{"title":"Studniční stavení ve Zlaté Koruně jako před-parléřovská stavebnice. Příklad inkorporace dlouhodobě deponovaných článků do mladší stavby","authors":"Filip Facincani","doi":"10.14712/24647055.2023.3","DOIUrl":"https://doi.org/10.14712/24647055.2023.3","url":null,"abstract":"The aim of the paper is to present to present the results of the field survey of the fragments of the cloister lavatorium in Zlatá Koruna monastery and to present a proposal for reassessing the existing views on its building history. On the basis of formal analysis and comparison with local shape-related architectural parts, re-claimed by recent research, it proposes to accept the parts of cloister lavatorium as pre-Parlerian, and thus dating from around and after 1300. The paper does not dispute the building sequence of the convent and cloister as a whole, as accepted by the previous literature – it suggests that the parts of cloister lavatorium were made at the same time as the vault shafts of the north-west corner of the cloister and possibly the vault shafts of abbot’s chapel, and deposited in the grounds of the monastery building workshop before they could be incorporated into the building. Arguments for accepting the cloister lavatorium fragments as pre-Parlerian are their close formal association with the shafts of the north-west bay of the cloister, for which an early dating to c. 1300 and after is highly probable. Accepting the cloister lavatorium parts as a product of the construction phase of the turn of the 13th and 14th centuries means partially reconsidering the existing views on the pace of construction of the royal monastery of Zlatá Koruna. This seems to have been greater than research assumed at the turn of the centuries.","PeriodicalId":158647,"journal":{"name":"AUC PHILOSOPHICA ET HISTORICA","volume":"49 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116414549","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"On the Construction and Sources of Erwin Panofsky’s Iconology","authors":"L. Konečný","doi":"10.14712/24647055.2023.2","DOIUrl":"https://doi.org/10.14712/24647055.2023.2","url":null,"abstract":"The article deals with the impact of Karl Borinski and Karl Mannheim on Erwin Panofsky’s iconological method of interpretation of works of visual arts as presented in his 1939 Studies in Iconology. In a slightly different form it was firstly published in The Journal of Medieval and Renaissnce Studies XXXVII, 1974, 368–373.","PeriodicalId":158647,"journal":{"name":"AUC PHILOSOPHICA ET HISTORICA","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125613953","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Práce obhájené v Ústavu pro dějiny umění FF UK v letech 2019–2023","authors":"Kol. autorů.","doi":"10.14712/24647055.2023.16","DOIUrl":"https://doi.org/10.14712/24647055.2023.16","url":null,"abstract":"Theses defended at the Institute of Art History, Faculty of Arts, Charles University in 2019-2023","PeriodicalId":158647,"journal":{"name":"AUC PHILOSOPHICA ET HISTORICA","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128100617","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Antonín Goller, Stephan Tragl, Johann Koch: Méně známí architekti ve službách severočeské a východočeské šlechty ve druhé polovině 19. století","authors":"Lucie Neméthová","doi":"10.14712/24647055.2023.5","DOIUrl":"https://doi.org/10.14712/24647055.2023.5","url":null,"abstract":"In the second half of the 19th century, many architects worked for noble members of the house of Morzin and subsequently the house of Czernin-Morzin in Vrchlabí and other mansions in North Bohemia. Among these architects, famous names such as Achille Wolf or Josef Schulz can be found; this text, however, concerns itself with these lesserknown, namely Antonín Goller (1833–1880), Stephan Tragl (1845–1891), and Johann Koch (1850–1915). The main objective of this text is to give the most comprehensive view possible of the work and personalities of these three very diverse architects. The oldest of the three, Antonín Goller, was an active member of the Association of Architects and Engineers in the Kingdom of Bohemia and author of numerous conversions of aristocratic residences. Second architect, Stephan Tragl, established a successful architectural studio in Prague-Smíchov in the 1880s and was the author of many impressive buildings, among which excels a group of sacral buildings in neo-Gothic and neo-Romanesque style. Unlike the previous two, the work of Johann Koch is, for the most part, concentrated abroad in Latvian Riga. Here he was an architect of many highly representative public buildings in Italian neo-Renaissance style and even today is highly appreciated.","PeriodicalId":158647,"journal":{"name":"AUC PHILOSOPHICA ET HISTORICA","volume":"98 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115782325","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Krev, slzy a bolest – Imaginace a emocionalita na příkladu polychromovaných barokních plastik ze svatých schodů","authors":"Tereza Horáková","doi":"10.14712/24647055.2023.14","DOIUrl":"https://doi.org/10.14712/24647055.2023.14","url":null,"abstract":"What is the difference between the pain of Christ and the Virgin Mary? How is pain reflected in sculptures of the Baroque period in Bohemia and Moravia? And how did contemporary pious spectators react to these impulses? Baroque spirituality of the 18th century, particularly the theme of pain, will be demonstrated on the phenomenon of sculpture of the Holy Stairs. These chapels can be found in churches or cloisters, and they are subject to specific liturgy and space arrangements where we can find a particular representation of Christ, as well as the Virgin Mary and St. John the Baptist. Different types of pain and their representation in the sculpture of that time are illustrated on several examples of Holy Stairs, including the stairs at the Church of the Assumption of the Virgin Mary and St. Charles the Great in Prague.","PeriodicalId":158647,"journal":{"name":"AUC PHILOSOPHICA ET HISTORICA","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116737411","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Novobaroko a česká sochařská generace devadesátých let 19. století","authors":"Martina Bezoušková","doi":"10.14712/24647055.2021.5","DOIUrl":"https://doi.org/10.14712/24647055.2021.5","url":null,"abstract":"","PeriodicalId":158647,"journal":{"name":"AUC PHILOSOPHICA ET HISTORICA","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-08-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116052657","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"On Writing Fluid Histories of Modern Art with Jacques Rancière","authors":"Karolina Rybačiauskaitė","doi":"10.14712/24647055.2021.11","DOIUrl":"https://doi.org/10.14712/24647055.2021.11","url":null,"abstract":"In this paper it is claimed that the conception of art regimes by Jacques Rancière may be a productive tool for coming across various binary oppositions used while thinking about modern art, such as modernism/social realism, official/non-official, political/apolitical, and let us write more fluid histories of modern art in the post-socialist and post-soviet countries.","PeriodicalId":158647,"journal":{"name":"AUC PHILOSOPHICA ET HISTORICA","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-08-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125765659","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Pološero jako inspirativní hranice (Prolínání undergroundu se současnou městskou baladou)","authors":"Vladimír Merta","doi":"10.14712/24647055.2021.20","DOIUrl":"https://doi.org/10.14712/24647055.2021.20","url":null,"abstract":"","PeriodicalId":158647,"journal":{"name":"AUC PHILOSOPHICA ET HISTORICA","volume":"69 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-08-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122774941","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}