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Kultura Głuchych – kultura oporu. Rozwój amerykańskiej Kultury Głuchych i konsekwencje jej implementacji w Polsce
Przegląd Kulturoznawczy Pub Date : 2019-11-29 DOI: 10.4467/20843860pk.19.016.11599
Magdalena Zdrodowska
{"title":"Kultura Głuchych – kultura oporu. Rozwój amerykańskiej Kultury Głuchych i konsekwencje jej implementacji w Polsce","authors":"Magdalena Zdrodowska","doi":"10.4467/20843860pk.19.016.11599","DOIUrl":"https://doi.org/10.4467/20843860pk.19.016.11599","url":null,"abstract":"Kultura Gluchych – kultura oporu. Rozwoj amerykanskiej Kultury Gluchych i konsekwencje jej implementacji w Polsce","PeriodicalId":187788,"journal":{"name":"Przegląd Kulturoznawczy","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130476207","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Autorefleksja i postkolonializm w GRASSI Museum für Völkerkunde w Lipsku 亚历山大
Przegląd Kulturoznawczy Pub Date : 2019-11-29 DOI: 10.4467/20843860pk.19.017.11600
Renata Tańczuk
{"title":"Autorefleksja i postkolonializm w GRASSI Museum für Völkerkunde w Lipsku","authors":"Renata Tańczuk","doi":"10.4467/20843860pk.19.017.11600","DOIUrl":"https://doi.org/10.4467/20843860pk.19.017.11600","url":null,"abstract":"","PeriodicalId":187788,"journal":{"name":"Przegląd Kulturoznawczy","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129195201","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Praktyki oporu współczesnego teatru alternatywnego na przykładzie działań artystycznych i pozateatralnych Fundacji Barak Kultury
Przegląd Kulturoznawczy Pub Date : 2019-11-29 DOI: 10.4467/20843860pk.19.019.11602
M. Grenda
{"title":"Praktyki oporu współczesnego teatru alternatywnego na przykładzie działań artystycznych i pozateatralnych Fundacji Barak Kultury","authors":"M. Grenda","doi":"10.4467/20843860pk.19.019.11602","DOIUrl":"https://doi.org/10.4467/20843860pk.19.019.11602","url":null,"abstract":"Praktyki oporu wspolczesnego teatru alternatywnego na przykladzie dzialan artystycznych i pozateatralnych Fundacji Barak Kultury","PeriodicalId":187788,"journal":{"name":"Przegląd Kulturoznawczy","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122744502","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sztuka, nie ropa. Artystyczny aktywizm kolektywu Liberate Tate
Przegląd Kulturoznawczy Pub Date : 2019-11-29 DOI: 10.4467/20843860pk.19.020.11603
K. Maniak
{"title":"Sztuka, nie ropa. Artystyczny aktywizm kolektywu Liberate Tate","authors":"K. Maniak","doi":"10.4467/20843860pk.19.020.11603","DOIUrl":"https://doi.org/10.4467/20843860pk.19.020.11603","url":null,"abstract":": In her article the author analyses the activity of Liberate Tate collective, which was founded in 2010 with the aim to end sponsorship of Tate Gallery by BP oil company. This example of alliance between art and activism may be considered in two ways: in the context of the relation ship between the institution and the artists who attempt to transform the museums, and also through the art of protest against the oil corporation responsible for environment exploitation. The activity of Liberate Tate is compared with others forms of protest, such as Occupy Wall Street or the fight against Dakota Access Pipeline. The framework of interpretation is indicated by the complex reli ance between art, activism and neoliberal capitalism. The ideas of delirium and resistance proposed by Gregory Sholette appear to be particularly useful in explaining the given relations, as well as the notion of practicing deindividualization by activists, who build various alliances and communities of those engaged in creating the envisioned museum.","PeriodicalId":187788,"journal":{"name":"Przegląd Kulturoznawczy","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116856595","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Alterka – waluta buntu? O warszawskiej społeczności „Wymiennik” używającej pieniądza lokalnego
Przegląd Kulturoznawczy Pub Date : 2019-11-29 DOI: 10.4467/20843860pk.19.018.11601
Marlena Rycombel
{"title":"Alterka – waluta buntu? O warszawskiej społeczności „Wymiennik” używającej pieniądza lokalnego","authors":"Marlena Rycombel","doi":"10.4467/20843860pk.19.018.11601","DOIUrl":"https://doi.org/10.4467/20843860pk.19.018.11601","url":null,"abstract":"Alterka – waluta buntu? O warszawskiej spoleczności „Wymiennik” uzywającej pieniądza lokalnego","PeriodicalId":187788,"journal":{"name":"Przegląd Kulturoznawczy","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132984809","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Art as counterpublics? Modes of resistance in contemporary culture 反公众艺术?当代文化中的抵抗模式
Przegląd Kulturoznawczy Pub Date : 2019-11-29 DOI: 10.4467/20843860pk.19.015.11598
E. Majewska
{"title":"Art as counterpublics? Modes of resistance in contemporary culture","authors":"E. Majewska","doi":"10.4467/20843860pk.19.015.11598","DOIUrl":"https://doi.org/10.4467/20843860pk.19.015.11598","url":null,"abstract":"1 Abstract: This article discusses the art projects, which fulfill the function of counterpublics, which I understand, following Nancy Fraser, Alexander Kluge and Oskar Negt, as a critique of the polit ­ ical institutions, which also undermines the public/private divide. Some recent artistic productions in Poland have generated such forms of critique and resistance, allowing voices and demands of various oppressed minorities not only to be represented, but also to enter and initiate public de ­ bates and transform the modes of contestation. They imply another resistance and critique, which overcome the heroic modes of articulation, thus enacting the weak, marginalized and ordinary","PeriodicalId":187788,"journal":{"name":"Przegląd Kulturoznawczy","volume":"1009 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116455700","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
The computer is not a tool to help us do whatever we do, it is what we do, it is the medium on which we work - Dene Grigar in conversation with Piotr Marecki 计算机不是帮助我们做任何事情的工具，它就是我们所做的事情，它是我们工作的媒介——Dene Grigar在与Piotr Marecki的谈话中
Przegląd Kulturoznawczy Pub Date : 2019-11-20 DOI: 10.4467/20843860pk.19.013.10908
Dene Grigar, P. Marecki
{"title":"The computer is not a tool to help us do whatever we do, it is what we do, it is the medium on which we work - Dene Grigar in conversation with Piotr Marecki","authors":"Dene Grigar, P. Marecki","doi":"10.4467/20843860pk.19.013.10908","DOIUrl":"https://doi.org/10.4467/20843860pk.19.013.10908","url":null,"abstract":"The computer is not a tool to help us do whatever we do, it is what we do, it is the medium on which we work – Dene Grigar in conversation with Piotr Marecki","PeriodicalId":187788,"journal":{"name":"Przegląd Kulturoznawczy","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124816594","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Empire of Signals: Techno-Ecology without Nature in Japan 信号帝国:日本没有自然的技术生态
Przegląd Kulturoznawczy Pub Date : 2019-11-20 DOI: 10.4467/20843860pk.19.010.10905
Mitsuhiro Hayashi
{"title":"Empire of Signals: Techno-Ecology without Nature in Japan","authors":"Mitsuhiro Hayashi","doi":"10.4467/20843860pk.19.010.10905","DOIUrl":"https://doi.org/10.4467/20843860pk.19.010.10905","url":null,"abstract":"Along with the development of technology undermining the traditional notion of humanity in Judeo-Christianity, a variety of debates on beyond-human phenomena have emerged since the late twentieth century. However, without waiting for these debates, outside of the West, similar phenomena have occurred even before the late twentieth century. This paper will explore the non-representational forces of human–technology relations in Japan, focusing on the transition of the technological environment from the 1960s to the 1990s. An affective continuum between humans and natural or artificial things, including modern technology in the 1960s, was formed through material interfaces. However, in the 1990s, when electronic technology began to be used to control sensory signals in detail, the equilibrium of representational and non-representational forces became unstable. The paper illustrates an alternate type of humanity-centered limitation which would help to relativize the dominant Western context","PeriodicalId":187788,"journal":{"name":"Przegląd Kulturoznawczy","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114739022","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Posthuman micro-discourses: locality and post-media, post-bodies and post-technologies 后人类微话语:地域与后媒介、后身体与后技术
Przegląd Kulturoznawczy Pub Date : 2019-11-20 DOI: 10.4467/20843860pk.19.007.10902
J. Stasieńko
{"title":"Posthuman micro-discourses: locality and post-media, post-bodies and post-technologies","authors":"J. Stasieńko","doi":"10.4467/20843860pk.19.007.10902","DOIUrl":"https://doi.org/10.4467/20843860pk.19.007.10902","url":null,"abstract":"","PeriodicalId":187788,"journal":{"name":"Przegląd Kulturoznawczy","volume":"95 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117312638","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Non-human Actors in Their “Strongly Possible Worlds”. Constructions of Alternative Universes in Bio Art Projects 非人类演员在他们的“强可能世界”。生物艺术项目中另类宇宙的建构
Przegląd Kulturoznawczy Pub Date : 2019-08-29 DOI: 10.4467/20843860pk.19.009.10904
Ewelina Twardoch-Raś
{"title":"Non-human Actors in Their “Strongly Possible Worlds”. Constructions of Alternative Universes in Bio Art Projects","authors":"Ewelina Twardoch-Raś","doi":"10.4467/20843860pk.19.009.10904","DOIUrl":"https://doi.org/10.4467/20843860pk.19.009.10904","url":null,"abstract":"The article is an introduction that examines certain perspectives of new-materialist research on the ontological status of alternative universes in bio art projects with reference to the narratological concepts of possible worlds and the storyworld. In this context, it introduces the concept of “strongly possible worlds”, which is a complementary concept to the Jan Alber’s theory of impossible worlds. This methodological proposal is also presented in the article in reference to the latest study by Francesca Ferrando, in which the idea of “posthuman multiverse” was presented. The author also considers the role of non-human actors in the process of constructing such “in the world stories” (Bruno Latour). As non-human actors bacteria and living cells are understood, which have their own intentionality (goal-oriented behavior) and which are responsible for causal changes to the project; moreover, non-human actors are considered to be a force that affects the physical shape of storyworlds—with reference to Timothy Morton’s category of hyperobjects. \u0000The article presents two types of experiments involving the process of creation of possible worlds in bio art. The first one is conducted by the artists working with living materials, mostly tissues and cells, as the duo Tissue Culture and Art Project, Alicia King and Guy Ben-Ary and Kirsten Hudson; the other one is so called bacterial art with Sonja Baumel’s “Expanded body”, Pinar Yoldas “Speculative biologies” and “Ecosystem of Excess”, as well as Anna Dumitriu’s artistic vision “The Romantic Disease: An Artistic Investigation of Tuberculosis” and “ArchaeaBot: A Post Climate Change, Post Singularity Life-form” as special case studies.","PeriodicalId":187788,"journal":{"name":"Przegląd Kulturoznawczy","volume":"66 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115624465","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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