{"title":"与雅克·朗西<e:1>一起书写现代艺术的流动史","authors":"Karolina Rybačiauskaitė","doi":"10.14712/24647055.2021.11","DOIUrl":null,"url":null,"abstract":"In this paper it is claimed that the conception of art regimes by Jacques Rancière may be a productive tool for coming across various binary oppositions used while thinking about modern art, such as modernism/social realism, official/non-official, political/apolitical, and let us write more fluid histories of modern art in the post-socialist and post-soviet countries.","PeriodicalId":158647,"journal":{"name":"AUC PHILOSOPHICA ET HISTORICA","volume":"37 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-08-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"On Writing Fluid Histories of Modern Art with Jacques Rancière\",\"authors\":\"Karolina Rybačiauskaitė\",\"doi\":\"10.14712/24647055.2021.11\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this paper it is claimed that the conception of art regimes by Jacques Rancière may be a productive tool for coming across various binary oppositions used while thinking about modern art, such as modernism/social realism, official/non-official, political/apolitical, and let us write more fluid histories of modern art in the post-socialist and post-soviet countries.\",\"PeriodicalId\":158647,\"journal\":{\"name\":\"AUC PHILOSOPHICA ET HISTORICA\",\"volume\":\"37 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-08-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"AUC PHILOSOPHICA ET HISTORICA\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.14712/24647055.2021.11\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"AUC PHILOSOPHICA ET HISTORICA","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14712/24647055.2021.11","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
On Writing Fluid Histories of Modern Art with Jacques Rancière
In this paper it is claimed that the conception of art regimes by Jacques Rancière may be a productive tool for coming across various binary oppositions used while thinking about modern art, such as modernism/social realism, official/non-official, political/apolitical, and let us write more fluid histories of modern art in the post-socialist and post-soviet countries.
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