考古学姿态：谢赫拉扎德工作室摄影档案中的阿克拉姆-扎塔里

Rocznik Historii Sztuki Pub Date : 2023-12-06 DOI:10.24425/rhs.2023.147049

Zofia Chojnacka

{"title":"考古学姿态：谢赫拉扎德工作室摄影档案中的阿克拉姆-扎塔里","authors":"Zofia Chojnacka","doi":"10.24425/rhs.2023.147049","DOIUrl":null,"url":null,"abstract":": Remarkable contemporary Lebanese artist Akram Zaatari reveals a complicated post-war situation of multicultural society of the Middle East in the context of the Ottoman Empire. He compares his conceptual artis - tic practice to the work of the archaeologist on excavations. Being the artist-as-archivist, he recalls the European humanism in the heroic version of existentialism","PeriodicalId":165428,"journal":{"name":"Rocznik Historii Sztuki","volume":"53 2","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Gest archeologiczny: Akram Zaatari w archiwum fotograficznym studia Szeherezada\",\"authors\":\"Zofia Chojnacka\",\"doi\":\"10.24425/rhs.2023.147049\",\"DOIUrl\":null,\"url\":null,\"abstract\":\": Remarkable contemporary Lebanese artist Akram Zaatari reveals a complicated post-war situation of multicultural society of the Middle East in the context of the Ottoman Empire. He compares his conceptual artis - tic practice to the work of the archaeologist on excavations. Being the artist-as-archivist, he recalls the European humanism in the heroic version of existentialism\",\"PeriodicalId\":165428,\"journal\":{\"name\":\"Rocznik Historii Sztuki\",\"volume\":\"53 2\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-12-06\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Rocznik Historii Sztuki\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.24425/rhs.2023.147049\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Rocznik Historii Sztuki","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.24425/rhs.2023.147049","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}

引用次数: 0

摘要

:杰出的黎巴嫩当代艺术家Akram Zaatari在奥斯曼帝国的背景下揭示了中东战后多元文化社会的复杂局面。他把他的观念艺术实践比作考古学家的挖掘工作。作为一个作为档案的艺术家，他在存在主义的英雄版本中回忆起欧洲的人文主义

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

Gest archeologiczny: Akram Zaatari w archiwum fotograficznym studia Szeherezada

: Remarkable contemporary Lebanese artist Akram Zaatari reveals a complicated post-war situation of multicultural society of the Middle East in the context of the Ottoman Empire. He compares his conceptual artis - tic practice to the work of the archaeologist on excavations. Being the artist-as-archivist, he recalls the European humanism in the heroic version of existentialism

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

Rocznik Historii Sztuki

自引率

0.00%

发文量