic Exploration","authors":"Janina Fenigsen, J. Wilce","doi":"10.7202/1027774AR","DOIUrl":"https://doi.org/10.7202/1027774AR","url":null,"abstract":"Charles Taylor has called ours an “Age of Authenticity”, and authenticity is a popular object of scholarly examination, not least in anthropology. A considerable number of scholars have even proposed models for multiple “authenticities”. None, however, has brought a modified Peircean theoretical tool-kit together with ethnographic evidence that “the natives know” that there are many authenticities. This article seeks to fill that gap. Working with Peirce’s model of the sign and with postmodern theories of originals and replicas, we draw on Wilce’s Finnish fieldwork to analyze what we consider clear evidence of four authenticities arising in recent debates surrounding traditional Karelian lament and particularly highly organized attempts in Finland to “revive” the practice. We call performances arising out of the revival “neolaments”. We treat authenticities as strictly relational, metasemiotic, and ideological phenomena. Authenticities that appear salient to actors on the revivalist scene may involve the following relationships : that between any neolament performance and any particular Karelian lament performances, with the question being whether the former is adequately “traditional” (i.e. relationship between replica and original); between a particular lament performance and the generic essence of that which makes lament a lament (i.e. token and type); between a lament performance and emotion – a relationship ideologically construed as “expressive” (i.e. sign and object); and finally, a relationship between some sort of dynamic interpretant of particular old Karelian laments (lament1) and new dynamic interpretants generated in and through new lament performances (lament2 or habitual participation in such performance) that in some way replicates the old dynamical interpretant (interpretant1 and interpretant2).","PeriodicalId":191586,"journal":{"name":"RSSI. Recherches sémiotiques. Semiotic inquiry","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-12-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116423898","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 3

Christian Metz : entre sémiologie et esthétique 克里斯蒂安·梅茨:符号学和美学之间

RSSI. Recherches sémiotiques. Semiotic inquiry Pub Date : 2014-12-10 DOI: 10.7202/1027781AR

M. Lefebvre

引用次数: 2

Authenticity of the Sign: Travels of a Lahu Song 符号的真实性:一首拉祜族歌曲的游记

RSSI. Recherches sémiotiques. Semiotic inquiry Pub Date : 2014-12-10 DOI: 10.7202/1027773AR

J. Pine

引用次数: 0

Voicing "Phono-Indexicals": On the Politics of Vocalic Variation in Metasemiosis 发声“音位指标性”:论贫血症中发声变异的政治

RSSI. Recherches sémiotiques. Semiotic inquiry Pub Date : 2014-12-10 DOI: 10.7202/1027775AR

Chris Taylor

{"title":"Voicing \"Phono-Indexicals\": On the Politics of Vocalic Variation in Metasemiosis","authors":"Chris Taylor","doi":"10.7202/1027775AR","DOIUrl":"https://doi.org/10.7202/1027775AR","url":null,"abstract":"Research on reflexivity in communication has shown that speakers leverage a range of semiotic strategies to segment and characterize linguistic variability. My work explores how entextualization and intertextuality play key roles in dialogically managing interpretations of sociophonetic variability (cf. Schilling-Estes 1998). I examine how speakers “voice” and comment on vocalic variation by employing interrelated modes of metapragmatic typification, including eye-dialect spelling, (explicit) metapragmatic discourse, constructed dialogue (Tannen 1989), and parodic double-voicing (Bakhtin 1981; Sclafani 2009). These strategies prove indispensable to the metapragmatic framing of phono-indexicals because most phonetic features in speech become objects of metasemiotic activity by virtue of their realization in specific words and salient texts, which in turn serve as sign vehicles for vocalic variables and other “semiotic hitchhikers” (Mendoza-Denton 2011). Accordingly, our capacity to reflexively model the pragmatics of sociophonotic variables derives in large part from our ability to segment and evaluate the more metalinguistically-available structures in which these phono-indexicals occur. The case of /aw/ monophthongization in the speech of many young black women and men in Houston, Texas supports this position. Drawing on five years of ethnographic research at a public radio station in Houston, I consider how this pronunciation feature becomes tethered indexically to contested formulations of authenticity and indigineity by virtue of its occurrence in a locally-salient idiom, COMIN’ DINE ([kʌmn daːn] “coming down”). This idiom has become an enregistered emblem of a street-savvy “gangsta” persona in the popular music of Houston-based hip hop cultures. In this music, recontextualized across globally-circulating media, the expression of COMIN’ DINE puts sociophonetic variation on display, rendering it available for metasemiotic negotiation through “Bakhtinian voicing” (Jaffe 2009).","PeriodicalId":191586,"journal":{"name":"RSSI. Recherches sémiotiques. Semiotic inquiry","volume":"199 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-12-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123159539","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0