Studies in Costume & Performance最新文献

Studies in Costume & Performance Pub Date : 2022-12-01 DOI: 10.1386/scp_00072_2

Mayako Murai

{"title":"‘Costume and Fairy Tales’","authors":"Mayako Murai","doi":"10.1386/scp_00072_2","DOIUrl":"https://doi.org/10.1386/scp_00072_2","url":null,"abstract":"Costume plays an important part both in traditional fairy tales and in their adaptations in diverse media forms. Clothes worn by characters in fairy tales function according to the internal narrative logic that constitutes and organizes the story-world, defining and transforming the wearers’ identities and social contexts. In this sense, fairy-tale clothes can be regarded as costume, defined as the kind of clothes that bears significance within a staged, performed moment for an audience. The ubiquitous persistence of fairy tales in various media intended for both children and adults renders them a means to express social, cultural and psychological anxieties evoking ethical dimensions of individual and collective struggles. As such, the way characters are embodied through their clothes bears significant narrative and performative potential in layering of meanings in performance making. While the relationship between fashion and the fairy tale has been examined in the fields of fashion studies and fairy-tale criticism, the concept of costume in the fairy tale has not yet been sufficiently explored. This Special Issue on ‘Costume and Fairy Tales’, with its interdisciplinary and cross-cultural approach, offers fresh insight into the fields of costume studies, fairy-tale studies, performance studies, and, more broadly, studies of art, narrative and culture across time, space and discipline.","PeriodicalId":177562,"journal":{"name":"Studies in Costume & Performance","volume":"67 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122508362","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Scenography and Art History: Performance Design and Visual Culture, Astrid Von Rosen and Viveka Kjellmer (eds) (2021) 《舞台设计与艺术史:表演设计与视觉文化》，Astrid Von Rosen和Viveka Kjellmer主编(2021)

Studies in Costume & Performance Pub Date : 2022-12-01 DOI: 10.1386/scp_00080_5

Natalie Rewa

引用次数: 3

One of the thorny kind: The Red Queen’s organic armour in Alice through the Looking Glass (2016) 棘手的一种:《爱丽丝镜中奇遇记》(2016)中红皇后的有机盔甲

Studies in Costume & Performance Pub Date : 2022-12-01 DOI: 10.1386/scp_00075_1

Cath Davies

{"title":"One of the thorny kind: The Red Queen’s organic armour in Alice through the Looking Glass (2016)","authors":"Cath Davies","doi":"10.1386/scp_00075_1","DOIUrl":"https://doi.org/10.1386/scp_00075_1","url":null,"abstract":"\u0000 Alice through the Looking Glass () the sequel to Alice in Wonderland () reconfigures Carroll’s tyrannical dictator the Queen of Hearts/Red Queen. The film offers insights into her formative years in the style of Maleficent () and Cruella (), explaining the circumstances that have shaped this formidable diva. Fictional character transformations are often signposted through style and this study addresses the role that costume design plays in the reimagining of this monarch. Clothing and adornment frequently highlight plot and character transitions in fairy-tale narratives and the significance of Colleen Atwood’s ‘organic armour’ garment in fabricating a more nuanced shading for Carroll’s gaudy caricature will be examined. The Red Queen’s affinity with abrasive textures in Carroll’s description of her as ‘thorny’ is a catalyst for fusions and juxtapositions of both smooth and textured materials in this dress, amplifying the interplay between organic and inorganic surfaces in this film. Alice through the Looking Glass and Atwood’s design specifically, not only serves as a conduit for the Red Queen’s transitioning identity, but also provides a platform to appraise ideologies inherent in material surfaces within fairy-tale narratives.","PeriodicalId":177562,"journal":{"name":"Studies in Costume & Performance","volume":"114 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131398628","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Routledge Pantomime Reader, 1800–1900, Jennifer Schacker and Daniel O’Quinn (eds) (2022) 《劳特利奇哑剧读本，1800-1900》，詹妮弗·沙克和丹尼尔·奥奎因编，2022年出版。

Studies in Costume & Performance Pub Date : 2022-12-01 DOI: 10.1386/scp_00079_5

Simon Sladen

引用次数: 0

Red capes, dog gods and demon lords: Making historically plausible Inuyasha cosplay costumes 红色斗篷，狗神和恶魔领主:制作历史上可信的犬夜鹰角色扮演服装

Studies in Costume & Performance Pub Date : 2022-12-01 DOI: 10.1386/scp_00076_1

Emerald L. King

引用次数: 0

The hirahira aesthetics of wrinkled skin: Notes on an ageing dancer in the contemporary ballet world 皱纹皮肤的平平美学:当代芭蕾舞界一位老舞者的笔记

Studies in Costume & Performance Pub Date : 2022-12-01 DOI: 10.1386/scp_00073_1

K. Suganuma

{"title":"The hirahira aesthetics of wrinkled skin: Notes on an ageing dancer in the contemporary ballet world","authors":"K. Suganuma","doi":"10.1386/scp_00073_1","DOIUrl":"https://doi.org/10.1386/scp_00073_1","url":null,"abstract":"This article interprets the skin of an ageing ballerina as costume in the contemporary ballet world in which ageism is predominant. By analysing relatively recent performances and commentaries, in addition to discourses surrounding Yoko Morishita, the 74-year-old prima ballerina with The Matsuyama Ballet, the article discusses the ways in which this woman’s virtuosity sheds new light on the subjectivity of an older dancer on the stage. Drawing on Masuko Honda’s work on girlhood, and also on critical literature from fairy-tale studies, dance studies and queer studies, the article argues that Morishita embodies her naturally aged skin not to further demarcate but in fact to confound the established boundaries between younger and older women in the ballet world. The interpretation that follows of Morishita’s artistry in classical ballet confirms that we must consider the meaning of skin and its relationship to garments when conducting any intersectional analysis of fairy tales and ballet performances. This article thus also is a response to recent calls for artworks and interpretations to voice more diverse forms of subjectivity for old women in the narrative arc of fairy tales. When other older ballerinas begin, like Morishita, to dance princess protagonist roles as a matter of course on the stages of professional ballet companies, the stories to be told about womanhood and femininity will no longer remain simply in the purview of normative gender constructions and associated age discourses.","PeriodicalId":177562,"journal":{"name":"Studies in Costume & Performance","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131807620","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Nightgown parties 睡衣派对

Studies in Costume & Performance Pub Date : 2022-12-01 DOI: 10.1386/scp_00078_3

Kate Bernheimer, Samantha Sweeting, Catriona McAra

引用次数: 0

The Poetry of Simplicity: Fashion and Design According to Monica Bolzoni/Bianca e Blu, Monica Bolzoni, Curated by Anna Di Cesare 简洁的诗歌:Monica Bolzoni/Bianca e Blu, Monica Bolzoni的时尚与设计，由Anna Di Cesare策划

Studies in Costume & Performance Pub Date : 2022-12-01 DOI: 10.1386/scp_00081_5

Silvia Vacirca

引用次数: 0

The invisible cloak: An olfactory experiment and tales of (re)enchantment 隐形斗篷:嗅觉实验和(再)魔法的故事

Studies in Costume & Performance Pub Date : 2022-12-01 DOI: 10.1386/scp_00077_1

Elektra Stampoulou

{"title":"The invisible cloak: An olfactory experiment and tales of (re)enchantment","authors":"Elektra Stampoulou","doi":"10.1386/scp_00077_1","DOIUrl":"https://doi.org/10.1386/scp_00077_1","url":null,"abstract":"If consciously wearing perfume is part of an identity construction process, then could a specifically designed olfactory costume affect the interactions of those wearing it with their environment or perhaps encourage performative behaviour? If so, could narrative components or patterns emerge from this olfactory experience? Perfume might often be described or advertised as enchanting, eerie, charming or alluring among others, scents however are rarely mentioned in fairy and folk tales, the realm of enchantment par excellence. In an effort to activate the human body and the surrounding air with a potential for narrative and explore the possibility of a relationship between scent, storytelling and performativity, I developed [___], an olfactory art piece that wafted through Athens, Greece over a period of four months (September–December 2021). [___] is a scent, given to twenty participants to wear, monitor and optionally document their reactions and those of their environment spontaneously. Following the experiment, discussions with the participants revealed compelling experiences and stories, performative behaviours, fictional accounts, characters and situations at the intersection of the mundane, the creative and the magical. [___], is a redolent experiment that explores potential relationships between bodies, smell, agency, costume, performance and (re)enchantment within the contemporary urban setting.","PeriodicalId":177562,"journal":{"name":"Studies in Costume & Performance","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128291450","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Puss in Boots, ballerina in breeches 穿靴子的猫，穿马裤的芭蕾舞女

Studies in Costume & Performance Pub Date : 2022-12-01 DOI: 10.1386/scp_00074_1

Karin Langer

引用次数: 0

Studies in Costume &amp; Performance最新文献

Studies in Costume & Performance最新文献