{"title":"An Autobiography of the Author Recounted by Enzo Restagno","authors":"","doi":"10.1525/california/9780520291195.003.0003","DOIUrl":null,"url":null,"abstract":"This chapter presents the long autobiographical interview of Luigi Nono collated and organized by critic Enzo Restagno in 1987. Nono answers questions such as when and under what circumstances his life began to be affected by music; the circumstances in which he met Bruno Maderna for the first time; what he enjoyed studying in high school; the meaning of “Missa Di dadi”; the meaning of the resurgence of his interest in Bellini, and what this music meant for him in the past when he first discovered it; his observations about the musical use of silence; and the cyclical process of his works.","PeriodicalId":161816,"journal":{"name":"Nostalgia for the Future","volume":"19 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-09-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Nostalgia for the Future","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1525/california/9780520291195.003.0003","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This chapter presents the long autobiographical interview of Luigi Nono collated and organized by critic Enzo Restagno in 1987. Nono answers questions such as when and under what circumstances his life began to be affected by music; the circumstances in which he met Bruno Maderna for the first time; what he enjoyed studying in high school; the meaning of “Missa Di dadi”; the meaning of the resurgence of his interest in Bellini, and what this music meant for him in the past when he first discovered it; his observations about the musical use of silence; and the cyclical process of his works.
本章介绍了1987年评论家恩佐·雷斯塔尼奥整理整理的路易吉·诺诺的长篇自传采访。诺诺回答了一些问题,比如他的生活在什么时候、什么情况下开始受到音乐的影响;他第一次见到布鲁诺·玛德娜的情形;他喜欢在高中学习什么;“Missa Di dadi”的意思;他对贝利尼重新产生兴趣的意义,以及当他第一次发现这种音乐时,这种音乐对他来说意味着什么;他对沉默的音乐运用的观察;以及他作品的循环过程。