New Interfaces for Musical Expression最新文献_第8页

A Bassline Generation System Based on Sequence-to-Sequence Learning 基于序列对序列学习的低音线生成系统

New Interfaces for Musical Expression Pub Date : 2019-06-01 DOI: 10.5281/zenodo.3672928

B. Haki, S. Jordà

{"title":"A Bassline Generation System Based on Sequence-to-Sequence Learning","authors":"B. Haki, S. Jordà","doi":"10.5281/zenodo.3672928","DOIUrl":"https://doi.org/10.5281/zenodo.3672928","url":null,"abstract":"This thesis presents a detailed explanation of a system generating basslines that are stylistically and rhythmically interlocked with a provided audio drum loop. The proposed system is based on a natural language processing technique: wordbased sequence-to-sequence learning. The word-based sequence-to-sequence learning method proposed in this thesis is comprised of recurrent neural networks composed of LSTM units. The novelty of the proposed method lies in the fact that the system is not reliant on a voice-by-voice transcription of drums; instead, in this method, a drum representation is used as an input sequence from which a translated bassline is obtained at the output. The drum representation consists of fixed size sequences of onsets detected from a 2-bar audio drum loop in eight different frequency bands. The basslines generated by this method consist of pitched notes with different duration. The proposed system was trained on two distinct datasets compiled for this project by the authors. Each dataset contains a variety of 2-bar drum loops with annotated basslines from two different styles of dance music: House and Soca. A listening experiment designed based on the system revealed that the proposed system is capable of generating basslines that are interesting and are well rhythmically interlocked with the drum loops from which they were generated.","PeriodicalId":161317,"journal":{"name":"New Interfaces for Musical Expression","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125692823","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 3

CD-Synth: a Rotating, Untethered, Digital Synthesizer cd合成器:一个旋转的，不受束缚的，数字合成器

New Interfaces for Musical Expression Pub Date : 2019-06-01 DOI: 10.5281/zenodo.3672998

Patrick C. Chwalek, J. Paradiso

引用次数: 0

Latin American NIMEs: Electronic Musical Instruments and Experimental Sound Devices in the Twentieth Century 拉丁美洲的游戏:二十世纪的电子乐器和实验声音设备

New Interfaces for Musical Expression Pub Date : 2019-06-01 DOI: 10.5281/zenodo.3672936

Martin Matus Lerner

引用次数: 4

Enhancing the Expressivity of the Sensel Morph via Audio-rate Sensing 通过音频速率传感增强传感器形态的表现力

New Interfaces for Musical Expression Pub Date : 2019-06-01 DOI: 10.5281/zenodo.3672968

Razvan Paisa, Dan Overholt

{"title":"Enhancing the Expressivity of the Sensel Morph via Audio-rate Sensing","authors":"Razvan Paisa, Dan Overholt","doi":"10.5281/zenodo.3672968","DOIUrl":"https://doi.org/10.5281/zenodo.3672968","url":null,"abstract":"This project describes a novel approach to hybrid electroacoustical instruments by augmenting the Sensel Morph, with real-time audio sensing capabilities. The actual actionsounds are captured with a piezoelectric transducer and processed in Max 8 to extend the sonic range existing in the acoustical domain alone. The control parameters are captured by the Morph and mapped to audio algorithm proprieties like filter cutoff frequency, frequency shift or overdrive. The instrument opens up the possibility for a large selection of different interaction techniques that have a direct impact on the output sound. The instrument is evaluated from a sound designer’s perspective, encouraging exploration in the materials used as well as techniques. The contribution are two-fold. First, the use of a piezo transducer to augment the Sensel Morph affords an extra dimension of control on top of the offerings. Second, the use of acoustic sounds from physical interactions as a source for excitation and manipulation of an audio processing system offers a large variety of new sounds to be discovered. The methodology involved an exploratory process of iterative instrument making, interspersed with observations gathered via improvisatory trials, focusing on the new interactions made possible through the fusion of audio-rate inputs with the Morph’s default interaction methods.","PeriodicalId":161317,"journal":{"name":"New Interfaces for Musical Expression","volume":"151 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115555532","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Bespoke Design for Inclusive Music: The Challenges of Evaluation 包容性音乐的定制设计:评估的挑战

New Interfaces for Musical Expression Pub Date : 2019-06-01 DOI: 10.5281/zenodo.3672884

A. Lucas, Miguel Ortiz, F. Schroeder

引用次数: 20

Taming and Tickling the Beast - Multi-Touch Keyboard as Interface for a Physically Modelled Interconnected Resonating Super-Harp 驯服和挠痒野兽-多点触控键盘作为一个物理模型互联共振超级竖琴的界面

New Interfaces for Musical Expression Pub Date : 2019-06-01 DOI: 10.5281/zenodo.3672862

Palle Dahlstedt

{"title":"Taming and Tickling the Beast - Multi-Touch Keyboard as Interface for a Physically Modelled Interconnected Resonating Super-Harp","authors":"Palle Dahlstedt","doi":"10.5281/zenodo.3672862","DOIUrl":"https://doi.org/10.5281/zenodo.3672862","url":null,"abstract":"Libration Perturbed is a performance and an improvisation instrument, originally composed and designed for a multispeaker dome. The performer controls a bank of 64 virtual inter-connected resonating strings, with individual and direct control of tuning and resonance characteristics through a multitouch-enhanced klavier interface (TouchKeys). It is a hybrid acoustic-electronic instrument, as all string vibrations originate from physical vibrations in the klavier and its casing, captured through contact microphones. In addition, there are gestural strings, called ropes, excited by performed musical gestures. All strings and ropes are connected, and inter-resonate together as a ”super-harp”, internally and through the performance space. With strong resonance, strings may go into chaotic motion or emergent quasi-periodic patterns, but custom adaptive leveling mechanisms keep loudness under the musician’s control at all times. The hybrid digital/acoustic approach and the enhanced keyboard provide for an expressive and very physical interaction, and a strong multi-channel immersive experience. The paper describes the aesthetic choices behind the design of the system, as well as the technical implementation, and – primarily – the interaction design, as it emerges from mapping, sound design, physical modeling and integration of the acoustic, the gestural, and the virtual. The work is evaluated based on the experiences from a series of performances.","PeriodicalId":161317,"journal":{"name":"New Interfaces for Musical Expression","volume":"66 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117344879","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Eolos: a wireless MIDI wind controller Eolos:无线MIDI风控制器

New Interfaces for Musical Expression Pub Date : 2019-06-01 DOI: 10.5281/zenodo.3672972

J. M. Ramos

引用次数: 3

HMusic: A domain specific language for music programming and live coding HMusic:用于音乐编程和现场编码的领域特定语言

New Interfaces for Musical Expression Pub Date : 2019-06-01 DOI: 10.5281/zenodo.3673003

A. R. D. Bois, R. Ribeiro

引用次数: 3

Adaptive Mapping of Sound Collections for Data-driven Musical Interfaces 数据驱动音乐接口的声音集合自适应映射

New Interfaces for Musical Expression Pub Date : 2019-06-01 DOI: 10.5281/zenodo.3672976

Gerard Roma, Owen Green, P. Tremblay

引用次数: 10

An Interactive Musical Prediction System with Mixture Density Recurrent Neural Networks 混合密度递归神经网络交互式音乐预测系统

New Interfaces for Musical Expression Pub Date : 2019-04-01 DOI: 10.5281/zenodo.3672952

Charles Patrick Martin, J. Tørresen

引用次数: 10