{"title":"Malarstwo Marii Anto a sztuka artystek-surrealistek. Próba porównania","authors":"A. Wasieczko","doi":"10.24425/rhs.2023.147055","DOIUrl":"https://doi.org/10.24425/rhs.2023.147055","url":null,"abstract":": The aim of this article is to interpret Maria Anto’s painting in a new light and compare it with the art of women associated with the international Surrealist avant-garde. The Polish painter shared a similar sensibility with the Surrealists. Creating very personal, atmospheric works, they took up common themes and motifs in their works","PeriodicalId":165428,"journal":{"name":"Rocznik Historii Sztuki","volume":"55 17","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138597720","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Gest archeologiczny: Akram Zaatari w archiwum fotograficznym studia Szeherezada","authors":"Zofia Chojnacka","doi":"10.24425/rhs.2023.147049","DOIUrl":"https://doi.org/10.24425/rhs.2023.147049","url":null,"abstract":": Remarkable contemporary Lebanese artist Akram Zaatari reveals a complicated post-war situation of multicultural society of the Middle East in the context of the Ottoman Empire. He compares his conceptual artis - tic practice to the work of the archaeologist on excavations. Being the artist-as-archivist, he recalls the European humanism in the heroic version of existentialism","PeriodicalId":165428,"journal":{"name":"Rocznik Historii Sztuki","volume":"53 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138596794","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"147047","authors":"","doi":"10.24425/rhs.2023.147047","DOIUrl":"https://doi.org/10.24425/rhs.2023.147047","url":null,"abstract":"","PeriodicalId":165428,"journal":{"name":"Rocznik Historii Sztuki","volume":"281 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128635658","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"„Mają i rzeczy łzy swoje”. Wergil, relikwie i fetysze w Puławach Izabeli Czartoryskiej","authors":"A. Musiał","doi":"10.24425/rhs.2022.142499","DOIUrl":"https://doi.org/10.24425/rhs.2022.142499","url":null,"abstract":"","PeriodicalId":165428,"journal":{"name":"Rocznik Historii Sztuki","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-02-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127226600","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Sztuka i jej cień. Sztuka w ujęciu Emmanuela Levinasa w kontekście zwrotu estetycznego w fenomenologii francuskiej","authors":"M. Murawska","doi":"10.24425/rhs.2022.142496","DOIUrl":"https://doi.org/10.24425/rhs.2022.142496","url":null,"abstract":"","PeriodicalId":165428,"journal":{"name":"Rocznik Historii Sztuki","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-02-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126072580","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"W stronę rewizjonistycznej historii sztuki feministycznej w Polsce","authors":"A. Jakubowska","doi":"10.24425/rhs.2022.142502","DOIUrl":"https://doi.org/10.24425/rhs.2022.142502","url":null,"abstract":"","PeriodicalId":165428,"journal":{"name":"Rocznik Historii Sztuki","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-02-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132647613","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Subtelny urok światła, bogactwo dekoracji. Architektura kościoła parafialnego w Czarncy","authors":"A. Stankiewicz","doi":"10.24425/rhs.2022.142500","DOIUrl":"https://doi.org/10.24425/rhs.2022.142500","url":null,"abstract":"","PeriodicalId":165428,"journal":{"name":"Rocznik Historii Sztuki","volume":"302 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-02-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124317437","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Logika paradoksu. Droga krytycznego racjonalizmu w metodologii historii sztuki","authors":"S. Czekalski","doi":"10.24425/rhs.2022.142497","DOIUrl":"https://doi.org/10.24425/rhs.2022.142497","url":null,"abstract":"","PeriodicalId":165428,"journal":{"name":"Rocznik Historii Sztuki","volume":"129 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-02-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121920575","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Powroty do Kobro: rekonfiguracje mitu i figura „wielkiej artystki”","authors":"Agnieszka Rejniak-Majewska","doi":"10.24425/rhs.2022.142503","DOIUrl":"https://doi.org/10.24425/rhs.2022.142503","url":null,"abstract":"","PeriodicalId":165428,"journal":{"name":"Rocznik Historii Sztuki","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-02-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125592962","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}