The “Possible Infinities”

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Abstract

This section attests to the doubts and anxieties of Nono's last decade. It brings together his most radically questioning reflections, which go hand in hand with a poetic approach very different from that adopted in the past. It is marked by the productive uncertainties and the utopian openness that are typical of his last, but earnest, creative phase. The texts cover topics such as other ways of listening, and how to consider the field of sounds: not in relation to three or four sounds as Ligeti and Stockhausen or others do, but to maintain different subdivisions, different relationships, and the different capacity of the ear and especially of technique.
“可能的无限”
这一部分证明了诺诺过去十年的怀疑和焦虑。它汇集了他最激进的质疑反思,这些反思与一种与过去截然不同的诗意方法齐头并进。它的特点是生产上的不确定性和乌托邦式的开放,这是他最后但认真的创作阶段的典型特征。这些文本涵盖了诸如其他聆听方式,以及如何考虑声音领域等主题:不像利格蒂和斯托克豪森或其他人那样与三四个声音有关,而是保持不同的细分,不同的关系,以及耳朵的不同容量,特别是技术。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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