Ilaria Crotti
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摘要

本文考察了《乔瓦尼·埃普斯科波》(Giovanni Episcopo, 1891)在形式上和内容上的特殊性,考虑到它的开端——一个模仿的隐含空间,与那些塑造他的达南齐奥小说相比。特别值得注意的是关于小说类型的辩论,在其各种形式中,也与自我的写作(忏悔,记忆,自传)有关。这发生在一个以不安分的研究为标志的季节,衡量自己与理论和美学的视野,决心以辩证的方式重新阅读法国自然主义已经传授的教训。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
L’anomalia incipitaria del Giovanni Episcopo
The essay examines the peculiarities, both formal and of content, of Giovanni Episcopo (1891), considering its incipit – a mimetically connoted space, compared to those of d’Annunzio’s novels that frame him. Particular attention was paid to the debate that was dedicated to the genre of the novel, in its various formulations, also related to the writings of the self (confession, memory, autobiography). This happens in a season marked by restless research, measuring itself against theoretical and aesthetic horizons determined to reread in dialectical terms the lesson already imparted by French Naturalism.
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