Studies in Costume & Performance最新文献_第2页

Performance Costume: New Perspectives and Methods, Sofia Pantouvaki and Peter McNeil (eds) (2021) 《表演服装:新视角与方法》，索菲亚·潘图瓦基、彼得·麦克尼尔主编(2021)

Studies in Costume & Performance Pub Date : 2022-05-01 DOI: 10.1386/scp_00065_5

E. Sisson

引用次数: 1

The costumed body in motion: Embodied processes of design 运动中的服装身体:设计的具体化过程

Studies in Costume & Performance Pub Date : 2022-05-01 DOI: 10.1386/scp_00057_2

S. Osmond, Veronica Isaac, Nadia Malik

引用次数: 0

The costume designer as co-author of contemporary dance performance: Erika Turunen’s signature style 服装设计师作为当代舞蹈表演的合著者:Erika Turunen的标志性风格

Studies in Costume & Performance Pub Date : 2022-05-01 DOI: 10.1386/scp_00059_1

Tua Helve

引用次数: 1

Modernizing Costume Design: 1820‐1920, Annie Holt (2020) 现代服装设计:1820‐1920，安妮·霍尔特(2020)

Studies in Costume & Performance Pub Date : 2022-05-01 DOI: 10.1386/scp_00068_5

S. Osmond

引用次数: 1

Folk costume as theatrical costume 作为戏剧服装的民间服装

Studies in Costume & Performance Pub Date : 2022-05-01 DOI: 10.1386/scp_00060_1

I. Papantoniou, Sofia Pantouvaki

{"title":"Folk costume as theatrical costume","authors":"I. Papantoniou, Sofia Pantouvaki","doi":"10.1386/scp_00060_1","DOIUrl":"https://doi.org/10.1386/scp_00060_1","url":null,"abstract":"This essay introduces an unpublished talk by Greek stage designer Ioanna Papantoniou (born 1936) entitled ‘Local costume in a theatrical performance’, originally presented at the First Panhellenic Meeting of Ephors (Curators) and Dance Teachers at the Lyceum Club of Greek\u0000 Women in Athens, in November 1990. Prior to and alongside her professional design career in the field of theatre, Papantoniou was actively engaged as a researcher in ethnography studies on Greek local costumes and folk dances. Driven by her passion for the study of Greek local dress combined\u0000 with her professional experience as a stage designer, Papantoniou has given several talks on the connections between theatrical performance and folk traditions, as well as on the interrelationship between local dress and theatrical costume on stage and in festivities. In this talk she conflates\u0000 local costume and folk dance as a form of performance and discusses how these two elements become an artistic creation when it comes to staged performances outside their original setting in a village. Thus, she draws a line between the ‘authentic’ and the staged performance, the\u0000 latter of which is what she considers contemporary folk dancing in reproduced folk costume to be. The published text is based on a transcript of the talk, translated into English, and further edited by costume designer and scholar Sofia Pantouvaki, who also provides an introduction and numerous\u0000 annotations to make the talk accessible by an international audience.","PeriodicalId":177562,"journal":{"name":"Studies in Costume & Performance","volume":"123 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129760742","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Site, Dance and Body: Movement Materials and Corporeal Engagement, Victoria Hunter (2021) 场地，舞蹈和身体:运动材料和身体参与，维多利亚·亨特(2021)

Studies in Costume & Performance Pub Date : 2022-05-01 DOI: 10.1386/scp_00066_5

L. Weir

引用次数: 2

Cinemaddosso: The Costumes of Annamode from Cinecittà to Hollywood, curated by Elisabetta Bruscolini : Palazzo Piccolomini and the Conservatorio S. Carlo in Pienza, Museo Tepotratos in Monticchiello, Italy, 19 June‐15 November 2021 Cinemaddosso: The Costumes of Annamode从Cinecittà到好莱坞,curated由伊丽莎白花生:Piccolomini and The学院大楼S查尔斯。在它们Tepotratos博物馆Monticchiello June‐19,意大利,2021年11月15日

Studies in Costume & Performance Pub Date : 2022-05-01 DOI: 10.1386/scp_00070_5

Sabrina Macchi, S. Marshall

引用次数: 0

Costumographic synergy: Devising the costume performance 服装协同:设计服装表演

Studies in Costume & Performance Pub Date : 2022-05-01 DOI: 10.1386/scp_00062_1

Lorraine Smith

{"title":"Costumographic synergy: Devising the costume performance","authors":"Lorraine Smith","doi":"10.1386/scp_00062_1","DOIUrl":"https://doi.org/10.1386/scp_00062_1","url":null,"abstract":"This research report presents an emergent methodological framework for devising costume performance that offers best practice to the collaborating designer, choreographer and performer. Two distinct practical research case studies, costume performance project Elizabeth & The\u0000 Three Sisters (2016) and costume research project SESSIONS #1‐4, are examined to answer the question: what is an effective working methodology for designing and devising costume performance that creates a synergy between costume/materials and the moving body, and consequently\u0000 design and choreography? The case study research methods include practical experimentation and devising leading to performances, and experiential findings. Research outcomes are contextualized in relation to Tim Ingold’s theories of (active) materials, Jane Bennett’s concept of\u0000 assemblages, collaborative devising processes used in dance making, embodiment and somatics and intentionality and authorship in collective making. This investigation is predominantly discussed from the perspective of the experienced and experiential costume performer ‐ choreographer:\u0000 the ‘embodied subject’ who merges with the costume/materials bringing a unique analysis to the costume and performance research field that is significant to designers, performers, performance makers and scholars. The findings of this report offer practitioners a framework to develop\u0000 an impactful working approach for the devising of costume performance, as well as other performance where costume is (or could be) an integral part of the work.","PeriodicalId":177562,"journal":{"name":"Studies in Costume & Performance","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131869394","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

En Scène! Dessins de Costumes de la Collection Edmond de Rothschild, curated by Mickaël Bouffard, Jérôme de la Gorce and Victoria Fernández Masaguer : Musée du Louvre, Paris, 28 October 2021‐31 January 2022 在舞台!Edmond de Rothschild系列服装设计，由mickael Bouffard, jerome de la Gorce和Victoria fernandez Masaguer策划:卢浮宫，巴黎，2021年10月28日至2022年1月31日

Studies in Costume & Performance Pub Date : 2022-05-01 DOI: 10.1386/scp_00069_5

Petra Dotlačilová

引用次数: 1

Film as Fabric: A visual essay signalling the importance of clothing in expanded cinema performance 电影作为织物:一篇视觉文章，表明服装在扩大电影表演中的重要性

Studies in Costume & Performance Pub Date : 2022-05-01 DOI: 10.1386/scp_00064_3

M. Stark

{"title":"Film as Fabric: A visual essay signalling the importance of clothing in expanded cinema performance","authors":"M. Stark","doi":"10.1386/scp_00064_3","DOIUrl":"https://doi.org/10.1386/scp_00064_3","url":null,"abstract":"In this visual essay, I discuss how clothing made for an expanded cinema performance entitled Film as Fabric took on significance. The live work shows analogue film as fabric and stitching as editing to highlight historical relationships between textile practice and experimental\u0000 filmmaking. The work developed through iterations from 2013 to 2017 as a part of doctorate research carried out from 2012 to 2020. My position as an experimental filmmaker with a background in embroidery grounded the study. Annabel Nicolson’s seminal live expanded cinema performance\u0000 Reel Time (1973), in which she punctured 16mm film with her unthreaded sewing machine, was also a point of departure. Feminist critique from both disciplines ‐ film and textile studies ‐ supported the possibility of repressed relationships between the fields. Feminist\u0000 scholars have repeatedly problematized contextualization of experimental filmmaking as narrow and misplaced (Blaetz 2007; Hatfield 2006; Reynolds 2009, 2012; Rhodes 1979). Until now, connections with textile practice in experimental filmmaking have been largely overlooked, most likely because\u0000 domestic crafts have a long association with women’s work (Barber 1994), are central to deep rooted Western stereotypes of femininity, and remain denigrated art forms (Parker 2010). The development of Film as Fabric led to the creation of hybrid tools, forms and gestures, such\u0000 as optical sounds and moving images made from fabric and stitch patterns. These were measured on the body, cut with dressmaking scissors, stitched, spliced into loops and projected in former cotton mills. This process allowed sounds associated with textile production and my personal textile\u0000 ancestry to re-surface in new ways. The live context demands attention is given to material practices, which typically take place out of sight in the home and the film cutting room and have also recently undergone significant shifts in cultural status.","PeriodicalId":177562,"journal":{"name":"Studies in Costume & Performance","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128585132","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Studies in Costume &amp; Performance最新文献

Studies in Costume & Performance最新文献