{"title":"拉丁美洲的游戏:二十世纪的电子乐器和实验声音设备","authors":"Martin Matus Lerner","doi":"10.5281/zenodo.3672936","DOIUrl":null,"url":null,"abstract":"During the twentieth century several Latin American nations (such as Argentina, Brazil, Chile, Cuba and Mexico) have originated relevant antecedents in the NIME field. Their innovative authors have interrelated musical composition, lutherie, electronics and computing. This paper provides a panoramic view of their original electronic instruments and experimental sound practices, as well as a perspective of them regarding other inventions around the World.","PeriodicalId":161317,"journal":{"name":"New Interfaces for Musical Expression","volume":"38 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"4","resultStr":"{\"title\":\"Latin American NIMEs: Electronic Musical Instruments and Experimental Sound Devices in the Twentieth Century\",\"authors\":\"Martin Matus Lerner\",\"doi\":\"10.5281/zenodo.3672936\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"During the twentieth century several Latin American nations (such as Argentina, Brazil, Chile, Cuba and Mexico) have originated relevant antecedents in the NIME field. Their innovative authors have interrelated musical composition, lutherie, electronics and computing. This paper provides a panoramic view of their original electronic instruments and experimental sound practices, as well as a perspective of them regarding other inventions around the World.\",\"PeriodicalId\":161317,\"journal\":{\"name\":\"New Interfaces for Musical Expression\",\"volume\":\"38 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"4\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"New Interfaces for Musical Expression\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5281/zenodo.3672936\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"New Interfaces for Musical Expression","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5281/zenodo.3672936","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Latin American NIMEs: Electronic Musical Instruments and Experimental Sound Devices in the Twentieth Century
During the twentieth century several Latin American nations (such as Argentina, Brazil, Chile, Cuba and Mexico) have originated relevant antecedents in the NIME field. Their innovative authors have interrelated musical composition, lutherie, electronics and computing. This paper provides a panoramic view of their original electronic instruments and experimental sound practices, as well as a perspective of them regarding other inventions around the World.
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