Tereza Horáková
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引用次数: 0

摘要

基督的痛苦和圣母玛利亚的痛苦有什么不同?波希米亚和摩拉维亚巴洛克时期的雕塑是如何反映痛苦的?当代虔诚的观众对这些冲动作何反应?18世纪的巴洛克精神,特别是痛苦的主题,将在圣阶梯的雕塑现象上得到展示。这些小礼拜堂可以在教堂或回廊中找到,它们有特定的礼拜仪式和空间安排,在那里我们可以找到基督的特定代表,以及圣母玛利亚和施洗者圣约翰。不同类型的痛苦及其在当时雕塑中的表现形式在几个神圣阶梯的例子中得到了说明,包括布拉格圣母玛利亚升天教堂和圣查尔斯大帝的阶梯。
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Krev, slzy a bolest – Imaginace a emocionalita na příkladu polychromovaných barokních plastik ze svatých schodů
What is the difference between the pain of Christ and the Virgin Mary? How is pain reflected in sculptures of the Baroque period in Bohemia and Moravia? And how did contemporary pious spectators react to these impulses? Baroque spirituality of the 18th century, particularly the theme of pain, will be demonstrated on the phenomenon of sculpture of the Holy Stairs. These chapels can be found in churches or cloisters, and they are subject to specific liturgy and space arrangements where we can find a particular representation of Christ, as well as the Virgin Mary and St. John the Baptist. Different types of pain and their representation in the sculpture of that time are illustrated on several examples of Holy Stairs, including the stairs at the Church of the Assumption of the Virgin Mary and St. Charles the Great in Prague.
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