{"title":"Excursus IV. Technology to Discover a Universe of Sounds: Interview with Walter Prati and Roberto Masotti (1983)","authors":"","doi":"10.1525/9780520965027-010","DOIUrl":"https://doi.org/10.1525/9780520965027-010","url":null,"abstract":"","PeriodicalId":161816,"journal":{"name":"Nostalgia for the Future","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130085552","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"General Index","authors":"","doi":"10.1525/9780520965027-018","DOIUrl":"https://doi.org/10.1525/9780520965027-018","url":null,"abstract":"","PeriodicalId":161816,"journal":{"name":"Nostalgia for the Future","volume":"210 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134451928","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Frontmatter","authors":"","doi":"10.1525/9780520965027-fm","DOIUrl":"https://doi.org/10.1525/9780520965027-fm","url":null,"abstract":"","PeriodicalId":161816,"journal":{"name":"Nostalgia for the Future","volume":"105 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124747916","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Part five. The “Possible Infi nities”","authors":"","doi":"10.1525/9780520965027-013","DOIUrl":"https://doi.org/10.1525/9780520965027-013","url":null,"abstract":"","PeriodicalId":161816,"journal":{"name":"Nostalgia for the Future","volume":"85 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114320119","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Technology to Discover a Universe of Sounds","authors":"","doi":"10.1525/california/9780520291195.003.0040","DOIUrl":"https://doi.org/10.1525/california/9780520291195.003.0040","url":null,"abstract":"This chapter presents an interview with Walter Prati and Roberto Masotti. The interview covers topics such the change in Nono's music following his experiments while rehearsing at the SWR Experimental Studio in Freiburg; whether he has acquired a different way of using the voice, beyond a codified style a consequence of working extensively with many contemporary technical possibilities; the relationship the current electronic experience have with the electronic music of the 1950s and 1960; what happened to the RAI Studio di Fonologia in Milan; whether the highly positive attitude on the part of composers and musicians has come somewhat belatedly; and the meaning of Nono's ideological, musical rupture.","PeriodicalId":161816,"journal":{"name":"Nostalgia for the Future","volume":"145 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115096746","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Letter from Los Angeles","authors":"Sandra Maurer","doi":"10.1525/california/9780520291195.003.0020","DOIUrl":"https://doi.org/10.1525/california/9780520291195.003.0020","url":null,"abstract":"This chapter presents a letter written by Luigi Nono dated February 25, 1965, describing his trip to the United States, specifically Boston and Los Angeles.","PeriodicalId":161816,"journal":{"name":"Nostalgia for the Future","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123258825","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Musical Analysis and Composition","authors":"","doi":"10.1525/california/9780520291195.003.0100","DOIUrl":"https://doi.org/10.1525/california/9780520291195.003.0100","url":null,"abstract":"This section contains Nono's reflections, dating from ca. 1948 to 1960, concerned with musical technique, many of them aimed at the international community of composers and referring to the Darmstadt courses. It includes one later text, written in 1976 (on Il canto sospeso), which, though preferring an approach that is more historical-documentary than analytical, presents a first-hand testimony regarding one of the most important compositions of the 1950s. It suggests that the particular practice in the choruses of Il canto sospeso, the use of the structure of a word requires a development in the chorus's own way of learning: because of laziness or habits, sufficient attention is often not paid to the need in these choral works to study the varied construction of the word itself. This habitual ease continues because people do not read what is indicated in the score.","PeriodicalId":161816,"journal":{"name":"Nostalgia for the Future","volume":"111 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116571699","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Interview with Renato Garavaglia","authors":"","doi":"10.1525/california/9780520291195.003.0030","DOIUrl":"https://doi.org/10.1525/california/9780520291195.003.0030","url":null,"abstract":"This chapter presents an interview with Renato Garavaglia. The interview covered a variety of topics including Nono's trip to the United States and meeting with Zubin Mehta, students, and the organization of American musical life; his relationship with Varès; his trip to Darmstadt; his study of Giovanni Gabrieli; his relationship with Bruno Maderna and his first studies with him. It also covered his writing of La fabbrica illuminata and how he spent three days with the workers of Italsider of Genoa discussing his work with them, recording their words, and the acoustic environment in which they worked. Finally, it referred to his new works, particularly a string quartet and Prometeo, and what importance writing an opera has today.","PeriodicalId":161816,"journal":{"name":"Nostalgia for the Future","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122557836","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Portraits and Dedications","authors":"","doi":"10.1525/california/9780520291195.003.0400","DOIUrl":"https://doi.org/10.1525/california/9780520291195.003.0400","url":null,"abstract":"This section is devoted to backward glances into the past and to persons who featured in different ways in Nono's biography as both man and artist. Mirroring the progress of a journey, of an artistic and emotional awareness gradually attained, or of an ever more living “presence” of the past, it is no coincidence that they focus especially on Nono's last two decades, the 1970s and 1980s. Here too, in contrast to the Italian edition, attention is given to personalities closer to American and extra-European cultures, rather than to those with closer links to the Italian political or artistic scene.","PeriodicalId":161816,"journal":{"name":"Nostalgia for the Future","volume":"44 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117241095","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Music Onstage","authors":"","doi":"10.1525/california/9780520291195.003.0200","DOIUrl":"https://doi.org/10.1525/california/9780520291195.003.0200","url":null,"abstract":"This section is devoted to the renewal of music theater, a problem present in Nono's thinking since the early 1950s, and which came to the forefront following his experience with Intolleranza 1960 (a period during which he wrote a group of texts dedicated to the subject). The realization of a “theater of ideas” and a “theater of situations,” inspired by Sartre, dominates a long phase that embraces the central years of Nono's activity, approximately between 1960 and 1977. Thus, perceptible differences appear, in both the conceptual system and the form of expression, between the thoughts expressed in the 1980s in “Toward Prometeo” and Nono's earlier writings. These are indicative of the profound metamorphosis that his thoughts on musical dramaturgy underwent during those years.","PeriodicalId":161816,"journal":{"name":"Nostalgia for the Future","volume":"95 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114295578","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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