变异、挪用和风格

Victor Burgin
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摘要

维克多·伯金(Victor Burgin)的文本提供了对他所谓的“摄影实践领域”的技术变革的理论反思。他假设“电影”引导我们的思想走向“技术突变”,而“艺术”唤起了“意识形态经济挪用”。Burgin将“关键辩论”系列的出版物——屏幕和故事——作为推理主题的框架,并添加了数字与当代融合所产生的虚拟对象的概念,强调了以复杂性和情感相结合为特征的新型“电影叙事形式”的出现。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Mutation, Appropriation and Style
Victor Burgin’s text provides a theoretical reflection on the technological transformations of what he calls the “field of ‘photofilmic’ practices.” He postulates that “cinema” directs our minds to “technological mutation,” while “art” evokes the “ideologico-economic appropriation.” Using as a framework of reasoning themes that gave rise to the publications of the Key Debates series – screen and stories – and adding the idea of virtual object as resulting from the convergence of the digital with the contemporary, Burgin highlights the advent of new “photofilmic narrative forms” characterized by the combination of complexity and affectivity.”
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