{"title":"Arthur Bispo do Rosário, An Emblematic Art Brut/Outsider Creator","authors":"Edward M. Gómez","doi":"10.1086/726604","DOIUrl":"https://doi.org/10.1086/726604","url":null,"abstract":"","PeriodicalId":158397,"journal":{"name":"Afterall: A Journal of Art, Context and Enquiry","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123908268","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Access as Generative Site: In Conversation with Christine Sun Kim","authors":"Bárbara Rodríguez Muñoz","doi":"10.1086/726601","DOIUrl":"https://doi.org/10.1086/726601","url":null,"abstract":"","PeriodicalId":158397,"journal":{"name":"Afterall: A Journal of Art, Context and Enquiry","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130128718","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"We Burn Disbelief: Disability, Surveillance Infrastructures and Salvation Ecologies","authors":"Khairani Barokka","doi":"10.1086/726600","DOIUrl":"https://doi.org/10.1086/726600","url":null,"abstract":"","PeriodicalId":158397,"journal":{"name":"Afterall: A Journal of Art, Context and Enquiry","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114252466","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Rise (and Fall?) of the Postcolonial Documenta","authors":"Sunil Shah","doi":"10.1086/726607","DOIUrl":"https://doi.org/10.1086/726607","url":null,"abstract":"","PeriodicalId":158397,"journal":{"name":"Afterall: A Journal of Art, Context and Enquiry","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134466522","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Whatever the Future Will Be, It Is Made Now","authors":"Bart De Baere","doi":"10.1086/726606","DOIUrl":"https://doi.org/10.1086/726606","url":null,"abstract":"","PeriodicalId":158397,"journal":{"name":"Afterall: A Journal of Art, Context and Enquiry","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131613409","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Silke Otto-Knapp (1970–2022)","authors":"Mark Lewis","doi":"10.1086/726608","DOIUrl":"https://doi.org/10.1086/726608","url":null,"abstract":"","PeriodicalId":158397,"journal":{"name":"Afterall: A Journal of Art, Context and Enquiry","volume":"233 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123037536","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Voicing: Imogen Stidworthy’s Practice of Exodus","authors":"E. Ikoniadou","doi":"10.1086/726599","DOIUrl":"https://doi.org/10.1086/726599","url":null,"abstract":"UNCONVENTIONAL LANGUAGE ‘The first time that I borrowed someone else’s voice I was six years old,’ writes DJ Savarese.1 From a very young age, for the public speaker, activist, and writer, communication with verbal people has involved relying on media including photos, movie clips, writing, soundbites, sign language, speech-generating computers, and augmentative and alternative communication devices. Contrary to the dominant idea of a single, unique, internal voice that defines one’s individuality, for ‘nontraditionally speaking people’, voice can be thought of as an accumulation of heterogeneous elements coming together to produce (or be reduced to) a single message, for the benefit of verbal people. The realm of nontraditional language operates outside of essences (i.e. subject and object) and in-between elements, in a moving network of relations. It is a space of potentiality.2 In order to be understood in the conventional world, where meaning relies on a stable system of unities (with a supposedly clear sequence of beginning, middle and end), those at its periphery have to find ways of containing a fluid space within one image, signification or subjectivity. In so doing, they must swap gesture, sound, rhythm, movement, vibration and texture – that is, multisensory ways of being – for a narrow idea of communication. Savarese’s article invites us to imagine what it would mean to rebuild our communication techniques and technologies from the standpoint of nontraditionally speaking people. This would involve exiting the ‘cultivated garden’ of the West and reject its logocentrism, for new ‘multimodal’ methods of expression.3","PeriodicalId":158397,"journal":{"name":"Afterall: A Journal of Art, Context and Enquiry","volume":"78 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116306062","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Representing the World, Weathering its End: Arthur Bispo do Rosário’s Ecology of the Ship","authors":"M. Miguel","doi":"10.1086/726605","DOIUrl":"https://doi.org/10.1086/726605","url":null,"abstract":"1. To expose to open air and, therefore, to begin a process of transformation or alteration due to ‘long exposure to the atmosphere’. 2. ‘To bear up against and come safely through’, commonly referred to a ship coming ‘safely through a storm’ (‘the sturdy boat had weathered the storm well’); ‘to make good, bad, etc. weather of a ship’; to behave well or ill in a storm. And then, by extension and, more metaphorically, ‘to live through a difficult situation or a problem’, ‘to undergo or endure the action of the elements’.2","PeriodicalId":158397,"journal":{"name":"Afterall: A Journal of Art, Context and Enquiry","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115285070","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘Like Waves in My Body’: On Tarek Atoui’s Sonic Practice","authors":"Rayya Badran","doi":"10.1086/726602","DOIUrl":"https://doi.org/10.1086/726602","url":null,"abstract":"","PeriodicalId":158397,"journal":{"name":"Afterall: A Journal of Art, Context and Enquiry","volume":"95 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122525133","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Politics Inc.","authors":"Vladimir Safatle","doi":"10.1086/726603","DOIUrl":"https://doi.org/10.1086/726603","url":null,"abstract":"","PeriodicalId":158397,"journal":{"name":"Afterall: A Journal of Art, Context and Enquiry","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115725184","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}