Media, Culture & Society最新文献_第3页

Rural media studies: making the case for a new subfield 农村媒体研究:为一个新的分支领域做准备

IF 3.3 1区文学

Media, Culture & Society Pub Date : 2023-06-12 DOI: 10.1177/01634437231179348

Geoffrey Hobbis, Marc Esteve-del-Valle, Rashid Gabdulhakov

{"title":"Rural media studies: making the case for a new subfield","authors":"Geoffrey Hobbis, Marc Esteve-del-Valle, Rashid Gabdulhakov","doi":"10.1177/01634437231179348","DOIUrl":"https://doi.org/10.1177/01634437231179348","url":null,"abstract":"It is time for a rural turn in media studies. Media studies are deeply imbricated in urban life. It is where most universities are located. It is where many media scholars live and work. Media workers, too, predominately exist in the urban – at least for now. Embedded in these urban settings, media studies have too often focused on urban perspectives and considered rural dimensions largely from a ‘divides’ perspective, wherein the rural has somehow less than the urban; or media studies have treated the rural as seemingly utopic areas evoking the idyllic and romantic where city dwellers travel or the wild is preserved. But the rural is more than that. Key works on media in the rural do exist but the field lacks articulation. This article is a step towards addressing this weakness. Drawing on examples from three rural areas, those of Europe, Central Asia and Oceania, this article shows how rural media studies have the capacity to question ‘common sense’ assumption in media research and to demonstrate the complexities of contemporary mediascapes. The problems we see include issues of mediated representation and perception, issues of communication and the myriad of societal challenges that come, in particular, with digital transformations.","PeriodicalId":18417,"journal":{"name":"Media, Culture & Society","volume":"52 1","pages":"1489 - 1500"},"PeriodicalIF":3.3,"publicationDate":"2023-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75184764","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 3

Situating #MeToo: a comparative analysis of the movement in Catalonia and Portugal 定位#MeToo:加泰罗尼亚和葡萄牙运动的比较分析

IF 3.3 1区文学

Media, Culture & Society Pub Date : 2023-06-12 DOI: 10.1177/01634437231179351

Marta Roqueta-Fernàndez, Sofia P. Caldeira

{"title":"Situating #MeToo: a comparative analysis of the movement in Catalonia and Portugal","authors":"Marta Roqueta-Fernàndez, Sofia P. Caldeira","doi":"10.1177/01634437231179351","DOIUrl":"https://doi.org/10.1177/01634437231179351","url":null,"abstract":"Since its re-emergence in 2017, the #MeToo movement has been adopted across the globe. #MeToo has a transnational dimension, transcending its initial US context and placing international issues alongside national concerns. This article aims to contextualize and situate #MeToo, providing a critical review of the movement in two local contexts – Catalonia (Spain) and Portugal. The analysis is grounded on empirical observations on social media, drawing as well on previous scholarship on the topic produced both internationally and in the contexts of study, and on the engagement with relevant national media sources. By focusing on national expressions of #MeToo in Portugal and Catalonia, this article explores how #MeToo took shape in (and was shaped by) the local contexts and existing feminist practices. It presents the different temporalities and dynamics of the movement in these two contexts, exploring the roles of both social media and traditional press in the local developments of #MeToo, and also briefly exploring the local legislative implications of the movement. This article thus presents #MeToo as common and easily recognisable frame used in local contexts to approach different issues of sexual and gendered violence, yet flexible enough to allow for national specificities.","PeriodicalId":18417,"journal":{"name":"Media, Culture & Society","volume":"8 1","pages":"1435 - 1452"},"PeriodicalIF":3.3,"publicationDate":"2023-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81230070","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Refugees versus ‘refugees’: the role of Islamophobia in Swedish alternative media’s reporting on Ukrainian asylum seekers 难民与“难民”:伊斯兰恐惧症在瑞典另类媒体对乌克兰寻求庇护者的报道中的作用

IF 3.3 1区文学

Media, Culture & Society Pub Date : 2023-06-08 DOI: 10.1177/01634437231179363

Amanda Palmgren, Mathilda Åkerlund, Lisen Viklund

引用次数: 0

‘Something else’?: international co-production, postcolonial crime fiction and the representation of sexual orientation in The No. 1 Ladies’ Detective Agency TV series “别的东西”?:国际合作制作，后殖民犯罪小说和性取向的表现在第一女子侦探社电视连续剧

IF 3.3 1区文学

Media, Culture & Society Pub Date : 2023-06-05 DOI: 10.1177/01634437231179367

M. Beattie

{"title":"‘Something else’?: international co-production, postcolonial crime fiction and the representation of sexual orientation in The No. 1 Ladies’ Detective Agency TV series","authors":"M. Beattie","doi":"10.1177/01634437231179367","DOIUrl":"https://doi.org/10.1177/01634437231179367","url":null,"abstract":"The No. 1 Ladies’ Detective Agency is both a successful series of novels and a television series which ran for one series on the BBC in 2008. While the books have been criticised on a number of aspects, including its representation of Botswana, the television series has received very little academic attention at all. The television series was an international co-production between the United States, United Kingdom and South Africa, using a mix of American and South African actors in regular and recurring roles with British guest artists and production team despite being shot in Botswana. While the main features of the adaptation were primarily related to a reordering of vignettes from the books into the series, the television series added in a new character, the camp, gay hairdresser BK. At the time the series was airing, same-sex sexual activity was illegal in Botswana though that has since been changed. As such, this paper will discuss the addition of this liminal character into the series through close reading of the text and paratexts (including industrial context). Ultimately the paper will contextualise the addition with regard to both national and sexual identity and debates surrounding African queer identities.","PeriodicalId":18417,"journal":{"name":"Media, Culture & Society","volume":"25 1","pages":"1387 - 1399"},"PeriodicalIF":3.3,"publicationDate":"2023-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82441098","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

‘There’s a lot of freedom you can have with that kind of thing’: vinyl and cassette split releases in the digital age “在这类事情上，你可以有很多自由”:在数字时代，黑胶唱片和卡带唱片可以分开发行

IF 3.3 1区文学

Media, Culture & Society Pub Date : 2023-06-02 DOI: 10.1177/01634437231179347

Benjamin Duester

引用次数: 0

The use of animation in NGOs’ audio-visual communication about solidarity and migration 动画在非政府组织团结与移民视听传播中的运用

IF 3.3 1区文学

Media, Culture & Society Pub Date : 2023-05-05 DOI: 10.1177/01634437231169908

Guglielmo Scafirimuto

引用次数: 0

“Re-stratifying” women: female images in China’s state media from the perspective of social stratification (2011–2020) “重新分层”的女性:社会分层视角下中国官方媒体中的女性形象(2011-2020)

IF 3.3 1区文学

Media, Culture & Society Pub Date : 2023-05-02 DOI: 10.1177/01634437231169912

Min Wang, Qiushui Li

{"title":"“Re-stratifying” women: female images in China’s state media from the perspective of social stratification (2011–2020)","authors":"Min Wang, Qiushui Li","doi":"10.1177/01634437231169912","DOIUrl":"https://doi.org/10.1177/01634437231169912","url":null,"abstract":"In the 2010s, feminism thrived in China amid a transformation in social stratification and a rise in women’s social status. The focus of this study is on the representation of the images of women of various social strata in national news reports. Taking Xinwen Lianbo, a national news program produced by China Central Television, as an example, we analyzed visual representations of 360 female figures from 2011 to 2020. The findings revealed that, rather than reflecting China’s Tǔ-shaped stratification structure, the program depicted an “olive-shaped” pseudo-society in which women of what we term the “middle” stratum constituted the largest portion and served as multifaceted role models, women of the “prominent” stratum served as bellwethers of socioeconomic development, and women of the “ordinary” stratum did not participate in social development. The program’s imagery also created a double standard for domestic duties: Women of the prominent stratum were depicted as disembedded from the social role of housewife and breaking through the career “glass ceiling,” though not achieving equality with men in terms of their positions in society or politics, while women of the ordinary stratum as bearing the ideological reshuffle of conservative gender values. This study suggests a fresh perspective on the great disparities in the representation of women in different strata, which differs from the status of gender and stratum in real society.","PeriodicalId":18417,"journal":{"name":"Media, Culture & Society","volume":"4 1","pages":"1334 - 1353"},"PeriodicalIF":3.3,"publicationDate":"2023-05-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76046973","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Deplatforming “the people”: media populism, racial capitalism, and the regulation of online reactionary networks 让“人民”失去平台:媒体民粹主义、种族资本主义和对在线反动网络的监管

IF 3.3 1区文学

Media, Culture & Society Pub Date : 2023-04-19 DOI: 10.1177/01634437231169909

Reed Van Schenck

{"title":"Deplatforming “the people”: media populism, racial capitalism, and the regulation of online reactionary networks","authors":"Reed Van Schenck","doi":"10.1177/01634437231169909","DOIUrl":"https://doi.org/10.1177/01634437231169909","url":null,"abstract":"This essay contributes to a materialist theory of media populism by criticizing America First, an influential U.S. American reactionary live-stream hosted by Nicholas J. Fuentes, and its Groyper fans. Fuentes has expanded his online presence despite the deplatforming, or administrative suspension, of his social media accounts on account of his antisemitic, antiblack, and sexist hate speech. To understand the ideological ramifications of deplatforming populist influencers, I read clips from America First into the economic and infrastructural context of U.S. far-right subcultures. I argue that media studies must attend to bourgeois digital platform management as a technology which reproduces the undemocratic conditions of racial capitalism. The deplatforming of Fuentes facilitates the ascent of reactionary populism by reinforcing possessive individualism, or a white masculine fantasy of unmediated access to the public. “The people” of populism functions as media whose lost presence naturalizes sovereign violence against marginalized people. Media populism illustrates the need for to move beyond the dichotomy of “mainstream” versus “fringe” platforms to consider the material affinity of bourgeois digital publics and white nationalist provocation.","PeriodicalId":18417,"journal":{"name":"Media, Culture & Society","volume":"24 1","pages":"1317 - 1333"},"PeriodicalIF":3.3,"publicationDate":"2023-04-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85625813","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Twitter trolling of Pakistani female journalists: A patriarchal society glance 推特上对巴基斯坦女记者的挑衅:男权社会的一瞥

IF 3.3 1区文学

Media, Culture & Society Pub Date : 2023-04-19 DOI: 10.1177/01634437231168306

A. Siddiqua, Jiakun Gong, I. Aksar

引用次数: 0

Audiovisual production in Brazil: Will its public support survive the new political scenario? 巴西的视听制作:它的公众支持能在新的政治环境中存活下来吗?

IF 3.3 1区文学

Media, Culture & Society Pub Date : 2023-04-18 DOI: 10.1177/01634437231168309

Othon Fernando Jambeiro Barbosa, Kátia Santos de Morais, Natacha Stefanini Canesso, Juliano Mendonça Domingues da Silva, Milena Silvino Evangelista

{"title":"Audiovisual production in Brazil: Will its public support survive the new political scenario?","authors":"Othon Fernando Jambeiro Barbosa, Kátia Santos de Morais, Natacha Stefanini Canesso, Juliano Mendonça Domingues da Silva, Milena Silvino Evangelista","doi":"10.1177/01634437231168309","DOIUrl":"https://doi.org/10.1177/01634437231168309","url":null,"abstract":"This article discusses public funding of the development of Brazilian audiovisual production and the main agents involved in its conception and implementation. Public policies impacted the total revenue of US$ 4.5 billion of the national audiovisual industry in 2014, representing approximately 0.45% of the national GDP and surpassing the percentage participation of sectors such as the pharmaceutical industry. This article addresses the question of whether this innovative Brazilian policy for promoting audiovisual production can be considered to be wellconsolidated, with a well-structured active production chain. It discusses how the policy originated, how it became institutionalized, and the contribution provided by those who played a key role in its development and implementation (2009–2016). The analysis draws on theories relating to the political economy of communication. The research methods and techniques adopted include analysis of data from Brazilian government agencies, exhibitors, professional and trade-union associations, and media groups.","PeriodicalId":18417,"journal":{"name":"Media, Culture & Society","volume":"26 1","pages":"1258 - 1274"},"PeriodicalIF":3.3,"publicationDate":"2023-04-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81987403","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0