{"title":"Contributors","authors":"","doi":"10.1086/709643","DOIUrl":"https://doi.org/10.1086/709643","url":null,"abstract":"","PeriodicalId":158397,"journal":{"name":"Afterall: A Journal of Art, Context and Enquiry","volume":"101 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114274163","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Reconstructing Saudi: A Look into the Short Window of Artist-Led Spaces and Organisations in a Country on the Verge of Change","authors":"M. Gronlund","doi":"10.1086/709635","DOIUrl":"https://doi.org/10.1086/709635","url":null,"abstract":"Melissa Gronlund looks at various artists' initiatives and organisations that have shaped contemporary art in Saudi Arabia, and how artists address sensitive topics in a changing country.","PeriodicalId":158397,"journal":{"name":"Afterall: A Journal of Art, Context and Enquiry","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126262460","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Logarithm","authors":"Irenosen Okojie","doi":"10.1007/springerreference_17932","DOIUrl":"https://doi.org/10.1007/springerreference_17932","url":null,"abstract":"","PeriodicalId":158397,"journal":{"name":"Afterall: A Journal of Art, Context and Enquiry","volume":"122 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133516373","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Foreword: Twenty Years On","authors":"C. Esche","doi":"10.1086/706121","DOIUrl":"https://doi.org/10.1086/706121","url":null,"abstract":"","PeriodicalId":158397,"journal":{"name":"Afterall: A Journal of Art, Context and Enquiry","volume":"2019 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130274858","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Kerry James Marshall: The Painter of Afro-Modern Life","authors":"Kobena Mercer","doi":"10.1086/706126","DOIUrl":"https://doi.org/10.1086/706126","url":null,"abstract":"Kobena Mercer considers Kerry James Marshall’s paintings set against a backdrop of different modernisms: Greenbergian Modernism, with its dialectic of addition and substraction; postmodernism, with its disdain for painting; and Afro-Modernism, with its negotiations of historical and contemporary contradictions.","PeriodicalId":158397,"journal":{"name":"Afterall: A Journal of Art, Context and Enquiry","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126776688","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Babi Badalov’s Demodernisation","authors":"A. Kreuger","doi":"10.1086/706132","DOIUrl":"https://doi.org/10.1086/706132","url":null,"abstract":"Anders Kreuger considers Babi Badalov’s ‘think-things’, and his Instagram account, as projects of demodernisation.","PeriodicalId":158397,"journal":{"name":"Afterall: A Journal of Art, Context and Enquiry","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122135636","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Yanomami, Let’s Talk","authors":"Manuela Carneiro da Cunha, Helena Vilalta","doi":"10.1086/706128","DOIUrl":"https://doi.org/10.1086/706128","url":null,"abstract":"Manuela Carneiro da Cunha and Helena Vilalta examine Juan Downey’s work with the Yanomami against the backdrop of concurrent anthropological debates.","PeriodicalId":158397,"journal":{"name":"Afterall: A Journal of Art, Context and Enquiry","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130884057","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Comedy of Entanglement: Karrabing Film Collective","authors":"M. A. Ingawanij","doi":"10.1086/706125","DOIUrl":"https://doi.org/10.1086/706125","url":null,"abstract":"May Adadol Ingawanij looks at Karrabing Film Collective’s techniques of framing, superimposition and humour to reveal the interconnected ecologies and multiplicities of existence.","PeriodicalId":158397,"journal":{"name":"Afterall: A Journal of Art, Context and Enquiry","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114231630","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Sleeping Ancestors","authors":"Peter D. Sipeli","doi":"10.1086/706124","DOIUrl":"https://doi.org/10.1086/706124","url":null,"abstract":"","PeriodicalId":158397,"journal":{"name":"Afterall: A Journal of Art, Context and Enquiry","volume":"227 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127007445","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Disobedient Video in France in the 1970s: Video Production by Women’s Collectives","authors":"S. Jeanjean","doi":"10.1086/706133","DOIUrl":"https://doi.org/10.1086/706133","url":null,"abstract":"In light of recent archival efforts, Stéphanie Jeanjean considers the legacy of the feminist video collectives that formed in France in the 1970s, tracing their radical approach to class and gender politics.","PeriodicalId":158397,"journal":{"name":"Afterall: A Journal of Art, Context and Enquiry","volume":"65 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123626014","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}