Przegląd Kulturoznawczy最新文献_第8页

Odwrócenie perspektywy. Empatyczna praktyka kolektywu Rotor

Przegląd Kulturoznawczy Pub Date : 2020-08-19 DOI: 10.4467/20843860pk.20.028.12588

K. Siatka

{"title":"Odwrócenie perspektywy. Empatyczna praktyka kolektywu Rotor","authors":"K. Siatka","doi":"10.4467/20843860pk.20.028.12588","DOIUrl":"https://doi.org/10.4467/20843860pk.20.028.12588","url":null,"abstract":"A Reversed Perspective. The Empathetic Practice of the Rotor Collective In this study I reflect upon the project Da quassùètutta un’altra cosa (From Above It Is Something Different Altogether), executed by Rotor in 2018 in Palermo, for the Manifesta 12 European Nomadic Biennial. The Belgian collective of architects and designers attempted to recycle a site and a space in order to give it back to the inhabitants. Pizzo Sella, a picturesque slope in the vicinity of Palermo, is the location in question, where developers began erecting a housing estate in the 1980s. But the construction was never completed, and the artists turned the hollow concrete structures, which are marks of trauma today, into platform-like viewpoints, so producing a unique experience. A reversed perspective, besides offering magnificent outlooks, may contribute to reinstating the human and nature symbiosis. The success of the chosen method is a result of an empathetic research attitude to the materials found in the area. Repurposing destroyed buildings is, to me, an example of the ancient practice of appropriation referred to as spolia. Those I wish to define broadly: as secondary, or reclaimed substances that make cognition possible for a body situated in a relation with the world.","PeriodicalId":187788,"journal":{"name":"Przegląd Kulturoznawczy","volume":"104 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123322690","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

For Now We See through an AI Darkly; but Then Face-to-Face: A Brief Survey of Emotion Recognition in Biometric Art 现在我们通过AI看到黑暗;然后是面对面:生物识别艺术中情绪识别的简要调查

Przegląd Kulturoznawczy Pub Date : 2020-08-19 DOI: 10.4467/20843860pk.20.025.12585

Devon Schiller

{"title":"For Now We See through an AI Darkly; but Then Face-to-Face: A Brief Survey of Emotion Recognition in Biometric Art","authors":"Devon Schiller","doi":"10.4467/20843860pk.20.025.12585","DOIUrl":"https://doi.org/10.4467/20843860pk.20.025.12585","url":null,"abstract":"Our knowledge about the facial expression of emotion may well be entering an age of scientific revolution. Conceptual models for facial behavior and emotion phenomena appear to be undergoing a paradigm shift brought on at least in part by advances made in facial recognition technology and automated facial expression analysis. And the use of technological labor by corporate, government, and institutional agents for extracting data capital from both the static morphology of the face and dynamic movement of the emotions is accelerating. Through a brief survey, the author seeks to introduce what he terms biometric art, a form of new media art on the cutting-edge between this advanced science and technology about the human face. In the last ten years, an increasing number of media artists in countries across the globe have been creating such biometric artworks. And today, awards, exhibitions, and festivals are starting to be dedicated to this new art form. The author explores the making of this biometric art as a critical practice in which artists investigate the roles played by science and technology in society, experimenting, for example, with Basic Emotions Theory, emotion artificial intelligence, and the Facial Action Coding System. Taking a comprehensive view of art, science, and technology, the author surveys the history of design for biometric art that uses facial recognition and emotion recognition, the individuals who create such art and the institutions that support it, as well as how this biometric art is made and what it is about. By so doing, the author contributes to the history, practice, and theory for the facial expression of emotion, sketching an interdisciplinary area of inquiry for further and future research, with relevance to academicians and creatives alike who question how we think about what we feel.","PeriodicalId":187788,"journal":{"name":"Przegląd Kulturoznawczy","volume":"05 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128244651","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Pamięć protetyczna i nierealność czasu w serialu Watchmen

Przegląd Kulturoznawczy Pub Date : 2020-08-19 DOI: 10.4467/20843860pk.20.027.12587

K. Loska

引用次数: 0

“Aliens” Speaking Out: Science Fiction by Autistic Authors “外星人”发声:自闭症作家的科幻小说

Przegląd Kulturoznawczy Pub Date : 2020-08-19 DOI: 10.4467/20843860pk.20.026.12586

A. Kurowicka

{"title":"“Aliens” Speaking Out: Science Fiction by Autistic Authors","authors":"A. Kurowicka","doi":"10.4467/20843860pk.20.026.12586","DOIUrl":"https://doi.org/10.4467/20843860pk.20.026.12586","url":null,"abstract":"This article discusses depiction of autism in science fiction based on three recent American novels written by autistic authors: Ada Hoffman’s The Outside (2019), Kaia Sønderby’s Failure to Communicate (2017), and Selene dePackh’s Troubleshooting (2018). The novels are discussed in the context of debates about diversity in science fiction, depiction of disability in the genre, and disability and autism studies, particularly in reference to concepts such as authorship, self-expression, and rationality. This is followed by an in-depth analysis of the use of utopian and dystopian impulses in science fiction and tropes such as first contact as well as the specificity of autistic perspectives, particularly in Hoffman’s The Outside. The texts propose visions of futures that include disability, specifically autism, and use the narratives of alien encounters to reflect on potential benefits of neurodivergent forms of communication and perception of the world. The article argues that the novels employ science fiction tropes to engage ideas about neurodiversity and cross-cultural communication, contributing both to inclusion of marginalized communities in science fiction and to an expansion of the genre’s repertoire of cultural representations of disability.","PeriodicalId":187788,"journal":{"name":"Przegląd Kulturoznawczy","volume":"168 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132760877","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Słowo „Murzyn” jako perlokucyjny akt mowy

Przegląd Kulturoznawczy Pub Date : 2020-08-19 DOI: 10.4467/20843860pk.20.023.12583

Margaret Ohia-Nowak

{"title":"Słowo „Murzyn” jako perlokucyjny akt mowy","authors":"Margaret Ohia-Nowak","doi":"10.4467/20843860pk.20.023.12583","DOIUrl":"https://doi.org/10.4467/20843860pk.20.023.12583","url":null,"abstract":"The word “Murzyn”as a perlocutionary speech act Whilst an array of words is used by white Poles to describe and denote Black people both outside Poland and within the country itself, in recent years, a heated public debate has taken place in Poland concerning the on-going use of the term Murzyn in everyday speech acts and in public discourse. The word actively reproduces anti-black stereotypes and racist meanings, and also conceals the prejudice, not least by virtue of the fact that a number of White Polish public persons claim that Murzyn is a neutral word used inoffensively to refer to Black people. Recently, as the demonstrations after George Floyd’s death spread across Europe, the continuing use of the term has been widely protested by Poles of African descent, and a growing number of Polish linguists argue against the word’s assumed neutrality. In this article, I draw upon the internalism and externalism in communication theory as I demonstrate perlocutionary effects of the word Murzyn from semi-interviews conducted with black Poles in 2014 and 2020, and utterance of Poles of African descent from media discourse between 2011 and 2020. With regard to the histories, experiences, and perspectives of Black communities in Poland, I argue that the derogatory meaning of the word depends largely on its effects on thoughts and feelings of the recipient, namely the pragmatic perlocution and the externalist communication theory, and less on the intention of the speaker and the internalist communication theory.","PeriodicalId":187788,"journal":{"name":"Przegląd Kulturoznawczy","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116890134","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

Epigenetic Paradigm of Critical Rationality in Being Tomorrow by Catherine Malabou 凯瑟琳·马拉布《明天的存在》中批判理性的表观遗传范式

Przegląd Kulturoznawczy Pub Date : 2020-07-31 DOI: 10.4467/20843860pk.20.020.12384

Paweł Korzeb

{"title":"Epigenetic Paradigm of Critical Rationality in Being Tomorrow by Catherine Malabou","authors":"Paweł Korzeb","doi":"10.4467/20843860pk.20.020.12384","DOIUrl":"https://doi.org/10.4467/20843860pk.20.020.12384","url":null,"abstract":"MALABOU Abstract: Recent tendencies in theory aim at overcoming the Kantian conception of rationality, ques tioning identification of rationality with critique and the autonomy of thinking subject. Speculative realism attempts to eliminate the transcendental level of thinking that is constitutive for critique, by showing its inconsistency with the contingency of the world discovered through modern science. The development of neurobiology provides a perspective of reduction of the independent level of thinking to the neurobiological activity. Both demand a change in the concept of subjectivity and rationality. However, Catherine Malabou, in her book Being Tomorrow: Epigenesis and Rationality , claims that neither speculative realism nor neurobiology can provide a conception of “another rationality” suffi cient for current demands. In counterpart to the philosophical atmosphere of the 21 st century, Being Tomorrow urges us to construct a new paradigm of critical rationality not against Kant, but through a dialogue with his philosophy. This paper examines Malabou’s proposition of the “epigenetic para digm of rationality”, which connects “epigenetic turn” in neurobiology with the interpretation of Critique of Judgement. Before presenting this paradigm, the article describes the context of the book: the importance of the transcendental for continental philosophy, the speculative realist critique of Kantian rationality and tensions between reductive neuroscience and","PeriodicalId":187788,"journal":{"name":"Przegląd Kulturoznawczy","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115408371","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Zmienna trwałość dzieła – problem pamięci sztuki mediów w kontekście wystawy Reinkarnacja sztuki mediów

Przegląd Kulturoznawczy Pub Date : 2020-07-31 DOI: 10.4467/20843860pk.20.018.12382

Sylwia Szykowna

引用次数: 0

W stronę lokacyjnego monologu wypowiedzianego. O eksplorowaniu literackich ucieleśnionych przestrzeni pamięci

Przegląd Kulturoznawczy Pub Date : 2020-07-31 DOI: 10.4467/20843860pk.20.011.12375

Agnieszka Przybyszewska

引用次数: 1

Bizarre Bio-Citizens and the Future of Medicine. The Works of Alexandra Daisy Ginsberg and Agi Haines in the context of Speculative Design and Bioethics 奇异的生物公民和医学的未来。亚历山德拉·黛西·金斯伯格和阿吉·海恩斯的作品在思辨性设计和生命伦理学的语境下

Przegląd Kulturoznawczy Pub Date : 2020-03-31 DOI: 10.4467/20843860pk.20.004.11932

Joanna Jeśman

引用次数: 0

Odwrócona ekonomia symboliczna protestu

Przegląd Kulturoznawczy Pub Date : 2019-11-29 DOI: 10.4467/20843860pk.19.014.11597

Ewa Rewers

引用次数: 1