V-art: Journal of Fine Art最新文献

{"title":"Nilai Estetika Kerajinan Bordir Di Gampong Dayah Daboh Kecamatan Montasik Kabupaten Aceh Besar","authors":"Rizqi Yatunnissa, Izzati Fauziana, Sembiring Br Sartika","doi":"10.26887/vartjofa.v2i2.3281","DOIUrl":"https://doi.org/10.26887/vartjofa.v2i2.3281","url":null,"abstract":"ABSTRACTEmbroidery is an activity of adding motifs to fabric for the purpose of aesthetics. The embroidery craft products produced in Dayah Daboh village include bags, wallets, and accessories such as bracelets and keychains. The motifs applied to the embroidery craft products are traditional Acehnese motifs as well as creative motifs. This research addresses the issue of aesthetics in embroidery crafts using aesthetic theory by Deni Junaedi, which describes aesthetic objects, aesthetic subjects, and aesthetic values. The objective of this research is to understand the aesthetics present in embroidery products. The research method used in this study is qualitative research. The techniques used to analyze the research data are data reduction, data presentation, and drawing conclusions. The results of the analysis in this research indicate that the aesthetics in the embroidery crafts in Dayah Daboh village consist of aesthetic objects, aesthetic subjects, and aesthetic values. The aesthetic objects depict the forms of the embroidery craft products. The aesthetic subjects involve the artisans and consumers of embroidery. Furthermore, aesthetic values can be seen from the perspective of expressive values through order, which includes canons in the form of standards, harmony in the form of coherence, mimesis in the form of imitation of objects, and masterly in the form of the creator's skill..Keywords: Embroidery, Traditional Motifs, Product, AestheticsABSTRAK Bordir adalah suatu kegiatan menambah motif pada kain untuk tujuan keindahan. Produk kerajinan bordir yang dihasilkan di gampong Dayah Daboh berupa tas, dompet, dan aksesoris seperti gelang dan gantungan kunci. Motif yang diterapkan pada produk kerajinan bordir yaitu motif tradisional Aceh dan juga motif kreasi. Penelitian ini mengangkat permasalahan tentang estetika pada kerajinan bordir dengan menggunakan teori  estetika dari Deni Junaedi  yang mendeskripsikan objek estetis, subjek estetis dan nilai estetis. Tujuan dari penelitian ini yaitu untuk mengetahui estetika yang terdapat pada produk bordir tersebut. Metode penelitian yang digunakan dalam penelitian ini yaitu metode penelitian kualitatif. Teknik yang digunakan untuk mengolah data penelitian yaitu mereduksi, menyajikan data dan penarikan kesimpulan. Hasil analisis dalam penelitian ini menunjukkan estetika pada kerajinan bordir yang ada di gampong Dayah Daboh terdiri dari objek estetis, subjek estetis dan nilai estetis. Pada objek estetis memaparkan tentang bentuk-bentuk produk kerajinan bordir. Pada subjek estetis terdapat para perajin dan konsumen bordir. Kemudian pada nilai estetis dapat dilihat dari sudut pandang nilai ekspresi melalui order yaitu kanon berupa pakem, harmoni berupa keselarasan, mimesis berupa peniruan terhadap benda, dan masterly berupa keterampilan kreator.Kata Kunci: Bordir, Motif Tradisional, Produk, Estetika ","PeriodicalId":190724,"journal":{"name":"V-art: Journal of Fine Art","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130019048","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Dekorasi Pelaminan Karya Kemahen Art Decoration Ditinjau Dari Prinsip-Prinsip Desain","authors":"Dwi Syahfitri, Saragi Daulat","doi":"10.26887/vartjofa.v2i2.3659","DOIUrl":"https://doi.org/10.26887/vartjofa.v2i2.3659","url":null,"abstract":"ABSTRACTThe art of decoration is the art of designing, arranging objects, shapes, rooms and other objects with the aim of beautifying and beautifying the visual appearance of the object to be decorated. Relating to the art of decoration, especially the decoration of the aisle. In this era, many wedding receptions were seen as reflection of the culture of society. Changes in wedding decoration design models can characterize changes in modern society’s culture. With the aim of knowing a good form of wedding decoration, to find out the suitability of the application of the layout of the decoration that is used as a decoration element, to find out the arrangement of properties, as well as the color theme used in the elements of the wedding decoration. Observing these conditions the outhor tries to analyze with descriptive analysis methods and interviews with one off the wedding organizers in the city of Medan. Based on the results of the research, it can be concluded that the art decoration camp applies design priciples to decoration works of the several decorations, thera are those who apply all design principles, and there are those who apply only a few principles. The shapes used mostly use geometric shapes, The layout of the décor elements is laid out according to design principles. As well as variations in the form of decoration tailored to the requests of each client. However, many clients also ask for the type of decoration that is already provided by the vendor.Keywords: decoration, aisle, analysis, principle, design ABSTRAK Seni dekorasi adalah seni merancang, menata benda, bentuk, ruangan, dan benda lainnya dengan tujuan mempercantik dan memperindah tampilan visual dari benda yang akan dihias. Berkaitan dengan seni dekorasi, terkhususnya dekorasi pelaminan. Pada era ini resepsi pernikahan banyak dilihat sebagai refleksi kebudayaan masyarakat. Perubahan model desain dekorasi pernikahan dapat mencirikan perubahan dalam kebudayaan masyarakat yang modern. Dengan tujuan mengetahui bentuk dekorasi pernikahan yang baik, untuk mengetahui kesesuaian penerapan tata letak hiasan yang dijadikan sebagai elemen dekorasi,, untuk mengetahui penyusunan properti, serta warna tema yang dipakai pada elemen-elemen dekorasi pernikahan. Mencermati kondisi yang demikian penulis mencoba menganalisis dengan metode analisis deskriptif dan wawancara dengan salah satu wedding organizer di kota Medan. Berdasarkan hasil penelitian ditarik kesimpulan bahwa Kemahen Art Decoration menerapkan prinsip-prinsip desain pada karya dekorasi. Dari beberapa dekorasi ada yang menerapkan semua prinsip desain, dan ada yang menerapkan beberapa prinsip saja. Bentuk yang digunakan banyak menggunakan bentuk-bentuk geometris. Tata letak elemen dekorasi ditata dengan prinsip desain. Serta variasi bentuk dekorasi disesuaikan dengan permintaan dari setiap klien. Namun juga banyak klien meminta jenis dekorasi yang sudah ada disediakan vendor. Kata Kunci: dekorasi, pelaminan, analisis, prinsip, ","PeriodicalId":190724,"journal":{"name":"V-art: Journal of Fine Art","volume":"208 2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114314570","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Nilai Estetika Sulaman Kasab Home Industry Fitri Souvenir Di Gampong Garot Cut Kecamatan Indra Jaya Kabupaten Pidie","authors":"Zati Hulwani, Dahlia Putri, Sembiring Br Sartika","doi":"10.26887/vartjofa.v2i2.3288","DOIUrl":"https://doi.org/10.26887/vartjofa.v2i2.3288","url":null,"abstract":"ABSTRACTKasab embroidery is to make a variety of ornaments on plain woven fabrics by attaching gold thread using naturalist motifs and decorative motifs in the form of interconnecting lines. Kasab embroidery products produced by Fitri souvenir home industry in Gampong Garot Cut, Indra Jaya District, Pidie Regency in the form of Sangee, wedding mats and pillowcases. The motifs applied to Fitri souvenir home industry embroidery crafts are Beuleun Motif (Moon Motif), Aneuk Timon Motif (Cucumber Seed Motif), Peudeung Motif (Sword Motif) and Aneuk Reuhung Teungoh Motif (Middle Split Seed Motif). This study raises the issue of aesthetics in Fitri souvenir home industry embroidery using Deni Junaedi's theory by describing aesthetic objects, aesthetic subjects and aesthetic values. The purpose of this study is to determine the aesthetics contained in Fitri souvenir home industry embroidery. The method used in this study is qualitative research method. The techniques used to process this research data are reducing data, presenting data and drawing conclusions. The results of the analysis in this study show aesthetics in Fitri souvenir home industry embroidery in Gampong Garot Cut, Indra Jaya District, Pidie Regency consisting of aesthetic objects, aesthetic subjects and aesthetic values. On the aesthetic object describes the forms of kasab embroidery products. On the subject of aesthetics there are artisans and consumers. Furthermore, the aesthetic value of kasab embroidery is found in the point of view of the value of expression through order, namely canons in the form of pakem, harmony in the form of harmony, mimesis in the form of imitation of objects, and masterly in the form of creator creativity.Keywords: kasab embroidery crafts; traditional motif; aestheticsABSTRAK Sulaman kasab adalah membuat ragam hias pada kain tenunan polos dengan cara menempelkan benang emas menggunakan motif naturalis dan motif dekoratif yang berbentuk garis saling menyambung. Produk sulaman kasab yang dihasilkan oleh  home industry Fitri souvenir di gampong Garot Cut Kecamatan Indra Jaya Kabupaten Pidie berupa Sangee, tikar nikah dan sarung bantal. Motif yang diaplikasikan pada kerajinan sulaman kasab home industry Fitri souvenir yaitu Motif Beuleun (Motif Bulan), Motif Aneuk Timon (Motif Biji Mentimun), Motif Peudeung (Motif Pedang) dan Motif Aneuk Reuhung Teungoh (Motif Biji Belah Tengah). Penelitian ini mengangkat permasalahan tentang estetika pada sulaman kasab home industry Fitri souvenir menggunakan teori dari Deni Junaedi dengan mendeskripsikan objek estetis, subjek estetis dan nilai estetis. Tujuan dari penelitian ini yaitu untuk mengetahui estetika yang terdapat pada sulaman kasab home industry Fitri souvenir. Metode yang digunakan dalam penelitian ini yaitu metode penelitian kualitatif. Teknik yang digunakan untuk mengolah data penelitian ini yaitu mereduksi data, menyajikan data dan penarikan kesimpulan. Hasil dari analisis dalam penelitian ini menunjukkan estetik","PeriodicalId":190724,"journal":{"name":"V-art: Journal of Fine Art","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121610404","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Kopi Arabika Sebagai Ide Penciptaan Karya Seni Grafis","authors":"Septian Pebin Putra, Rajudin Rajudin, Elvis Elvis","doi":"10.26887/vartjofa.v2i2.3377","DOIUrl":"https://doi.org/10.26887/vartjofa.v2i2.3377","url":null,"abstract":"ABSTRACTThis article discusses the creation of five graphic artworks that use Arabica coffee as a creative subject. The reason for choosing Arabica coffee as the main subject is because it is extensively cultivated in the Kerinci region. Additionally, Arabica coffee fruits have diverse and attractive shapes and colors, such as light green, dark green, yellow, and red. Arabica coffee is transformed into graphic artworks by combining the techniques of hardboardcut and stencil. A representational form is the approach used in the creation of these artworks. The concepts of distortion and disformation are applied in shaping the artworks. The result of this creation is five graphic artworks titled \"Ingak,\" \"Proses,\" \"Bakumpao,\" \"Antae,\" and \"Sabae.\" Each artwork presents a unique interpretation of Arabica coffee, with emphasis on the aspects of shape and color of the coffee fruits. This creation offers a fresh perspective on Arabica coffee through graphic art and depicts the diversity and visual appeal of Arabica coffee fruits. These graphic artworks can provide a deeper appreciation for Arabica coffee as a creative subject and enrich the understanding of graphic art within the cultural context of coffee.Keywords: arabica coffee, representational, distortion, printmakingABSTRAKArtikel ini membahas penciptaan lima karya seni grafis yang menggunakan kopi arabika sebagai objek kreatif. Alasan pemilihan kopi arabika sebagai objek utama adalah karena kopi arabika banyak dibudidayakan di daerah Kerinci. Selain itu, buah kopi arabika memiliki beragam bentuk dan warna yang menarik, seperti hijau muda, hijau tua, kuning, dan merah. Kopi arabika diwujudkan dalam bentuk karya seni grafis dengan menggabungkan teknik hardboardcut dan stencil. Bentuk representasional merupakan pendekatan yang digunakan dalam penciptaan karya ini. Konsep distorsi dan disformasi diterapkan dalam penggarapan bentuk karya. Hasil dari penciptaan ini adalah lima buah karya seni grafis yang diberi judul \"Ingak\", \"Proses\", \"Bakumpao\", \"Antae\", dan \"Sabae\". Setiap karya menampilkan interpretasi unik dari objek kopi arabika, dengan penekanan pada aspek bentuk dan warna buah kopi. Penciptaan ini memberikan pandangan baru tentang kopi arabika melalui seni grafis dan menggambarkan keberagaman dan daya tarik visual buah kopi arabika. Karya seni grafis ini dapat memberikan apresiasi yang lebih dalam terhadap kopi arabika sebagai objek kreatif, serta memperkaya pemahaman tentang seni grafis dalam konteks budaya kopi.Kata Kunci: kopi arabika, representasional, distorsi, seni  grafis   ","PeriodicalId":190724,"journal":{"name":"V-art: Journal of Fine Art","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126802330","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Pengaruh Model Outbound Terhadap Kemampuan Menggambar Bentuk Siswa SMP Pahlawan Swasta Medan","authors":"Fadli Rafi, Sugito Sugito, A. Azis","doi":"10.26887/vartjofa.v2i2.3658","DOIUrl":"https://doi.org/10.26887/vartjofa.v2i2.3658","url":null,"abstract":"ABSTRAKThis research aimed to investigate the effect model of outbound on shape art in the subject of culture art in the first semester of grade VIII Junir High School (SMP) Swasta Pahlawan Nasional Medan T.P. 2023/2024. This research is a quasi experimental population of all class VIII SMP Swasta Pahlawan Nasional Medan , which consists of nine classes. Samples were taken one class determined by simple random sampling technique, VIII 1 as the experimental class and class VIII 1 as the control class. The results were obtained value – average pretest experimental class and the control class 67 at83. After the study was completed, given the posttest and average values obtained 83. It can be concluded thatt there is a significant influence othe model n the model of problem based outbound skills of students in the sbuject shape art in grade VIII SMP Swasta Pahlawan Nasional Medan T.P. 2023/2024.Keywords: outbound, shape art ability, culture art.ABSTRAK Model outbound dapat membantu siswa mengembangkan kemampuan visualisasi dan pengetahuan tentang bentuk secara interaktif dan menyenangkan. Dengan demikian, penelitian ini dapat memberikan informasi tentang sejauh mana model outbound dapat meningkatkan kemampuan menggambar bentuk siswa. Penelitian ini bertujuan untuk mengetahui adanya pengaruh model outbound terhadap kemampuan menggambar bentuk siswa pada mata pelajaran seni budaya di kelas VIII semester I Sekolah Menengah Pertama (SMP) Pahlawan Swasta Medan T.P. 2023/2024. Tujuan lainnya yaitu menganalisis pengaruh model outbound terhadap kemampuan menggambar bentuk siswa pada mata pelajaran seni budaya di kelas VIII semester I Sekolah Menengah Pertama (SMP) Pahlawan Swasta Medan T.P. 2023/2024. Jenis penelitian ini adalah quasi eksperimen dengan populasi seluruh siswa kelas VIII SMP Swasta Pahlawan Medan yang terdiri dari 9 kelas. Sampel penelitian diambil 1 kelas yang ditentukan dengan teknik simple random sampling. Kelas VIII 1 sebagai kelas eksperimen dan kelas VIII 1 sebagai kelas kontrol. Hasil penelitian diperoleh nilai rata-rata pre test kelas eksperimen 67 dan pada kelas kontrol sebesar 83. Dapat disimpulkan bahwa ada pengaruh yang signifikan model outbound terhadap kemampuan menggambar bentuk pada mata pelajaran seni budaya di kelas VIII SMP Swasta Pahlawan Nasional Medan T.P. 2023/2024. Kata Kunci: outbound, kemampuan menggambar bentuk, seni budaya.","PeriodicalId":190724,"journal":{"name":"V-art: Journal of Fine Art","volume":"31 2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125750474","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Bentuk Dan Fungsi Batee Ranup Bagi Masyarakat Aceh","authors":"Syifa Riska, Sembiring Br Sartika, Izzati Fauziana","doi":"10.26887/vartjofa.v2i2.3300","DOIUrl":"https://doi.org/10.26887/vartjofa.v2i2.3300","url":null,"abstract":"ABSTRACT Batee ranup has a variety of shapes and motifs, such as round or round oval shapes that have legs and there are also square shapes in general. Batee ranup has five kinds of forms, namely: Puan, ceurana, karaih, ceureupa, and keurandam. In this study, it used a descriptive qualitative method to describe the shape and function of the batee ranup in the Aceh museumFrom these problems the researcher examines the object of research using descriptive qualitative methods Analysis in data collection was carried out by means of data reduction, data presentation and verification conclusions. Researchers use the theory of from according to Jakob Sumardjo, which is to see the physical from of an object based on the value of artistc materials. The next theory uses Feldman’s theory in the translation of Sp. Gustami, namely the theory of physical function, social function theory, physical function is the creation of an object that can function as a container for placing ranup or other ramp materials.The social function is the function that is created by objects,namely in the form of a bare  ramp container to be used in the traditional life of the Acehnese people in carrying out a tradition. The motifs contained in the batee ranup are: pucok rebong motif (bamboo shoots) boh meuria scale motif (Aceh salak) buya scale motif (crocodile), bungong meulu motif (jasmine flower) bungong tabue motif, (sow flower) puta taloe motif (suluran) , bungong camplie motif, (chili flower) pucok oen paku motif (pucuk aun paku), motif oen paku (nail leaves), bungong jeumpa (cempaka flower),  bungong keupula (cape flower), Bungong gigoe daruet (leaf flower) gayo openwork motif, oen ranup motif (betel leaf).Keywords: batee ranup, shape and functionABSTRAK  Batee ranup adalah wadah yang berbentuk bulat oval maupun persegi pada umumnya yang terbuat dari bahan perak dengan sepuhan emas maupun kuningan dan  mempunyai motif Aceh pada bagian sisi. Batee ranup mempunyai lima macam bentuk yaitu  puan, ceurana, karaih, ceureupa, dan keurandam.  Gedung museum Aceh terletak di wilayah pusat Kota Banda Aceh yang di mana gedung museum Aceh tersebut menyimpan berbagai macam koleksi  benda Aceh  zaman dahulu yang hampir punah di kalangan masyarakat  zaman sekarang.  Museum Aceh tersebut menjadi objek dalam penelitian ini untuk mengkaji bentuk dan fungsi batee ranup. Metode penelitian yang digunakan adalah  metode kualitatif dengan jenis penelitian deskriptif. Analisis dalam pengumpulan data dilakukan dengan cara reduksi data, penyajian data dan penarikan kesimpulan/verifikasi. Peneliti menggunakan teori bentuk menurut Jakob Sumardjo yaitu melihat bentuk fisik sebuah objek dari bentuk batee ranup. Teori selanjutnya menggunakan teori Feldman dalam terjemahan Sp. Gustami yaitu teori fungsi fisik, teori fungsi sosial. Fungsi fisik merupakan ciptaan suatu objek yang dapat berfungsi sebagai wadah untuk meletakkan ranup (sirih) maupun bahan Ranup lainnya. Fungsi sosial yaitu fungsi yang diciptakan","PeriodicalId":190724,"journal":{"name":"V-art: Journal of Fine Art","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124966181","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Dandelion Sebagai Objek Penciptaan Karya Seni Lukis","authors":"Herizqy Herizqy, Erizal Erizal, Armen Nazaruddin","doi":"10.26887/vartjofa.v2i2.3225","DOIUrl":"https://doi.org/10.26887/vartjofa.v2i2.3225","url":null,"abstract":"Dandelion is a flower that comes from Europe and Asia. This flower can regularly release its seeds and is often considered a fruit. The flower head bears many florets, each producing a single seed. Each seed has a parachute that allows it to fly through the air. Five years ago, when still in school, became interested in dandelion flowers. It was the day of the rice harvest, and see the shape of a white ball being swayed by the wind on the edge of the rice fields. Some of the seeds are released and fly in the wind. This event looks so attractive. The approach used is the representational form approach. The techniques used are aquarel, placard, and impasto techniques. The method used is observation, design, and embodiment. First, direct observations were made in the Dandelion flower environment. Then do the design by sketching directly on the canvas. The next stage is the embodiment stage. Cultivation and exploration of techniques on the canvas are carried out until the work is finished. Finally, the presentation is done in the form of an exhibition. The creation of this work succeeded in producing five works entitled “Gelap Ramai,” “Cemas Untung Tenang,” “Cerah dalam Gelap,” “Bolak-Balik,” “Tenang diaduk Senang.”","PeriodicalId":190724,"journal":{"name":"V-art: Journal of Fine Art","volume":"46 3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116390589","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Introspeksi Diri Sebagai Ide Penciptaan Karya Seni Lukis","authors":"Hermi Rofi, Jufrinaldi Jufrinaldi, Hamdan Akromullah","doi":"10.26887/vartjofa.v2i2.2687","DOIUrl":"https://doi.org/10.26887/vartjofa.v2i2.2687","url":null,"abstract":"Self-introspection aims to make peace with oneself and improve oneself to improve the quality of life based on thoughts and feelings. This work is very important for the future so that the same mistakes, which lead to regret, are not repeated. The creation of this painting is an expression of having experienced mistakes made by not thinking about things that harm yourself or others. In the expressionist style, work is a representational form that uses the ideas of deformation and distortion. Method execution consists of two stages: planning and implementation. First, at the planning stage remembering bad events that disturb thoughts and feelings. Then proceed with the embodiment process, namely the work process starting from providing materials, installing canvas cloth, making canvas bases, and making background works, followed by the painting process to finishing. Once the work is framed, it is ready to be presented at the exhibition. This work resulted in five paintings: Regret, Me and My Mind, Endless Illusion, Reflecting, and Past Regrets.","PeriodicalId":190724,"journal":{"name":"V-art: Journal of Fine Art","volume":"42 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121773779","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Trauma Seksualitas Sebagai Ide Penciptaan Seni Lukis","authors":"Zainab Resnawati","doi":"10.26887/vartjofa.v2i2.2761","DOIUrl":"https://doi.org/10.26887/vartjofa.v2i2.2761","url":null,"abstract":"Pelecehan seksual adalah segala macam bentuk perilaku yang berkonotasi atau mengarah kepada hal-hal seksual yang dilakukan secara sepihak, sehingga menimbulkan reaksi negatif seperti malu, marah, benci, tersinggung yang terjadi pada diri individu tersebut. Trauma adalah kondisi yang terjadi akibat dari peristiwa buruk yang menimpa diri seseorang. Peristiwa ini adalah kejadian yang tidak menyenangkan sehingga bila dibiarkan akan menjadi penyakit mental yang buruk. Karena hal tersebut menjadi landasan dalam penciptaan karya seni lukis. Bentuk karya yang dihadirkan adalah karya dua dimensi dengan pendekatan gaya dekoratif, dengan mengkombinasikan abstraksi bentuk didalamnya menggunakan cat akrilik dan kombinasi crayon pada kanvas. Metode  yang dilakukan adalah persiapan, tahap ini melakukan observasi di lingkungan sekitar pengkarya yang terdampak akan trauma seksualitas dan pencarian referensi yang berkaitan dengan tema yang diangkat, selanjutnya tahapan perancangan dilakukan rancangan atau strategi visual, teknik yang digunakan adalah teknik plakat dan aquarel kemudian tahap perwujudan adalah tahap penggarapan dan eksplorasi teknik pada karya hingga selesai, setelah melakukan semua tahap, masuk ketahap penyajian, dimana pada tahapan ini dilakukannya pameran. Perwujudan karya seni lukis ini berhasil menghasilkan lima buah karya yang berjudul “Tak Berbatas”, “Tempang”, “I’m OK”, “cemoohan”, “Feel Guilty”.Kata Kunci : Trauma, Seksualitas, Dekoratif, Abstraksi, Seni Lukis  ","PeriodicalId":190724,"journal":{"name":"V-art: Journal of Fine Art","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121736229","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Ekspresi Takut Sebagai Ide Penciptaan Karya Seni Lukis","authors":"Giva Kurnia, M. Miswar, Yunis Muler","doi":"10.26887/vartjofa.v2i2.2755","DOIUrl":"https://doi.org/10.26887/vartjofa.v2i2.2755","url":null,"abstract":"The artist's experience in childhood with bullying and discrimination is the source of the expression of fear depicted in this work. This experience creates fear that makes artists worse off, reluctant to socialize, and withdrawn. This fear is used as an idea in the creation of paintings. The scope of experience is focused on poor social interactions at school. The form of work created uses a representational approach with changes in the form of distortion and transformation in a surreal style. The method of creation used is preparation, namely reflecting on and recalling the disturbing past. The next stage is the design stage, namely, making alternative sketches. The forming stage begins with the process of transferring the sketch to the canvas and ends with the painting process. After completing all these stages, the work is exhibited. The painting was made using the aquarel technique and the plaque technique. The materials used are acrylic paint and canvas. The creation of this work has resulted in five paintings entitled \"Complaint,\" \"Confused,\" \"Response,\" \"Self Opera,\" and \"The Past.\"","PeriodicalId":190724,"journal":{"name":"V-art: Journal of Fine Art","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132072331","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}