17. 从后电影走向电影,伊利亚·赫扎诺夫斯基DAU的反向之旅

Eugénie Zvonkine
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引用次数: 0

摘要

什么是DAU?这是伊利亚·赫扎诺夫斯基的项目、电影还是主角?为了澄清这种复杂性,eugnie Zvonkine建议“将DAU写为整个项目,将DAU写为电影,将DAU指定为主角。”年轻的电影制片人khzhanovsky被一个绰号为Dau的人的故事所吸引,他宣称私人生活的自由与苏联斯大林主义政权的恐惧和恐怖相矛盾,他决定将这个故事改编成一系列电影《Dau》,其中包括巨大的装置,特别是在巴黎的th tre du Chatelet和th tre de la Ville,给整个Dau项目一个迷人的艺术作品规模。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
17. Per aspera ad astra, or Through Postcinema Toward Cinema, the Reverse Journey of Ilya Khrzhanovsky’s DAU
What is DAU? Is it Ilya Khrzhanovsky’s project or films or main character? In order to clarify this complexity, Eugénie Zvonkine proposes “write[ing] DAU for the whole project, Dau for the films and Dau to designate the main character.” Fascinated by the story of a man known by the nickname Dau who professed freedom in private life in contradiction with the political USSR Stalinist regime of fear and terror, young filmmaker Khrzhanovsky decided to adapt this story into a series of films, Dau, which include huge installations, investing, in particular, in the Parisian Théâtre du Chatelet and the Théâtre de la Ville, giving the whole DAU project the fascinating scale of a total artwork.
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