{"title":"Water Is Never Still: Araya Rasdjarmrearnsook’s Sculptural and Installation Practice1","authors":"Clare Veal","doi":"10.1086/704201","DOIUrl":"https://doi.org/10.1086/704201","url":null,"abstract":"Focussing on Araya Rasdjarmrearnsook’s early work, Clare Veal shows how the artist unravels notions of mediality, sexual identity and collectivity.","PeriodicalId":158397,"journal":{"name":"Afterall: A Journal of Art, Context and Enquiry","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128407928","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Reconstruction of a Reconstruction: Constantin Brâncuşi in Multiple Historical Frames","authors":"Daria Ghiu","doi":"10.1086/704205","DOIUrl":"https://doi.org/10.1086/704205","url":null,"abstract":"Daria Ghiu addresses the potential of reconstruction and ‘counter-homage’ as correctives to Brâncuşi’s perpetually mystified image.","PeriodicalId":158397,"journal":{"name":"Afterall: A Journal of Art, Context and Enquiry","volume":"60 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131113046","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Gülsün Karamustafa: A Life of Care","authors":"Vasif Kortun","doi":"10.1086/704194","DOIUrl":"https://doi.org/10.1086/704194","url":null,"abstract":"Vasif Kortun situates Gülsün Karamustafa’s work through examining the conflicts and tensions of 1970s Turkey.","PeriodicalId":158397,"journal":{"name":"Afterall: A Journal of Art, Context and Enquiry","volume":"77 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126222626","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Carlos Garrido Castellano, Jerssi Esperança Restino Paulo
{"title":"Unapologetic Soundings of Afro-Portuguese Creativity","authors":"Carlos Garrido Castellano, Jerssi Esperança Restino Paulo","doi":"10.1086/704204","DOIUrl":"https://doi.org/10.1086/704204","url":null,"abstract":"Carlos Garrido Castellano and Jerssi Esperança Restino Paulo look at Afro-Portuguese creative practice beyond the privileged spaces of Lisbon’s gentrification.","PeriodicalId":158397,"journal":{"name":"Afterall: A Journal of Art, Context and Enquiry","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128935870","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Other Faces: Araya Rasdjarmrearnsook’s Interspecies Engagements","authors":"Filipa Ramos","doi":"10.1086/704202","DOIUrl":"https://doi.org/10.1086/704202","url":null,"abstract":"Filipa Ramos addresses Araya Rasdjarmrearnsook’s work with non-human animals as a challenge to cultural and natural hierarchies.","PeriodicalId":158397,"journal":{"name":"Afterall: A Journal of Art, Context and Enquiry","volume":"69 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125049036","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Exhibit A: Notes on a Forensic Turn in Contemporary Art","authors":"Charles Stankievech","doi":"10.1086/704197","DOIUrl":"https://doi.org/10.1086/704197","url":null,"abstract":"Charles Stankievech dissects the intertwined histories of forensics, ethics and aesthetics in relation to recent art practice.","PeriodicalId":158397,"journal":{"name":"Afterall: A Journal of Art, Context and Enquiry","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125556823","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"(Tran)scribed History: Tha̓o Nguyên Phan’s Palimpsest Visions of Colonialism and Conversion","authors":"N. Taylor","doi":"10.1086/704196","DOIUrl":"https://doi.org/10.1086/704196","url":null,"abstract":"Nora A. Taylor considers how Tha̓o Nguyên Phan’s Voyage de Rhodes complicates colonial visions of Vietnam.","PeriodicalId":158397,"journal":{"name":"Afterall: A Journal of Art, Context and Enquiry","volume":"105 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126340969","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘A Test Tube’ of New Art: Naiqua and the Rental Gallery System in 1960s Japan","authors":"R. Tomii","doi":"10.1086/704206","DOIUrl":"https://doi.org/10.1086/704206","url":null,"abstract":"Reiko Tomii traces the legacy of the rental gallery system, which offered autonomy and support to artists in 1960s Japan.","PeriodicalId":158397,"journal":{"name":"Afterall: A Journal of Art, Context and Enquiry","volume":"102 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132088590","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Counter-Imaginaries: ‘Women Artists on the Move’, ‘Second to None’ and ‘Like A Virgin…’","authors":"Serubiri Moses","doi":"10.1086/704203","DOIUrl":"https://doi.org/10.1086/704203","url":null,"abstract":"Serubiri Moses addresses three under-acknowledged exhibitions and the diverse histories of African feminist collectivity.","PeriodicalId":158397,"journal":{"name":"Afterall: A Journal of Art, Context and Enquiry","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125510588","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Shifting Ground: On Stories and Archives in the Work of Naeem Mohaiemen","authors":"Kaelen Wilson-Goldie","doi":"10.1086/704199","DOIUrl":"https://doi.org/10.1086/704199","url":null,"abstract":"Kaelen Wilson-Goldie sees a non-nostalgic approach to the archive in the ambiguous narratives of Naeem Mohaiemen’s films.","PeriodicalId":158397,"journal":{"name":"Afterall: A Journal of Art, Context and Enquiry","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128408159","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}