‘Something else’?: international co-production, postcolonial crime fiction and the representation of sexual orientation in The No. 1 Ladies’ Detective Agency TV series

IF 2.3 1区 文学 Q1 COMMUNICATION
M. Beattie
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引用次数: 0

Abstract

The No. 1 Ladies’ Detective Agency is both a successful series of novels and a television series which ran for one series on the BBC in 2008. While the books have been criticised on a number of aspects, including its representation of Botswana, the television series has received very little academic attention at all. The television series was an international co-production between the United States, United Kingdom and South Africa, using a mix of American and South African actors in regular and recurring roles with British guest artists and production team despite being shot in Botswana. While the main features of the adaptation were primarily related to a reordering of vignettes from the books into the series, the television series added in a new character, the camp, gay hairdresser BK. At the time the series was airing, same-sex sexual activity was illegal in Botswana though that has since been changed. As such, this paper will discuss the addition of this liminal character into the series through close reading of the text and paratexts (including industrial context). Ultimately the paper will contextualise the addition with regard to both national and sexual identity and debates surrounding African queer identities.
“别的东西”?:国际合作制作,后殖民犯罪小说和性取向的表现在第一女子侦探社电视连续剧
《第一女子侦探社》既是一部成功的系列小说,也是一部2008年在BBC播出的电视连续剧。虽然这些书在很多方面都受到了批评,包括它对博茨瓦纳的描绘,但这部电视剧却几乎没有得到学术界的关注。这部电视剧是美国、英国和南非的国际联合制作,使用了美国和南非的混合演员在常规和循环角色中与英国的客串艺术家和制作团队,尽管是在博茨瓦纳拍摄的。虽然改编的主要特点是将书中的小插曲重新编排到电视剧中,但电视剧中增加了一个新角色,同性恋理发师BK。在剧集播出时,同性性行为在博茨瓦纳是非法的,尽管后来已经改变了这一规定。因此,本文将通过仔细阅读文本和文本(包括工业背景)来讨论将这个阈限字符添加到系列中。最后,这篇论文将把国家和性别身份以及围绕非洲酷儿身份的辩论结合起来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
6.40
自引率
12.10%
发文量
101
期刊介绍: Media, Culture & Society provides a major international forum for the presentation of research and discussion concerning the media, including the newer information and communication technologies, within their political, economic, cultural and historical contexts. It regularly engages with a wider range of issues in cultural and social analysis. Its focus is on substantive topics and on critique and innovation in theory and method. An interdisciplinary journal, it welcomes contributions in any relevant areas and from a worldwide authorship.
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