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Isaac Watts’s Hymnody as a Guide for the Passions 艾萨克·沃茨的《激情之歌
5 | 2018 Pub Date : 2018-12-17 DOI: 10.30687/EL/2420-823X/2018/05/009
Danielle Johnson
{"title":"Isaac Watts’s Hymnody as a Guide for the Passions","authors":"Danielle Johnson","doi":"10.30687/EL/2420-823X/2018/05/009","DOIUrl":"https://doi.org/10.30687/EL/2420-823X/2018/05/009","url":null,"abstract":"Isaac Watts (1674-1748) argued that the passions, understood synonymously with the affections, were an essential component of the Christian experience. Watts designed a system of hymnody which allowed the worshipper to excite, cultivate, and express their passions. This paper traces the history of the passions and affections in those who were to influence Watts’ thought, before considering the ways Watts’ hymns allowed the passions to be experienced and articulated.","PeriodicalId":148651,"journal":{"name":"5 | 2018","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131379874","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Adapting Shakespeare around the Globe The Construction of Otherness and its Ideological Stakes in the Films O and Omkara 莎士比亚在全球的改编——电影《奥》和《奥姆卡拉》中他者性的建构及其意识形态的利害关系
5 | 2018 Pub Date : 2018-12-17 DOI: 10.30687/el/2420-823x/2018/05/005
A. Nae
{"title":"Adapting Shakespeare around the Globe\u0000 The Construction of Otherness and its Ideological Stakes in the Films O and Omkara","authors":"A. Nae","doi":"10.30687/el/2420-823x/2018/05/005","DOIUrl":"https://doi.org/10.30687/el/2420-823x/2018/05/005","url":null,"abstract":"In the past two decades, the rejection of the fidelity criterion has led to the release of a multitude of films that rework and appropriate canonical literary works to suit local political goals. The works of William Shakespeare have been some of the main beneficiaries of this new direction, as indicated by the significant number of appropriations, remediations, and ‘tradaptations’ (translations-adaptations) that have turned Shakespeare into a global figure. In this article I focus on two film adaptations of Othello, O (Nelson, 2001) and Omkara (Bhardwaj, 2006), that recontextualize the play’s narrative content into two different settings at the turn of the millennia: the American South and India. My aim is to highlight the manner in which the two films repurpose the content of the play in order to reveal the tensions that mark the two local cultures. Early modern concerns such as miscegenation, female sexuality, and religious and racial otherness are appropriated and represented along new cultural coordinates that reflect the anxieties of the two new local cultures. For example, in O, the issue of miscegenation is translated in accordance with the racism that marks the conservative American South, while in Omkara miscegenation is translated as the conflict between two Indian views on marriage: the traditional one that advocates arranged marriages, and the modern one that supports love marriages.","PeriodicalId":148651,"journal":{"name":"5 | 2018","volume":"141 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115697929","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Passionate Educations John Locke, Aphra Behn, and Jane Austen 热情的教育约翰·洛克，阿芙拉·本恩和简·奥斯汀
5 | 2018 Pub Date : 2018-12-17 DOI: 10.30687/EL/2420-823X/2018/05/010
Aleksondra Hultquist
{"title":"Passionate Educations\u0000 John Locke, Aphra Behn, and Jane Austen","authors":"Aleksondra Hultquist","doi":"10.30687/EL/2420-823X/2018/05/010","DOIUrl":"https://doi.org/10.30687/EL/2420-823X/2018/05/010","url":null,"abstract":"This article connects John Locke’s concept of uneasiness to Aphra Behn’s poem “On Desire: A Pindarick” and Jane Austen’s Mansfield Park. Behn and Austen offer a corrected reading of Locke’s overtly rationalist ideas. This comparison suggests the importance of passionate engagement as related to knowledge. This article uses a contemporary understanding of the long eighteenth-century passions to argue for how passionate experience and knowing might have occurred through the literary examples of Aphra Behn and Jane Austen.","PeriodicalId":148651,"journal":{"name":"5 | 2018","volume":"57 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114911081","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Fear of Laughter in Restoration Prose Fiction 复辟时期散文小说中的笑的恐惧
5 | 2018 Pub Date : 2018-12-17 DOI: 10.30687/EL/2420-823X/2018/05/007
J. Figueroa
{"title":"The Fear of Laughter in Restoration Prose Fiction","authors":"J. Figueroa","doi":"10.30687/EL/2420-823X/2018/05/007","DOIUrl":"https://doi.org/10.30687/EL/2420-823X/2018/05/007","url":null,"abstract":"This article draws on recent studies on the fear of derisive laughter (or ‘gelotophobia’) in order to relate them to early modern comments on laughter and to the representation of that anxiety in some texts of Restoration prose fiction, and with a particular emphasis on Alexander Oldys’s The Fair Extravagant(1682). Gelotophobia is a variant of shame anxiety and a social phobia defined as the pathological fear of being an object of laughter. Although the fear shown in the texts analysed is not pathological, it certainly reveals the strong pressure of the shame culture and gender politics prevailing in Restoration England.","PeriodicalId":148651,"journal":{"name":"5 | 2018","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133627369","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Film Adaptation as the Art of Expansion The Visual Poetics of Marleen Gorris in Mrs. Dalloway 《达洛维夫人》中玛琳·高瑞斯的视觉诗学
5 | 2018 Pub Date : 2018-12-17 DOI: 10.30687/EL/2420-823X/2018/05/004
P. Rybina
{"title":"Film Adaptation as the Art of Expansion\u0000 The Visual Poetics of Marleen Gorris in Mrs. Dalloway","authors":"P. Rybina","doi":"10.30687/EL/2420-823X/2018/05/004","DOIUrl":"https://doi.org/10.30687/EL/2420-823X/2018/05/004","url":null,"abstract":"his article discusses changes in central metaphors through which contemporary adaptation studies strive to chart the enormous territory of film adaptations that exists today. Previously concerned with privileging literary texts over their media ‘replays’, these ‘new wave’ studies tend to prioritize other aspects of the adaptation process: intertextual overwriting (Stam 2005), reappropriation of the literary past for the sake of the present (Sanders 2015), exploitation of literature (Cartmell 2017), etc. Departing from the metaphor of ‘competition’ between media (Jameson 2011), we suggest that the adaptation process be discussed as the art of expansion. The key issue in this research lies in bringing to the forefront the filmmaker’s visual poetics and the place his/her adaptation has among other cinematic works of the same period. This article shows how Marleen Gorris’s Mrs. Dalloway (1997) reveals its ‘expansive’ potential when read both through the lens of the heritage film style and the previous filmmaker’s work, Antonia’s Line (1995).","PeriodicalId":148651,"journal":{"name":"5 | 2018","volume":"89 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115915652","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Literature of Fear in Britain Coleridge’s Fears in Solitude and the French Invasion of Fishguard in 1797 柯勒律治的《孤独中的恐惧》与1797年法国入侵菲什加德
5 | 2018 Pub Date : 2018-12-17 DOI: 10.30687/el/2420-823x/2018/05/011
Ildikó Csengei
{"title":"The Literature of Fear in Britain\u0000 Coleridge’s Fears in Solitude and the French Invasion of Fishguard in 1797","authors":"Ildikó Csengei","doi":"10.30687/el/2420-823x/2018/05/011","DOIUrl":"https://doi.org/10.30687/el/2420-823x/2018/05/011","url":null,"abstract":"This essay reads Samuel Taylor Coleridge’s 1798 poem, Fears in Solitude, in the context of the letters, memoirs, pamphlets, prints and caricatures that were produced in Britain during the 1797-98 French invasion scare. The essay will explore the ways in which these written and visual products attempted to evoke, express and even suppress feelings of fear, anxiety and terror and aims to understand Coleridge’s ‘fears’ in the context of these feelings. In particular, the essay will examine how Coleridge’s poem responds to the heightened alertness following the Fishguard landing in February 1797. In Fears in Solitude, Coleridge is deeply ambivalent about his stance towards his own country and his attitude towards the French. Reviewers and scholars have long been debating the poem’s pro- or anti-war stance, and whether or not it is part of a contemporary alarmist discourse. Many broadsides, handbills and pamphlets published during this period warned about the horrors of a possible French invasion. They were funded by royalist associations with the sole aim of propagating fear across the nation. While these publications contributed to a widespread discourse of alarm, others, especially the visual culture of the period, challenged and ridiculed such fearmongering. Military and naval accounts and other first-hand narratives gave voice to the feelings pervading this time of psychological warfare, and explored the extent to which the horrors of war did come home intimately to affect the individual body and mind during this time. Read in the context of such contemporary texts, Coleridge’s poem emerges as an artistic discourse designed reflectively to manage his own and the nation’s fears instead of perpetuating the feeling itself.\u0000","PeriodicalId":148651,"journal":{"name":"5 | 2018","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131314281","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Narrative Suspense in Edgar Allan Poe and Alfred Hitchcock 埃德加·爱伦·坡和阿尔弗雷德·希区柯克的叙事悬念
5 | 2018 Pub Date : 2018-12-17 DOI: 10.30687/EL/2420-823X/2018/05/003
Elaine Indrusiak
{"title":"Narrative Suspense in Edgar Allan Poe and Alfred Hitchcock","authors":"Elaine Indrusiak","doi":"10.30687/EL/2420-823X/2018/05/003","DOIUrl":"https://doi.org/10.30687/EL/2420-823X/2018/05/003","url":null,"abstract":"This article explores the construction of narrative suspense in Edgar Allan Poe’s and Alfred Hitchcock’s works. Central to their creations is a dual narrative structure that builds tension by articulating two stories in one. Narratological analyses of Poe’s tales and of Hitchcock’s thrillers indicate that their suspense does not stem from gothic topoi, but from plots skilfully wrought to manipulate the readers/viewers’ attention. The first part of the article introduces the concept of narrative suspense. Next, structural principles defended by Poe and Hitchcock are presented. The last two parts discuss narrative techniques in the works by both authors. Given the authors’ influence within their respective media, the analysis has implications for studies of the short story and of the suspense thriller as a narrative genre.","PeriodicalId":148651,"journal":{"name":"5 | 2018","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115711525","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Re-run and Re-read Tom McCarthy’s Remainder as an Archeology of the Present 重读和重读汤姆·麦卡锡的《余部》，把它当作当代考古学
5 | 2018 Pub Date : 2018-12-17 DOI: 10.30687/EL/2420-823X/2018/05/006
A. Violi
{"title":"Re-run and Re-read\u0000 Tom McCarthy’s Remainder as an Archeology of the Present","authors":"A. Violi","doi":"10.30687/EL/2420-823X/2018/05/006","DOIUrl":"https://doi.org/10.30687/EL/2420-823X/2018/05/006","url":null,"abstract":"Hailed by critics as breaking paths for the direction of British fiction, Tom McCarthy’s novel Remainder (2005) has been described as a way of re-thinking literature in terms of intermedial spaces, be they installations, performance artworks or a ‘remix’ of writing and film. The newness of Remainder seems to hinge on its imitation of a contemporary mediascape saturated with technical images and simulacra, in which reality is totally metamorphosed into a filmic phantasmagoria that novel writing is striving to mimic. Following McCarthy’s eschewing of the rhetoric of the ‘new’, this essay discusses the practice of re-enactment described in Remainder as a way digging up images from the past to read the myth of postmodern hyperreality against its grain. McCarthy’s ‘archeology of the present’ takes the concern with mediation and visual culture back to the unfinished business of modernism and its encounter with cinematic technology, reproposing the materialist aesthetics of embodiment that emerged from the conversation among literature, film and medicine in writers such as Joyce or T.S. Eliot, down to Samuel Beckett.","PeriodicalId":148651,"journal":{"name":"5 | 2018","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124517553","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
‘#DifferenceMakesUs’: Selling Shakespeare Online (and the Commerce Platform Etsy) #DifferenceMakesUs:在线销售莎士比亚作品(以及电子商务平台Etsy)
5 | 2018 Pub Date : 2018-12-17 DOI: 10.30687/EL/2420-823X/2018/05/002
Anna K. M. Blackwell
{"title":"‘#DifferenceMakesUs’: Selling Shakespeare Online (and the Commerce Platform Etsy)","authors":"Anna K. M. Blackwell","doi":"10.30687/EL/2420-823X/2018/05/002","DOIUrl":"https://doi.org/10.30687/EL/2420-823X/2018/05/002","url":null,"abstract":"The mission statement of the online creative commerce platform Etsy declares its commitment to “using the power of business to strengthen communities and empower people”. Among the many handmade and vintage items sold on Etsy are 3,811 items quoting Helena’s description of Hermia from A Midsummer Night’s Dream (“and though she be but little, she is fierce”). This journal paper will examine the relationship between Shakespeare and the predominantly female crafts people who operate through platforms such as these as well as Shakespeare’s own depiction of female craft and handcrafted items. It seeks to explore the processes at work in Shakespeare-inspired merchandise and the relationship they claim to the play texts they adapt. The paper will continue by situating ‘female’ oriented creative work within the current political climate and exploring both the possibilities and limitations of craft as a vehicle for political resistance.\u0000","PeriodicalId":148651,"journal":{"name":"5 | 2018","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133033913","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Frances Greville’s A Prayer for Indifference The Limits of Sentiment 弗朗西丝·格雷维尔的《冷漠的祈祷》情感的极限
5 | 2018 Pub Date : 2018-12-17 DOI: 10.30687/el/2420-823x/2018/05/008
Karin Kukkonen
{"title":"Frances Greville’s A Prayer for Indifference\u0000 The Limits of Sentiment","authors":"Karin Kukkonen","doi":"10.30687/el/2420-823x/2018/05/008","DOIUrl":"https://doi.org/10.30687/el/2420-823x/2018/05/008","url":null,"abstract":"The present article considers Frances Greville’s poem A Prayer for Indifference as the centre of a debate around the nature of the emotions and their social and cultural roles in the eighteenth century. Greville questions the models of the philosophers of sensibility, in particular Francis Hutcheson’s, and, drawing on Shakespeare’s newly prominent status, puts forward literature as an alternative.","PeriodicalId":148651,"journal":{"name":"5 | 2018","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128324954","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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