{"title":"提倡自己动手的精神:塞缪尔·比顿笔下的年轻英国女人","authors":"Jennifer Phegley","doi":"10.3366/edinburgh/9781474433907.003.0008","DOIUrl":null,"url":null,"abstract":"This chapter focuses attention on the domestic-feminine ideal promoted in the 1860s by the Young Englishwoman (1864–77), a successful fashion and domestic magazine that has received scant scholarly attention on account of its ostensibly overt didacticism. While the magazine’s concentration on fashion, needlework, and household management may have contributed to its being overlooked by previous scholars, Phegley significantly recasts the magazine’s domestic preoccupations in more progressive terms. The Young Englishwoman emerges in this account as an important cultural space for the championing of female agency in the domestic sphere through the promotion of what Phegley calls a ‘do-it-yourself spirit’ among nascent domestic managers (104). By stressing female agency, education, and independent consumerism on the home front, the magazine trained young women to be, in the words of Isabella Beeton (1836–65), ‘the commander of an army’ (108).","PeriodicalId":174109,"journal":{"name":"Women, Periodicals and Print Culture in Britain, 1830s-1900s","volume":"45 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Promoting a Do-It-Yourself Spirit: Samuel Beeton’s Young Englishwoman\",\"authors\":\"Jennifer Phegley\",\"doi\":\"10.3366/edinburgh/9781474433907.003.0008\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter focuses attention on the domestic-feminine ideal promoted in the 1860s by the Young Englishwoman (1864–77), a successful fashion and domestic magazine that has received scant scholarly attention on account of its ostensibly overt didacticism. While the magazine’s concentration on fashion, needlework, and household management may have contributed to its being overlooked by previous scholars, Phegley significantly recasts the magazine’s domestic preoccupations in more progressive terms. The Young Englishwoman emerges in this account as an important cultural space for the championing of female agency in the domestic sphere through the promotion of what Phegley calls a ‘do-it-yourself spirit’ among nascent domestic managers (104). By stressing female agency, education, and independent consumerism on the home front, the magazine trained young women to be, in the words of Isabella Beeton (1836–65), ‘the commander of an army’ (108).\",\"PeriodicalId\":174109,\"journal\":{\"name\":\"Women, Periodicals and Print Culture in Britain, 1830s-1900s\",\"volume\":\"45 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-05-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Women, Periodicals and Print Culture in Britain, 1830s-1900s\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/edinburgh/9781474433907.003.0008\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Women, Periodicals and Print Culture in Britain, 1830s-1900s","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/edinburgh/9781474433907.003.0008","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Promoting a Do-It-Yourself Spirit: Samuel Beeton’s Young Englishwoman
This chapter focuses attention on the domestic-feminine ideal promoted in the 1860s by the Young Englishwoman (1864–77), a successful fashion and domestic magazine that has received scant scholarly attention on account of its ostensibly overt didacticism. While the magazine’s concentration on fashion, needlework, and household management may have contributed to its being overlooked by previous scholars, Phegley significantly recasts the magazine’s domestic preoccupations in more progressive terms. The Young Englishwoman emerges in this account as an important cultural space for the championing of female agency in the domestic sphere through the promotion of what Phegley calls a ‘do-it-yourself spirit’ among nascent domestic managers (104). By stressing female agency, education, and independent consumerism on the home front, the magazine trained young women to be, in the words of Isabella Beeton (1836–65), ‘the commander of an army’ (108).