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Su La città morta, Tragedia 关于死亡之城，悲剧
Archivio d’Annunzio Pub Date : 2021-10-21 DOI: 10.30687/ada/2421-292x/2021/01/001
P. Guaragnella
{"title":"Su La città morta, Tragedia","authors":"P. Guaragnella","doi":"10.30687/ada/2421-292x/2021/01/001","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2021/01/001","url":null,"abstract":"Luigi Pirandello wrote in a review about d’Annunzio’s La città morta that “no one, today fortunately, speaks like the characters in this tragedy”. However, indirectly replying to him as to other detractors, d’Annunzio observed that those who criticised his work showed that they “did not understand what tragic art is”. In support of his poetics, d’Annunzio cited the Sophocles models of Agamennone and Antigone. But there is more. D’Annunzio founded a theatre of ‘high’ speech, which was counterpointed by the silences of the characters and an action that took place mainly in the ‘interiors’. This choice made it possible to propose a peculiar furnishing philosophy related to sepulchral aspects and an intense idea of death. Above all, it was the notion of time that was deeply traversed by d’Annunzio’s experience of the tragic, a sign that the discovery of the tombs of the Atrides – the central topic of the work – on the one hand cancelled the “errors of time“ suspended between a remote past and an inert present, but on the other hand it exhumed a world of terrible passions like incestuous drives. This was intended to be the profound meaning of the tragic theatre founded by d’Annunzio with La città morta.","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"108 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115070009","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
L’anomalia incipitaria del Giovanni Episcopo
Archivio d’Annunzio Pub Date : 2021-10-21 DOI: 10.30687/ada/2421-292x/2021/01/006
Ilaria Crotti
{"title":"L’anomalia incipitaria del Giovanni Episcopo","authors":"Ilaria Crotti","doi":"10.30687/ada/2421-292x/2021/01/006","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2021/01/006","url":null,"abstract":"The essay examines the peculiarities, both formal and of content, of Giovanni Episcopo (1891), considering its incipit – a mimetically connoted space, compared to those of d’Annunzio’s novels that frame him. Particular attention was paid to the debate that was dedicated to the genre of the novel, in its various formulations, also related to the writings of the self (confession, memory, autobiography). This happens in a season marked by restless research, measuring itself against theoretical and aesthetic horizons determined to reread in dialectical terms the lesson already imparted by French Naturalism.","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"134 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123208651","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Il gioco delle antifrasi nell’incipit della Fiaccola sotto il moggio 在吊灯下的引线上的变句游戏
Archivio d’Annunzio Pub Date : 2021-10-21 DOI: 10.30687/ada/2421-292x/2021/01/004
L. Pasquini
{"title":"Il gioco delle antifrasi nell’incipit della Fiaccola sotto il moggio","authors":"L. Pasquini","doi":"10.30687/ada/2421-292x/2021/01/004","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2021/01/004","url":null,"abstract":"The textual incipit of the second Abruzzo tragedy by Gabriele d’Annunzio, La fiaccola sotto il moggio (1905), defines its character in close relationship with three literary references: the Vangeli (of Luca, Matteo and Marco), the Coefore of Eschilo and La figlia di Iorio (1903; ed. 1904) by the poet himself. The analysis of the first portion of the dramaturgical text shows how, starting from the initial atmospheres, the author loves the game of antiphrastic references with those works, which constitute the filigree of the poetic construction through thematic and conceptual references. Above all, the inverse morality that animates Gigliola, the protagonist, emerges in relation with the evangelical premises contained in the title, as well as the subversion of the tragic order of the classical matrix which also inspires the text.","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121182825","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
«Amore su la ruina»: strategie del desiderio mimetico nel primo libro del Forse che sì forse che no 在第一本书中，也许是，也许不是，模仿欲望的策略
Archivio d’Annunzio Pub Date : 2021-10-21 DOI: 10.30687/ada/2421-292x/2021/01/009
A. Gialloreto
{"title":"«Amore su la ruina»: strategie del desiderio mimetico nel primo libro del Forse che sì forse che no","authors":"A. Gialloreto","doi":"10.30687/ada/2421-292x/2021/01/009","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2021/01/009","url":null,"abstract":"The aim of this paper is to investigate the first chapter of Forse che sì forse che no (1910). D’Annunzio’s last novel brings together the myths of the technical age, celebrated by Futurism, and the conflicting forces of forbidden desire, debilitating eros, madness and fascination with the past. The structure of the chapter, after the beginning dedicated to the challenge of speed and the taste for danger, finds its centre of gravity in the long sequence of the visit to Palazzo Gonzaga, a scene from which variations on the themes of the double, incest, the decline of humanistic civilisation and a dense network of intertextual references unfold. Particular prominence is given to the comparison with Vernon Lee’s writings dedicated to Mantua and the labyrinth.","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116966734","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Gli incipit nelle opere francesi di d’Annunzio 在达南齐奥的法国作品中
Archivio d’Annunzio Pub Date : 2021-10-21 DOI: 10.30687/ada/2421-292x/2021/01/005
Paola Martinuzzi
{"title":"Gli incipit nelle opere francesi di d’Annunzio","authors":"Paola Martinuzzi","doi":"10.30687/ada/2421-292x/2021/01/005","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2021/01/005","url":null,"abstract":"This paper focuses on the incipit of d’Annunzio’s plays written in French and first staged on French theatres. It analyses on one hand the thematic and structural link between the first scene of the play and the dramatic development and, on the other, the correspondences with French theatrical poetics.","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"99 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116105642","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Gabriele d’Annunzio. Francesca da Rimini, a cura di Donato Pirovano Gabriele d’Annunzio。弗朗西斯卡·里米尼，多纳托·皮罗瓦诺编辑
Archivio d’Annunzio Pub Date : 2021-10-21 DOI: 10.30687/ada/2421-292x/2021/01/016
P. Puppa
{"title":"Gabriele d’Annunzio. Francesca da Rimini, a cura di Donato Pirovano","authors":"P. Puppa","doi":"10.30687/ada/2421-292x/2021/01/016","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2021/01/016","url":null,"abstract":"D’Annunzio, G. (2018). Francesca da Rimini. A cura di D. Pirovano. Roma: Salerno editrice, 280 pp.","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"67 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129974409","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
L’ultima variante di Francesca da Rimini 最后一个来自里米尼的弗朗西斯卡
Archivio d’Annunzio Pub Date : 2021-10-21 DOI: 10.30687/ada/2421-292x/2021/01/002
E. Maiolini
{"title":"L’ultima variante di Francesca da Rimini","authors":"E. Maiolini","doi":"10.30687/ada/2421-292x/2021/01/002","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2021/01/002","url":null,"abstract":"The article informs about the variation in Francesca da Rimini’s explicit between the printed edition (1902) and the autographed manuscript written in the summer of 1901. The reasons of this variation are reconstructed thanks to the documents kept in the Biblioteca Nazionale Centrale of Rome, in the Archivio Eleonora Duse of the Istituto per il Teatro e il Melodramma of the Fondazione Giorgio Cini in Venice and in the Georges Hérelle collection of the Médiathèque Jacques-Chirac of Troyes.","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"139 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132743181","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sulle onde del «canto dell’antico sangue»: incipit ed explicit di La figlia di Iorio 关于“古老的血之歌”的波浪:Iorio的女儿的开场白和解释
Archivio d’Annunzio Pub Date : 2021-10-21 DOI: 10.30687/ada/2421-292x/2021/01/003
A. Sgroi
{"title":"Sulle onde del «canto dell’antico sangue»: incipit ed explicit di La figlia di Iorio","authors":"A. Sgroi","doi":"10.30687/ada/2421-292x/2021/01/003","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2021/01/003","url":null,"abstract":"The pastoral drama La figlia di Iorio (1904) is a concentrate of musical and linguistic experiments. Incipit and explicit have a very important function in it. In fact, they characterise the ‘stacchi’ or ties that characterise this text with a complex and undulating architecture, similar to a symphony. In this essay, these very important moments in the economy of tragedy are analysed.","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127857326","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Le lettere di Gabriele d’Annunzio a Virginio Avi. Una corrispondenza politica Il Fondo Tursi presso la Fondazione Giorgio Cini e la Biblioteca Nazionale Marciana di Venezia 加布里埃尔·达南齐奥给维姬·阿维的信。图西基金与乔治·西尼基金会和威尼斯国家图书馆的政治通信
Archivio d’Annunzio Pub Date : 2021-10-21 DOI: 10.30687/ada/2421-292x/2021/01/014
Roberta Favia
{"title":"Le lettere di Gabriele d’Annunzio a Virginio Avi. Una corrispondenza politica\u0000 Il Fondo Tursi presso la Fondazione Giorgio Cini e la Biblioteca Nazionale Marciana di Venezia","authors":"Roberta Favia","doi":"10.30687/ada/2421-292x/2021/01/014","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2021/01/014","url":null,"abstract":"The Tursi Fund, kept at the Cini Foundation and the Marciana Library in Venice, largely unpublished, preserves an important and unexplored heritage referring to the ‘Venetian period’ of d’Annunzio and to the political and military commitment in aviation during the first world conflict. The essay presents an integral and chronologically reconstruction of the entire collection with particular attention to the letters sent by d’Annunzio to Virginio Avi, director of the Gazzetta di Venezia between 1916 and 1918.","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"75 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126177873","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Gabriele d’Annunzio. Studi su Gesù. Appunti, Taccuini, Parabole, a cura di Angelo Piero Cappello Gabriele d’Annunzio。耶稣研究。笔记，笔记本，寓言，安吉洛·皮耶罗的帽子
Archivio d’Annunzio Pub Date : 2021-10-21 DOI: 10.30687/ada/2421-292x/2021/01/017
P. Gibellini
{"title":"Gabriele d’Annunzio. Studi su Gesù. Appunti, Taccuini, Parabole, a cura di Angelo Piero Cappello","authors":"P. Gibellini","doi":"10.30687/ada/2421-292x/2021/01/017","DOIUrl":"https://doi.org/10.30687/ada/2421-292x/2021/01/017","url":null,"abstract":"D’Annunzio, G. (2021). Studi su Gesù. Appunti, Taccuini, Parabole. A cura di A.P. Cappello. Prefazione di G.B. Guerri. Pescara: Ianieri, 280 pp.","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115076278","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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