„W rytmie ducha narodu i spółczesności”, czyli praca modernizmu a (geo)logiczny rdzeń polskiego teatru monumentalnego

Abstract

: The phenomenon of the so-called Polish monumental theatre has for nearly a century resisted attempts at conceptualization. Created by artists living in a transitional period and formed in a peculiar “trans-era” mental space, this theatre was wrought from a hybrid substance that combined a Romantic and post-Romantic content with an avant-garde form. Being “simultaneously national and supra-national”, it appeared as a unique conceptual and artistic construct; a construct that was touted as the innovative Polish input into the reform of European thea - tre. Owing to the heterogeneity of its subject-matter, it was at times included into