Sztuka, nie ropa. Artystyczny aktywizm kolektywu Liberate Tate

K. Maniak
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引用次数: 1

Abstract

: In her article the author analyses the activity of Liberate Tate collective, which was founded in 2010 with the aim to end sponsorship of Tate Gallery by BP oil company. This example of alliance between art and activism may be considered in two ways: in the context of the relation ship between the institution and the artists who attempt to transform the museums, and also through the art of protest against the oil corporation responsible for environment exploitation. The activity of Liberate Tate is compared with others forms of protest, such as Occupy Wall Street or the fight against Dakota Access Pipeline. The framework of interpretation is indicated by the complex reli ance between art, activism and neoliberal capitalism. The ideas of delirium and resistance proposed by Gregory Sholette appear to be particularly useful in explaining the given relations, as well as the notion of practicing deindividualization by activists, who build various alliances and communities of those engaged in creating the envisioned museum.
在她的文章中,作者分析了解放泰特美术馆的活动,该美术馆成立于2010年,旨在结束英国石油公司对泰特美术馆的赞助。这个艺术与行动主义结盟的例子可以从两方面来考虑:在机构与试图改造博物馆的艺术家之间的关系的背景下,也通过艺术抗议负责环境开发的石油公司。解放泰特的活动与其他形式的抗议活动,如占领华尔街或反对达科他输油管道的斗争进行了比较。艺术、行动主义和新自由主义资本主义之间的复杂依赖关系表明了解释的框架。Gregory Sholette提出的谵妄和抵抗的概念似乎在解释给定的关系方面特别有用,以及活动家实践去个性化的概念,他们建立了各种联盟和社区,参与创建设想的博物馆。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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