{"title":"Blue, Bling: On Extractivism","authors":"H. Davis","doi":"10.1086/706123","DOIUrl":"https://doi.org/10.1086/706123","url":null,"abstract":"Heather Davis explores the intimate links between extractivism and visuality via the work of Mary Mattingly and Otobong Nkanga.","PeriodicalId":158397,"journal":{"name":"Afterall: A Journal of Art, Context and Enquiry","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128994128","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Nang’umfazomnyama: Race and Technology in Dineo Seshee Bopape’s is i am sky","authors":"Portia Malatjie","doi":"10.1086/706122","DOIUrl":"https://doi.org/10.1086/706122","url":null,"abstract":"Portia Malatjie presents song as a technology of black struggle in the ‘cosmic ceremony’ of Dineo Seshee Bopape’s is i am sky.","PeriodicalId":158397,"journal":{"name":"Afterall: A Journal of Art, Context and Enquiry","volume":"90 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132723810","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Trinh T. Minh-ha: Essaying Ethics","authors":"Joshua Fausty","doi":"10.1086/706130","DOIUrl":"https://doi.org/10.1086/706130","url":null,"abstract":"Can the essay form offer new ways of describing the world? Joshua Fausty looks at Trinh T. Minh-ha’s writing and explores how its framing of a self-as-other could be a model for ethics.","PeriodicalId":158397,"journal":{"name":"Afterall: A Journal of Art, Context and Enquiry","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115813601","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Afterword: Florida Arabesque","authors":"Mark Lewis","doi":"10.1086/706136","DOIUrl":"https://doi.org/10.1086/706136","url":null,"abstract":"","PeriodicalId":158397,"journal":{"name":"Afterall: A Journal of Art, Context and Enquiry","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128671611","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Social Realism: The Turns of a Term in the Philippines","authors":"P. Flores","doi":"10.1086/706129","DOIUrl":"https://doi.org/10.1086/706129","url":null,"abstract":"Looking at the legacy of 1970s social realist painting in the Philippines, Patrick D. Flores reflects on the intersection of postcolonial discourse, historical imagination and political art practice.","PeriodicalId":158397,"journal":{"name":"Afterall: A Journal of Art, Context and Enquiry","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114525402","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"How Do We Know What Latin American Conceptualism Looks Like?","authors":"M. A. López","doi":"10.1086/706127","DOIUrl":"https://doi.org/10.1086/706127","url":null,"abstract":"Miguel A. López discusses the processes of historicising Latin American art of the 1960s and 70s, and how current readings of key political events, such as the ‘Tucumán Arde’ episode in 1968, are questioning what has been placed under the geographical and art-historical rubric of ‘Latin American Conceptualism’.","PeriodicalId":158397,"journal":{"name":"Afterall: A Journal of Art, Context and Enquiry","volume":"58 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134379818","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Decolonial AestheSis and the Post-Soviet Art","authors":"M. Tlostanova","doi":"10.1086/706131","DOIUrl":"https://doi.org/10.1086/706131","url":null,"abstract":"Madina Tlostanova discusses artistic strategies of regenerating and ‘re-futuring’ in relation to the darker colonial side of post-Soviet existence.","PeriodicalId":158397,"journal":{"name":"Afterall: A Journal of Art, Context and Enquiry","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132653492","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Let This Darkness Be a Bell Tower","authors":"T. Chakar","doi":"10.1086/706134","DOIUrl":"https://doi.org/10.1086/706134","url":null,"abstract":"Tony Chakar reflects on the cultural histories and political possibilities of abandoning hope in hopeless times.","PeriodicalId":158397,"journal":{"name":"Afterall: A Journal of Art, Context and Enquiry","volume":"132 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126164635","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Around the Tree: Notes on Gülsün Karamustafa’s Jail Experience and Its Resonances with Argentinian Cultural Production","authors":"A. Longoni","doi":"10.1086/704195","DOIUrl":"https://doi.org/10.1086/704195","url":null,"abstract":"Ana Longoni approaches Gülsün Karamustafa’s work in light of artistic parallels in Argentina and shared experiences of imprisonment, disappearance and dictatorship.","PeriodicalId":158397,"journal":{"name":"Afterall: A Journal of Art, Context and Enquiry","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125040343","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Privileging Community Voices: Cultural Revitalisation in Museology and Contemporary Art from Papua New Guinea","authors":"Michael A. Mel","doi":"10.1086/704200","DOIUrl":"https://doi.org/10.1086/704200","url":null,"abstract":"Michael A. Mel offers a glimpse of contemporary art in Papua New Guinea in considering decolonial methodologies at the Australian Museum.","PeriodicalId":158397,"journal":{"name":"Afterall: A Journal of Art, Context and Enquiry","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128895163","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}