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5. Jean-Luc Godard’s Histoire(s) du cinéma or Cinema Surpasses Itself 5. 让-吕克·戈达尔的故事(s) du电影或电影超过本身
Post-cinema Pub Date : 2020-09-29 DOI: 10.1515/9789048551941-007
C. Scemama
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引用次数: 0
2. The Incipit of Beaches of Agnès (Les plages d’Agnès) An Installation in the Form of a Self-portrait 2. 《agn<e:1>海滩的起源》(Les plages d ' agn<e:1>)自画像形式的装置作品
Post-cinema Pub Date : 2020-09-29 DOI: 10.1515/9789048551941-004
J. Moure
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引用次数: 0
17. Per aspera ad astra, or Through Postcinema Toward Cinema, the Reverse Journey of Ilya Khrzhanovsky’s DAU 17. 从后电影走向电影，伊利亚·赫扎诺夫斯基DAU的反向之旅
Post-cinema Pub Date : 2020-09-29 DOI: 10.1515/9789048551941-019
Eugénie Zvonkine
{"title":"17. Per aspera ad astra, or Through Postcinema Toward Cinema, the Reverse Journey of Ilya Khrzhanovsky’s DAU","authors":"Eugénie Zvonkine","doi":"10.1515/9789048551941-019","DOIUrl":"https://doi.org/10.1515/9789048551941-019","url":null,"abstract":"What is DAU? Is it Ilya Khrzhanovsky’s project or films or main character?\u0000 In order to clarify this complexity, Eugénie Zvonkine proposes “write[ing]\u0000 DAU for the whole project, Dau for the films and Dau to designate the main\u0000 character.” Fascinated by the story of a man known by the nickname Dau\u0000 who professed freedom in private life in contradiction with the political\u0000 USSR Stalinist regime of fear and terror, young filmmaker Khrzhanovsky\u0000 decided to adapt this story into a series of films, Dau, which include huge\u0000 installations, investing, in particular, in the Parisian Théâtre du Chatelet\u0000 and the Théâtre de la Ville, giving the whole DAU project the fascinating\u0000 scale of a total artwork.","PeriodicalId":162773,"journal":{"name":"Post-cinema","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130394691","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Mutation, Appropriation and Style 变异、挪用和风格
Post-cinema Pub Date : 2020-09-29 DOI: 10.2307/j.ctv1b0fvtp.10
Victor Burgin
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引用次数: 0
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