{"title":"The “Possible Infinities”","authors":"","doi":"10.1525/california/9780520291195.003.0500","DOIUrl":"https://doi.org/10.1525/california/9780520291195.003.0500","url":null,"abstract":"This section attests to the doubts and anxieties of Nono's last decade. It brings together his most radically questioning reflections, which go hand in hand with a poetic approach very different from that adopted in the past. It is marked by the productive uncertainties and the utopian openness that are typical of his last, but earnest, creative phase. The texts cover topics such as other ways of listening, and how to consider the field of sounds: not in relation to three or four sounds as Ligeti and Stockhausen or others do, but to maintain different subdivisions, different relationships, and the different capacity of the ear and especially of technique.","PeriodicalId":161816,"journal":{"name":"Nostalgia for the Future","volume":"3 3","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131614312","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“Conscience, Feelings, Collective Reality”","authors":"","doi":"10.1525/california/9780520291195.003.0300","DOIUrl":"https://doi.org/10.1525/california/9780520291195.003.0300","url":null,"abstract":"This section is devoted to Nono's characteristic expressions as a “political” composer of the 1960s and 1970s. It considers the urgency of grounding the work of composition in an understanding of the historical emergence of social configurations, and represents the logical development of the program announced in 1959 with “Historical Presence of Music Today.” This, in fact, is the prelude to the passionate resumption of the Sartrian question “Why write?”, which, at the turn of a decade, is transformed into a harsh and thorough polemic against contemporary European avant-garde music. During those years, his orientation toward a politically focused musical production was sharpened and radicalized. It was aligned both with an agenda derived from a “progressive” reading of national culture and with that of the international workers' movement.","PeriodicalId":161816,"journal":{"name":"Nostalgia for the Future","volume":"89 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121099979","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"An Autobiography of the Author Recounted by Enzo Restagno","authors":"","doi":"10.1525/california/9780520291195.003.0003","DOIUrl":"https://doi.org/10.1525/california/9780520291195.003.0003","url":null,"abstract":"This chapter presents the long autobiographical interview of Luigi Nono collated and organized by critic Enzo Restagno in 1987. Nono answers questions such as when and under what circumstances his life began to be affected by music; the circumstances in which he met Bruno Maderna for the first time; what he enjoyed studying in high school; the meaning of “Missa Di dadi”; the meaning of the resurgence of his interest in Bellini, and what this music meant for him in the past when he first discovered it; his observations about the musical use of silence; and the cyclical process of his works.","PeriodicalId":161816,"journal":{"name":"Nostalgia for the Future","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134644147","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Interview with Michelangelo Zurletti","authors":"","doi":"10.1525/california/9780520291195.003.0050","DOIUrl":"https://doi.org/10.1525/california/9780520291195.003.0050","url":null,"abstract":"This chapter presents an interview with Michelangelo Zurletti. It covers topics such as the split that took place between music theory and practice; whether the Italian conditions, the rare opportunities for work, force potential researchers to take what they can find; and the discovery of live electronics. He says that tape is no longer used, and, therefore, nothing is predetermined. The starting point is the study of sound in relation to the sound space, conducted analytically in Freiburg. The genuinely new factor is the musical component of the space. One works for days with the space to understand what can be done. No longer is there a predetermined distribution of the orchestral sound, but rather a sound that is newly created time after time.","PeriodicalId":161816,"journal":{"name":"Nostalgia for the Future","volume":"112 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124586336","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“Proust” Questionnaire","authors":"Charlotte Brontë’s","doi":"10.1525/california/9780520291195.003.0060","DOIUrl":"https://doi.org/10.1525/california/9780520291195.003.0060","url":null,"abstract":"This chapter presents Nono's answers to a variety of questions. Among these questions are: What for you is the greatest disaster? Where would you like to live? What is your idea of perfect happiness? What errors do you forgive most readily? Your favorite heroes in literature? Your best-loved historical figure? Your most popular heroines in poetry? Your favorite painters? Your favorite composers? What qualities do you most value in men? What qualities do you most value in women? Your favorite occupation? Who would you have liked to be? The main trait of your character? What do you value most in your friends? Your greatest mistake? What historical figure do you despise the most?","PeriodicalId":161816,"journal":{"name":"Nostalgia for the Future","volume":"240 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123001795","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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