Proceedings of the Cambridge Philological Society最新文献

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List of Members of the Cambridge Philological Society 剑桥语言学协会成员名单
Proceedings of the Cambridge Philological Society Pub Date : 1900-01-01 DOI: 10.1017/S0068673500006155
Pnlotocjical ftorotp
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引用次数: 0
κυαμοτρὼξ Ἀττικός in Paulus Silentiarius, Descriptio 125: No Allusion to Simplicius
Proceedings of the Cambridge Philological Society Pub Date : 1900-01-01 DOI: 10.1017/s0068673500003321
Kpivei SE Tootous, OU KvauoTpd£ 'ATTIKOS, Kai TO Qeiov, Kai fJaciAEus EprS£Tai, Tocs fvias, oAcov Exovtes, Kai Aoycov, Kai TTpayndTcov, Kai dvEKaSev fyeu6vas, R. Mccail, Eixe KaAcos, dvSpl 68vEicf, Kai fJapPpcp, Kal yEvous, apxovTi Ttoxephcotatou, Kal Ottcoj, aUTCfl Uettjv
{"title":"κυαμοτρὼξ Ἀττικός in Paulus Silentiarius, Descriptio 125: No Allusion to Simplicius","authors":"Kpivei SE Tootous, OU KvauoTpd£ 'ATTIKOS, Kai TO Qeiov, Kai fJaciAEus EprS£Tai, Tocs fvias, oAcov Exovtes, Kai Aoycov, Kai TTpayndTcov, Kai dvEKaSev fyeu6vas, R. Mccail, Eixe KaAcos, dvSpl 68vEicf, Kai fJapPpcp, Kal yEvous, apxovTi Ttoxephcotatou, Kal Ottcoj, aUTCfl Uettjv","doi":"10.1017/s0068673500003321","DOIUrl":"https://doi.org/10.1017/s0068673500003321","url":null,"abstract":"In a recent discussion of the fortunes of the neoplatonist Academy at Athens after A.D. 529, Mr A. Cameron has interpreted lines 125–7 of Paul the Silentiary's Description of St Sophia as an allusion to Simplicius: 'Tis no bean-eating Athenian who judges these lines, but men of piety and like disposition, men in whom both God and Emperor take pleasure. The clear implication of this abrupt and pointed allusion is that there were in Athens impious men of ‘unlike disposition’ in whom neither God nor Emperor took pleasure… The obvious candidate for Paul's barb would seem to be Simplicius…","PeriodicalId":177773,"journal":{"name":"Proceedings of the Cambridge Philological Society","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122703946","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
What Samuel Butler saw: Classics, authorship and Cultural Authority in late Victorian England 塞缪尔·巴特勒所见:维多利亚晚期英国的经典、作者和文化权威
Proceedings of the Cambridge Philological Society Pub Date : 1900-01-01 DOI: 10.1017/S0068673500000833
T. Whitmarsh
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引用次数: 6
CCJ volume 31 Cover and Back matter CCJ第31卷封面和封底
Proceedings of the Cambridge Philological Society Pub Date : 1900-01-01 DOI: 10.1017/S0068673500005915
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引用次数: 0
Genealogical thinking, Hesiod's Catalogue, and the creation of the Hellenes 宗谱思想,赫西奥德的目录,以及希腊人的创造
Proceedings of the Cambridge Philological Society Pub Date : 1900-01-01 DOI: 10.1017/S0068673500002200
R. Fowler
{"title":"Genealogical thinking, Hesiod's Catalogue, and the creation of the Hellenes","authors":"R. Fowler","doi":"10.1017/S0068673500002200","DOIUrl":"https://doi.org/10.1017/S0068673500002200","url":null,"abstract":"Genealogy was important in early Greece. One thinks readily of aristocratic lineages proudly recited by Homeric heroes, and the family lore carefully recorded by epinician poets; but passing remarks are even more revealing. In the seventh book of the Iliad Nestor tells of an embassy he once led north to Phthia, where he hoped to enlist the aid of Peleus' mighty son in the coming campaign. Welcoming his Argive guests, Peleus asks eagerly about their ‘ancestry and descent’, and hears the answers with much pleasure: In Peleus' part of the country southerners were not often seen. He seeks by his questions to relate the unknown to the known; he is hoping that somewhere in the pedigree a familiar name will turn up to give him a point of reference. Genealogy gives him his bearings. For those within the system a genealogy is a map. They can read its signs. To the names are attached stories, thousands of them; collectively they gave the listeners their sense of history and their place in the world. Hence Peleus' great pleasure in hearing the answers. Centuries later, the Greeks were no different; the sophist Hippias says that the crowds at Olympia like to hear nothing better than his recitations of genealogies.","PeriodicalId":177773,"journal":{"name":"Proceedings of the Cambridge Philological Society","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126141385","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 51
First Meeting 第一次会议
Proceedings of the Cambridge Philological Society Pub Date : 1900-01-01 DOI: 10.1017/s0068673500010154
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引用次数: 0
Euripides' Ion 1132–1165: the tent 欧里庇得斯的离子1132-1165:帐篷
Proceedings of the Cambridge Philological Society Pub Date : 1900-01-01 DOI: 10.1017/S0068673500005034
B. Goff
{"title":"Euripides' Ion 1132–1165: the tent","authors":"B. Goff","doi":"10.1017/S0068673500005034","DOIUrl":"https://doi.org/10.1017/S0068673500005034","url":null,"abstract":"Thirty-three lines in the Ion are devoted to describing the tent in which Ion celebrates his new-found status as heir to Xouthos and the royal line of Athens. The passage may properly be called an ἔκφρασις, a description in language of an artistic object constructed in another medium. An ἔκφρασις in drama differs from those occurring in narrative because material objects in drama retain the potential to be made material, i.e. to appear on the stage, thus dramatically closing the gap between word and world that the ἔκφρασις so patently opens. While this gap remains, the ἔκφρασις makes especially complex demands on the audience's imagination, and in the Ion on their patience too – for the ἔκφρασις must be the antithesis of the action and drama, the progression of the play, a version of which the audience presumably wants and expects from the panting messenger.","PeriodicalId":177773,"journal":{"name":"Proceedings of the Cambridge Philological Society","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125887530","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 12
Second Meeting 第二次会议
Proceedings of the Cambridge Philological Society Pub Date : 1900-01-01 DOI: 10.1017/s0068673500005939
iyw jpd£tr6at
{"title":"Second Meeting","authors":"iyw jpd£tr6at","doi":"10.1017/s0068673500005939","DOIUrl":"https://doi.org/10.1017/s0068673500005939","url":null,"abstract":"XI. 2. Ev/cXe'ous TOV Eu/3aTa. 10. IlroXc/uaiig) TU> yfyevrj/xivia i$ al XpvcrcwroXews. XII. 3. ojs X.v. 7. rrjv crvvoiKiav. 1 1 . AI@V<T<TIOV. 18. ywat. 19. irepijSoAaiov. 22. vTrohrj/iaTtov yvvaiKcicov. 23 . avSpa'ou I—X Ipitav jxaKaKwiv —.. xpvcria. 24. Ipiuiv dpywv. XIII. (1) 3. T<3V Evpu/teSoj/Tos. 12. uVoffKUJros, ouXry. (2) 1. Trpdo~o~<ov CU!TOS. 6. -TOU 'EXtvctVios. 7. ovs apitTTtpoV. 8.","PeriodicalId":177773,"journal":{"name":"Proceedings of the Cambridge Philological Society","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125893873","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Georgics, the Mysteries and the Muses at Rome 乔治,神秘故事和罗马的缪斯
Proceedings of the Cambridge Philological Society Pub Date : 1900-01-01 DOI: 10.1017/S0068673500000882
A. Hardie
{"title":"The Georgics, the Mysteries and the Muses at Rome","authors":"A. Hardie","doi":"10.1017/S0068673500000882","DOIUrl":"https://doi.org/10.1017/S0068673500000882","url":null,"abstract":"In a paper published nearly fifty years ago, Piero Scazzoso traced what he took to be a pattern of mystery allusions in the Georgics. Reflections of telestic initiation and allied concepts of resurrection and salvation were then identified in the Orpheus and Aristaeus episodes in Book 4. Later studies in this area focused variously on the first proem, on Eleusinian references in the ‘farmer's arma’ (1.162–8), on the role of Proserpina, and on the ‘mystic’ beatitudes at the end of the second book. Most recently, Llewelyn Morgan has offered an analysis of the relevance of mystery cult to understanding Vergil's conception of the physical universe and its underlying principles, again with particular reference to the fourth book. With the benefit of this considerable body of work, we are well placed to ask whether Roman readers' understanding of the poem could have been enriched by acquaintance with telestic concepts and procedures. Christine Perkell detected the ‘primacy of mystery’ in the tension between the poet's didactic praecepta and his aspiration to god given knowledge, a reading which might encourage more extended enquiry into the revelatory character of the Georgics.","PeriodicalId":177773,"journal":{"name":"Proceedings of the Cambridge Philological Society","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130123333","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 13
Magic, wonder and Scientific Explanation in Apollonius, Argonautica 4.1638–93 《阿波罗尼乌斯的魔法、奇迹和科学解释》,Argonautica, 4.1638-93
Proceedings of the Cambridge Philological Society Pub Date : 1900-01-01 DOI: 10.1017/S0068673500000845
Nathan M. Powers
{"title":"Magic, wonder and Scientific Explanation in Apollonius, Argonautica 4.1638–93","authors":"Nathan M. Powers","doi":"10.1017/S0068673500000845","DOIUrl":"https://doi.org/10.1017/S0068673500000845","url":null,"abstract":"The last serious challenge faced by the Argonauts in Book 4 of Apollonius is Talos, a gigantic creature of bronze who keeps them from making a sorely needed landing on Crete. Exhausted from several days of uninterrupted rowing, Jason and his heroes despair of circumventing the brute. Medea, however, has a plan. With an extraordinary mental effort, she concentrates an immense rage in her face and eyes; this anger magically befuddles the giant, causing him to lose balance, scrape his ankle (the one vulnerable spot on his brazen body), and topple to his death. This is the final act of witchery performed by Medea in the Argonautica, and it is qualitatively different from her previous feats. Medea abandons the box of drugs and potions that have up to this point facilitated her magic, and casts a spell by ‘setting her mind to evil’ (θ∈μένη δὲ κακὸν νόον, 1669); the spell's effects are immediate and devastating. The reader is left with a vivid impression of Medea as a powerful sorceress, with magical capacities not necessarily expected in the shy young enchantress of Book 3. The Talos episode thus plays an important role within the epic as a whole, by gesturing to the larger story beyond it (best known to us, as to Apollonius, from Euripides' Medea) and to the yet more terrible powers Medea will reveal in time.","PeriodicalId":177773,"journal":{"name":"Proceedings of the Cambridge Philological Society","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129301129","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 16
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