5. 让-吕克·戈达尔的故事(s) du电影或电影超过本身

Post-cinema Pub Date : 2020-09-29 DOI:10.1515/9789048551941-007

C. Scemama

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摘要

这个文本,这构成了席琳让概论的书故事(s) du电影德让-吕克·戈达尔:拉faible d一个艺术,是一种双重致敬:席琳,小心翼翼地破译了多个艺术引用包含在戈达尔的杰作和JLG,从一开始他的作品里弗维形象(2018),寻求的顽固发明电影这门艺术的本质。《电影史》介于蒙田的随笔和伦勃朗的自画像之间，也介于电影的起源和后艺术的命运之间。

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5. Jean-Luc Godard’s Histoire(s) du cinéma or Cinema Surpasses Itself

This text, which constitutes the introduction to Céline Scemama’s book Histoire(s) du cinéma de Jean-Luc Godard: La force faible d’un art, is a double tribute: to Céline, who scrupulously deciphered the multiple artistic references contained in Godard’s masterpiece and to JLG who, from the start of his oeuvre to Livre d’images (2018), sought in the obstinate invention of a post-cinema the very essence of this art. Halfway between Montaigne’s essay and Rembrandt’s self-portrait, Histoire(s) du cinema is also halfway between the origin of cinema and its destiny as post-art.

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Post-cinema

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