{"title":"Shaftesbury’s Dictionary of Terms of Art","authors":"Ulrike Kern","doi":"10.24425/rhs.2020.136890","DOIUrl":"https://doi.org/10.24425/rhs.2020.136890","url":null,"abstract":"acquainted with the foreign modern tongues, viz. Italian or French. 37","PeriodicalId":165428,"journal":{"name":"Rocznik Historii Sztuki","volume":"259 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138975551","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Twórczość Feliksa Stanisława Jasińskiego (1862–1901) i problemy graficznych odwzorowań dzieł sztuki","authors":"Katarzyna Ubysz-Piasecka","doi":"10.24425/rhs.2020.136892","DOIUrl":"https://doi.org/10.24425/rhs.2020.136892","url":null,"abstract":"The article discusses the complex issues related to 19 th -century reproductive prints. Its starting point is the oeuvre of Feliks Stanisław Jasiński, a Polish engraver who was mainly active in France. He specialized in reproductive prints of works of art, and is a relatively wellknown and researched figure in the history of Polish graphic arts. Outlining the context for his activities also becomes a contribution to reflections on the place of reproductive prints in 19th century artistic culture, as well as an attempt to define a framework for considering this type of graphic production. In citing various examples of modern reproductive graphics, its diversity is proven. Theses on the primacy of the criterion of “fidelity” and technological determination in the history of reproduction are rejected. Instead, the complex links between this field and various aspects of artistic culture are pointed out. Particular emphasis is placed on the links between the functions, form and production methods of such prints. Chief consideration is given to the type of reproductive graphics made by using traditional metal techniques, which apart from their informative functions, also performed important artistic functions, as evidenced by the described phenomena occurring with - in this field in the second half of the 19th century, and the accompanying written tradition, formed since the 18th century.","PeriodicalId":165428,"journal":{"name":"Rocznik Historii Sztuki","volume":"41 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139003163","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Henry Home, A. Grzeliński, Kinga Kaśkiewicz, Łukasz Matelski
{"title":"Henry Home, Standard smaku","authors":"Henry Home, A. Grzeliński, Kinga Kaśkiewicz, Łukasz Matelski","doi":"10.24425/rhs.2023.147056","DOIUrl":"https://doi.org/10.24425/rhs.2023.147056","url":null,"abstract":"","PeriodicalId":165428,"journal":{"name":"Rocznik Historii Sztuki","volume":"27 17","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138591205","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Poza światem – wizje zaświatów do czasów Dantego (na marginesie odwołanej wystawy)","authors":"A. Ziemba","doi":"10.24425/rhs.2023.147053","DOIUrl":"https://doi.org/10.24425/rhs.2023.147053","url":null,"abstract":"","PeriodicalId":165428,"journal":{"name":"Rocznik Historii Sztuki","volume":"62 14","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138597298","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Johann Joachim Winckelmann: eseje Uwaga o sposobach oglądania dzieł sztuki oraz Wdzięk w dziełach sztuki","authors":"Johann Joachim Winckelmann, Kamilla Najdek","doi":"10.24425/rhs.2023.147057","DOIUrl":"https://doi.org/10.24425/rhs.2023.147057","url":null,"abstract":"","PeriodicalId":165428,"journal":{"name":"Rocznik Historii Sztuki","volume":"50 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138596232","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"„W rytmie ducha narodu i spółczesności”, czyli praca modernizmu a (geo)logiczny rdzeń polskiego teatru monumentalnego","authors":"Joanna Stacewicz-Podlipska","doi":"10.24425/rhs.2023.147051","DOIUrl":"https://doi.org/10.24425/rhs.2023.147051","url":null,"abstract":": The phenomenon of the so-called Polish monumental theatre has for nearly a century resisted attempts at conceptualization. Created by artists living in a transitional period and formed in a peculiar “trans-era” mental space, this theatre was wrought from a hybrid substance that combined a Romantic and post-Romantic content with an avant-garde form. Being “simultaneously national and supra-national”, it appeared as a unique conceptual and artistic construct; a construct that was touted as the innovative Polish input into the reform of European thea - tre. Owing to the heterogeneity of its subject-matter, it was at times included into","PeriodicalId":165428,"journal":{"name":"Rocznik Historii Sztuki","volume":"29 7","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138596497","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Biografia i sztuka. O dwóch „Samarytankach” Jacka Malczewskiego","authors":"Michał Haake","doi":"10.24425/rhs.2023.147052","DOIUrl":"https://doi.org/10.24425/rhs.2023.147052","url":null,"abstract":": The article discusses Jacek Malczewski’s paintings based on the Gospel, in which the artist depicts Christ giving him his own face. It presents a new interpretation of the paintings from this group, taking as an ex - ample two versions","PeriodicalId":165428,"journal":{"name":"Rocznik Historii Sztuki","volume":"37 24","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138597577","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"„Genialna pomysłowość i wyjątkowa poezja”. Maria Anto i polska sztuka XX wieku oczami Dino Buzzatiego","authors":"Matteo Piccin","doi":"10.24425/rhs.2023.147054","DOIUrl":"https://doi.org/10.24425/rhs.2023.147054","url":null,"abstract":"","PeriodicalId":165428,"journal":{"name":"Rocznik Historii Sztuki","volume":"43 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138596556","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Dawni mistrzowie w czerni i bieli. Reprodukcje graficzne Charles’a Normanda i Friedricha Johna ze zbiorów Muzeum narodowego w Krakowie jako przykłady smaku artystycznego początku XIX wieku","authors":"Filip Chmieleski","doi":"10.24425/rhs.2023.147048","DOIUrl":"https://doi.org/10.24425/rhs.2023.147048","url":null,"abstract":": The purpose of the article is to give an overview of two extensive sets of graphics reproductions of European Old Masters painting taken from album publications at the beginning of the 19th century. The first set of prints is a French catalogue-compendium Annales du Musée Napoleon , with illustrations by Charles Normand, the second is an album Kupferstiche von John , containing copper engravings by Friedrich John. The present article was an attempt to characterize both groups of reproduction prints in connection with the ideas of the time on the importance of Old Master schools of painting as well as artistic circles and the artists themselves, then widely used in contemporary publications on European art and the documentation of Old Masters paintings in private and museum collections","PeriodicalId":165428,"journal":{"name":"Rocznik Historii Sztuki","volume":"65 35","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138594755","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Teatr… ogromny. Wizje i (niedoszła) realizacja teatru dramatycznego w Lublinie jako exemplum nowoczesnej architektury teatralnej","authors":"Piotr Majewski","doi":"10.24425/rhs.2023.147050","DOIUrl":"https://doi.org/10.24425/rhs.2023.147050","url":null,"abstract":": The article presents the history of the competition and design of the building originally intended for the Juliusz Osterwa Theatre in Lublin (currently the Centre for the Meeting of Cultures). Both the concepts of the location of the building and urban conditions were discussed, as well as various conceptual designs of the theatre, awarded and distinguished in an architectural competition at the turn of the 1950s and 1960s. In the further part of the article, the concept of the experimental scene, proposed by Kazimierz Braun in the early 1970s, is discussed. The background for the reconstruction of the history of the design and construction of the building are changes in the style and arrangement of the modern theatre architecture, with particular emphasis on Central and Eastern Europe.","PeriodicalId":165428,"journal":{"name":"Rocznik Historii Sztuki","volume":"59 9","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138597419","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}