Women, Periodicals and Print Culture in Britain, 1830s-1900s最新文献

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Promoting a Do-It-Yourself Spirit: Samuel Beeton’s Young Englishwoman 提倡自己动手的精神:塞缪尔·比顿笔下的年轻英国女人
Women, Periodicals and Print Culture in Britain, 1830s-1900s Pub Date : 2019-05-01 DOI: 10.3366/edinburgh/9781474433907.003.0008
Jennifer Phegley
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引用次数: 0
The ‘Most-Talked-Of Creature in the World’: The ‘American Girl’ in Victorian Print Culture “世界上谈论最多的生物”:维多利亚时代版画文化中的“美国女孩”
Women, Periodicals and Print Culture in Britain, 1830s-1900s Pub Date : 2019-04-30 DOI: 10.3366/edinburgh/9781474433907.003.0013
B. Nicholson
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引用次数: 0
Beauty Advertising and Advice in the Queen and Woman 《女王与女人》中的美容广告与建议
Women, Periodicals and Print Culture in Britain, 1830s-1900s Pub Date : 2019-04-01 DOI: 10.3366/edinburgh/9781474433907.003.0015
Michelle Smith
{"title":"Beauty Advertising and Advice in the Queen and Woman","authors":"Michelle Smith","doi":"10.3366/edinburgh/9781474433907.003.0015","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474433907.003.0015","url":null,"abstract":"In this essay, Michelle J. Smith explores the ‘visually spectacular’ advertisements for cosmetics that appeared in late Victorian women’s periodicals (p. 218). Focusing specifically on the Queen (1861–1970) and Woman (1890–1912), she argues that editorial and advertising content were aligned in their treatment of cosmetics, recommending natural beauty over artifice, personal hygiene over self-fashioning. Advertisements figured older actresses as models of natural beauty rather than as practitioners of the cosmetic arts. Meanwhile, editorials, along with the ‘advice provided in advice columns and articles,’ enabled the woman reader to ‘negotiate acceptable use of branded products in tandem with home-made methods and daily attention to a beauty regimen grounded in hygiene’ (p. 229). Cutting-edge cosmetic preparations and technologies of image reproduction were thus used to disseminate rather conventional ideas about women’s health, natural beauty, and artless femininity.","PeriodicalId":174109,"journal":{"name":"Women, Periodicals and Print Culture in Britain, 1830s-1900s","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131245504","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Gender, Anonymity, and Humour in Women’s Writing for Punch 《潘趣》杂志女性写作中的性别、匿名和幽默
Women, Periodicals and Print Culture in Britain, 1830s-1900s Pub Date : 2019-04-01 DOI: 10.3366/edinburgh/9781474433907.003.0022
K. Birch
{"title":"Gender, Anonymity, and Humour in Women’s Writing for Punch","authors":"K. Birch","doi":"10.3366/edinburgh/9781474433907.003.0022","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474433907.003.0022","url":null,"abstract":"Where existing scholarship on anonymity tends to focus on its liberating effects for women who wrote on ‘serious’ (masculine) subject matter, in this essay Katy Birch considers the transgressive possibilities that the obfuscation of identity created for female humourists. The female contributors to Punch (1841–2002) discussed in this essay are shown to have harnessed the practice of anonymity in order to circumvent the gendered dictates of comic journalism. In the contributions of May Kendall (1861–1943), for example, we see the deconstruction of the masculine triptych of science, humour, and brotherhood through the strategic deployment of anonymity, which accorded Kendall and other female humourists the authority to move beyond the social limitations imposed on them by their gender. Yet as Birch cautions, women writers’ use of the anonymous voice ultimately both imprisoned and emancipated them, not only in the sense that the practice ‘prevented these writers from receiving recognition for their work’ but also because anonymity did nothing ‘to combat the societal prejudice against female-authored comedy’ (p. 362).","PeriodicalId":174109,"journal":{"name":"Women, Periodicals and Print Culture in Britain, 1830s-1900s","volume":"229 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116440218","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Women Editors’ Transnational Networks in the Englishwoman’s Domestic Magazine and Myra’s Journal 英国女性家庭杂志与迈拉杂志中的女性编辑跨国网络
Women, Periodicals and Print Culture in Britain, 1830s-1900s Pub Date : 1900-01-01 DOI: 10.3366/edinburgh/9781474433907.003.0004
Marianne Van Remoortel
{"title":"Women Editors’ Transnational Networks in the Englishwoman’s Domestic Magazine and Myra’s Journal","authors":"Marianne Van Remoortel","doi":"10.3366/edinburgh/9781474433907.003.0004","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474433907.003.0004","url":null,"abstract":"This chapter considers the transnational collaboration between Samuel Beeton’s Englishwoman’s Domestic Magazine and the French magazine Le Moniteur de la mode, run by Beeton’s French counterpart Adolphe Goubaud. Using a range of historical source material, Van Remoortel explores the behind-the-scenes contributions made by women to the success of this venture and to each magazine. In particular, she argues that Louise Goubaud’s contribution to the emergence of the cheap fashion press ‘has been consistently misunderstood’ and that Beeton’s trailblazing status was in fact indebted to her work in a range of ways (47). In democratising women’s access to fashion and design, the Englishwoman’s Domestic Magazine ‘promoted a new kind of femininity’ (46). Indeed, the pattern postal service made fashion more accessible in literal terms as well, bringing international fashion into the lives of women who were unlikely to find themselves in the boutiques of Paris. Van Remoortel’s essay brings to the fore the significance of transnational exchange, a topic highlighted in a number of other essays in this volume.","PeriodicalId":174109,"journal":{"name":"Women, Periodicals and Print Culture in Britain, 1830s-1900s","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128385888","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
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