关于“古老的血之歌”的波浪:Iorio的女儿的开场白和解释

Archivio d’Annunzio Pub Date : 2021-10-21 DOI:10.30687/ada/2421-292x/2021/01/003

A. Sgroi

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摘要

田园戏剧《爱的少女》(1904)是音乐和语言实验的结晶。初始和显式在其中起着非常重要的作用。事实上，它们以复杂而起伏的结构特征来描述文本的“斯塔奇”或联系，类似于交响乐。本文对悲剧经济中的这些重要时刻进行了分析。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Sulle onde del «canto dell’antico sangue»: incipit ed explicit di La figlia di Iorio

The pastoral drama La figlia di Iorio (1904) is a concentrate of musical and linguistic experiments. Incipit and explicit have a very important function in it. In fact, they characterise the ‘stacchi’ or ties that characterise this text with a complex and undulating architecture, similar to a symphony. In this essay, these very important moments in the economy of tragedy are analysed.

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Archivio d’Annunzio

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