Journal of Paper Conservation最新文献_第5页

Art in Translation: Parchment, Parchemin, Pergament: 18th-, 19th-, and 20th Century Authors on the History and Manufacture of Parchment (Issue 13.4, 2021) 翻译中的艺术:羊皮纸，羊皮纸，段落:18 -，19 -和20世纪作者对羊皮纸的历史和制造(第13.4期，2021年)

Journal of Paper Conservation Pub Date : 2021-10-02 DOI: 10.1080/18680860.2021.1956289

Caroline Danforth

引用次数: 0

Anthony Gerald Cains, a Retrospective 安东尼·杰拉德·凯恩回顾展

Journal of Paper Conservation Pub Date : 2021-10-02 DOI: 10.1080/18680860.2021.2020561

H. Voorheis

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Beyond Repair: Reflections on Late Medieval Parchment Scarf-Joined Repairs 超越修复:对中世纪晚期羊皮纸围巾连接修复的思考

Journal of Paper Conservation Pub Date : 2021-10-02 DOI: 10.1080/18680860.2021.2007040

Nancy K. Turner

{"title":"Beyond Repair: Reflections on Late Medieval Parchment Scarf-Joined Repairs","authors":"Nancy K. Turner","doi":"10.1080/18680860.2021.2007040","DOIUrl":"https://doi.org/10.1080/18680860.2021.2007040","url":null,"abstract":"ABSTRACT The permanence of parchment, its salvage-ability and persistence, is demonstrated by the centuries-long tradition of medieval parchment repair. Some conservators of rare books and manuscripts, including Anthony Cains, have recommended parchment be repaired with parchment, paper with paper. This contribution contrasts Cains’s method for parchment repair with late medieval parchment repair techniques. Medieval scarf-joinery, a technique not recommended as modern conservation practice for reasons outlined, ought to be better recognized in medieval manuscripts as interventions that go well beyond repair. With examples ranging in date from the thirteenth to the fifteenth centuries, medieval scarf-joined parchment repairs are appreciated for their invisibility and as sites for embellishment and concealment. By revealing the presence of these repairs, we might better recognize issues affecting a manuscript’s condition while understanding the purposes to which scarf-joinery methods were deployed. As expressions of craft refinement and as evident ‘workmanship of risk’, late medieval scarf-joined parchment repair techniques are appreciated not as ancillary to a manuscript’s production, but as sometimes even central to its original construction.","PeriodicalId":16666,"journal":{"name":"Journal of Paper Conservation","volume":"14 1","pages":"131 - 155"},"PeriodicalIF":0.0,"publicationDate":"2021-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82757257","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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The Foundation of the Conservation Laboratory 保护实验室的基金

Journal of Paper Conservation Pub Date : 2021-10-02 DOI: 10.1080/18680860.2021.1983742

W. Vaughan

{"title":"The Foundation of the Conservation Laboratory","authors":"W. Vaughan","doi":"10.1080/18680860.2021.1983742","DOIUrl":"https://doi.org/10.1080/18680860.2021.1983742","url":null,"abstract":"The Conservation Laboratory was opened on 29 May 1974 by the Provost, A. J. McConnell. Michael Viney’s report in the Irish Times mentioned that the technical director was Anthony Cains, and that Sir Frank Francis, the former director of the British Museum, spoke of the changes that had led to the conviction that the conservation of books and manuscripts should be taken as seriously as conservation in ‘the fine arts’ (Simmons, 1978). There are fuller accounts of Francis’s speech in the papers of the Conservation Laboratory itself, a collection consisting mainly of Cains’s papers. Francis’s most topical point was that the flooding of the Arno in 1966, when mud and water damaged over a million volumes in the Biblioteca Nazionale Centrale in Florence, revealed the shortcomings of conservation techniques: there was a ‘distressing’ lack of information on how to treat damaged books, little was known about the historical development of ‘book structure’, and ‘there was also a lack of universal acceptance of standards on the individual stages of restoration’. Cains had been Technical Director of Conservation at the Biblioteca Nazionale Centrale di Firenze from 1967 to 1972, where he had supervised a staff of ninety. The Keeper of Manuscripts, William O’Sullivan, who was not mentioned in Viney’s report, went over much the same ground as Francis in an article in Trinity Trust News; he described how he had gone to see Cains in Florence after the flood:","PeriodicalId":16666,"journal":{"name":"Journal of Paper Conservation","volume":"37 1","pages":"48 - 54"},"PeriodicalIF":0.0,"publicationDate":"2021-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73155199","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Portrait of a tool maker, artist and perfectionist: a visit to Tony's workshop - a photo essay 一个工具制造者、艺术家和完美主义者的肖像:参观托尼的工作室——一篇摄影随笔

Journal of Paper Conservation Pub Date : 2021-10-02 DOI: 10.1080/18680860.2021.1982640

É. Lévêque

{"title":"Portrait of a tool maker, artist and perfectionist: a visit to Tony's workshop - a photo essay","authors":"É. Lévêque","doi":"10.1080/18680860.2021.1982640","DOIUrl":"https://doi.org/10.1080/18680860.2021.1982640","url":null,"abstract":"I never had the opportunity to meet Tony Cains, although of course I knew who he was -but who doesn’t?! During 2010-2012, I worked in the National Library of Ireland as a Heritage Council intern. I was working with Matthew Cains. The lab didn’t have a dedicated book conservator at the time so only basic tools were available; as a result, Matthew would ask Tony which of his tools would suit best the purpose of my work, and conveniently borrow them for me. I was being loaned things that were in every book conservator’s studio, such as clips to flatten parchment, tying-up boards, etc., but these tools stood out, because they were all perfect for the task I was doing! In terms of materials, design, manufacture, everything. They were a mixture of tools custommade by Tony, or modified by him, or just bought somewhere, but always perfectly adapted to their purpose. I think you would still struggle to find tools of this quality anywhere, even from the best suppliers. Because of this, I wanted to explore the studio he had set up at home and get the people who knew his work best Matthew Cains and John Gillis, to tell me the stories behind the objects. This selection of Tony’s tools presented here reflects what could have been a motto of “do the job well or not at all”. I’m immensely grateful to Matthew for opening the door of memories and for digging to help us find as many treasures as possible, and to John to whom I had sold the project as in need of a bit of help but who ended up spending hours looking for photographs and writing captions (Figures 1–31). Elodie Lévêque Captions: John Gillis, Matthew Cains and Elodie Lévêque.","PeriodicalId":16666,"journal":{"name":"Journal of Paper Conservation","volume":"104 1","pages":"55 - 69"},"PeriodicalIF":0.0,"publicationDate":"2021-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86664440","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Tony Cains RIP 托尼·凯恩安息吧

Journal of Paper Conservation Pub Date : 2021-10-02 DOI: 10.1080/18680860.2021.1969531

Maighread McParland

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Tony Cains – My Memories 托尼·凯恩——我的回忆

Journal of Paper Conservation Pub Date : 2021-10-02 DOI: 10.1080/18680860.2021.1997531

Paula Voorheis

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Recollections of Tony Cains and his Approach to the Treatment of Parchment Manuscripts 托尼·凯恩斯的回忆和他对羊皮纸手稿的处理方法

Journal of Paper Conservation Pub Date : 2021-10-02 DOI: 10.1080/18680860.2022.2027731

Abigail B. Quandt

引用次数: 1

Study and Conservation: Codicology and Minimal Conservation Treatment of a 10th-Century Sacramentary 研究与保存:一份10世纪圣礼的法典学与最低限度的保存处理

Journal of Paper Conservation Pub Date : 2021-10-02 DOI: 10.1080/18680860.2021.2009315

K. Eckstein

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Anthony Cains covering the Ellesmere Chaucer 安东尼·凯恩报道埃尔斯米尔·乔叟

Journal of Paper Conservation Pub Date : 2021-10-02 DOI: 10.1080/18680860.2021.2060661

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