{"title":"发现声音世界的技术","authors":"","doi":"10.1525/california/9780520291195.003.0040","DOIUrl":null,"url":null,"abstract":"This chapter presents an interview with Walter Prati and Roberto Masotti. The interview covers topics such the change in Nono's music following his experiments while rehearsing at the SWR Experimental Studio in Freiburg; whether he has acquired a different way of using the voice, beyond a codified style a consequence of working extensively with many contemporary technical possibilities; the relationship the current electronic experience have with the electronic music of the 1950s and 1960; what happened to the RAI Studio di Fonologia in Milan; whether the highly positive attitude on the part of composers and musicians has come somewhat belatedly; and the meaning of Nono's ideological, musical rupture.","PeriodicalId":161816,"journal":{"name":"Nostalgia for the Future","volume":"145 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-09-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Technology to Discover a Universe of Sounds\",\"authors\":\"\",\"doi\":\"10.1525/california/9780520291195.003.0040\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter presents an interview with Walter Prati and Roberto Masotti. The interview covers topics such the change in Nono's music following his experiments while rehearsing at the SWR Experimental Studio in Freiburg; whether he has acquired a different way of using the voice, beyond a codified style a consequence of working extensively with many contemporary technical possibilities; the relationship the current electronic experience have with the electronic music of the 1950s and 1960; what happened to the RAI Studio di Fonologia in Milan; whether the highly positive attitude on the part of composers and musicians has come somewhat belatedly; and the meaning of Nono's ideological, musical rupture.\",\"PeriodicalId\":161816,\"journal\":{\"name\":\"Nostalgia for the Future\",\"volume\":\"145 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-09-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Nostalgia for the Future\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1525/california/9780520291195.003.0040\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Nostalgia for the Future","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1525/california/9780520291195.003.0040","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
本章是对Walter Prati和Roberto Masotti的采访。采访内容包括诺诺在弗莱堡的SWR实验工作室排练时，他的音乐在实验之后的变化;他是否获得了一种不同的使用声音的方式，超越了一种编纂的风格，这是与许多当代技术可能性广泛合作的结果;当前的电子体验与上世纪五六十年代的电子音乐之间的关系;米兰的RAI Studio di Fonologia发生了什么;作曲家和音乐家的高度积极态度是否来得有些晚;以及诺诺在思想上和音乐上的决裂的意义。
This chapter presents an interview with Walter Prati and Roberto Masotti. The interview covers topics such the change in Nono's music following his experiments while rehearsing at the SWR Experimental Studio in Freiburg; whether he has acquired a different way of using the voice, beyond a codified style a consequence of working extensively with many contemporary technical possibilities; the relationship the current electronic experience have with the electronic music of the 1950s and 1960; what happened to the RAI Studio di Fonologia in Milan; whether the highly positive attitude on the part of composers and musicians has come somewhat belatedly; and the meaning of Nono's ideological, musical rupture.
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