Atem / Breath最新文献

{"title":"Don’t Hold Your Breath! Atmen als Mittel der Selbstreflexion","authors":"B. Oettl","doi":"10.1515/9783110701876-012","DOIUrl":"https://doi.org/10.1515/9783110701876-012","url":null,"abstract":"auf das Gehör, und noch weniger setzen ihr Vertrauen auf den Tast-oder den Geruchssinn. Die Abstraktion zerschneidet den empfinden-den Körper; sie grenzt Geschmack, Gehör und Tastsinn aus, behält nur Ge sichtssinn und Gehör, Anschauung und Erkenntnisvermögen, zurück. Abstrahieren heißt weniger den Körper hinter sich lassen als ihn in Stücke schneiden: Analyse.“ 6","PeriodicalId":141930,"journal":{"name":"Atem / Breath","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122746458","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"„The Water Exhales“. Zur Evokation von Atem in Comics von Chris Ware, Tillie Walden und Craig Thompson","authors":"Maria Weilandt","doi":"10.1515/9783110701876-005","DOIUrl":"https://doi.org/10.1515/9783110701876-005","url":null,"abstract":"1 Zu Comics als Bild-Text-Medien vgl. z.B. Robert C. Harvey, „Comedy at the Juncture of Word and Image“, in: Robin Varnum/Christina T. Gibbons (Hg.), The Language of Comics, Jackson 2001, S. 75–96. Ich möchte allerdings betonen, dass Ikonotextualität zwar ein Merkmal der meisten Comics ist, es jedoch durchaus eine Reihe von Comics gibt, die textfrei erzählen (etwa Shaun Tans The Arrival, 2006). Zu den definitorischen Schwierigkeiten des Mediums Comic vgl. z.B. Lukas R.A. Wilde, „Das bildphilosophische Stichwort 18. Comic“, in: Image 26, Juli 2017, S. 105–129, hier: S. 106–109. Atemdarstellungen im Medium Comic sind ein durchaus ambivalentes Thema. Meines Wissens ist es einerseits recht selten, dass Figuren in Comics atmend gezeigt werden bzw. genauer: dass ihre reguläre Atmung explizit thematisiert wird. Andererseits beinhaltet fast jeder Comic Motive oder Praktiken, die mit dem Einsaugen und Ausstoßen von Atemluft zu tun haben: erleichtertes Seufzen etwa, sich Räuspern, Husten, Keuchen, Rauchen oder Riechen. Da in solchen Panels oder Panelsequenzen Atem bzw. Spielarten desselben besonders markiert sind, bietet es sich an, diese Szenen genauer zu analysieren und sich zu fragen, welchen Effekt Atemmotive an dieser Stelle für die Geschichte haben und auf welche Weise Atem jeweils sichtbar gemacht wird. Eine mediale Eigenheit des Comics, die hierbei stets im Fokus steht, ist seine Ikonotextualität.1 Comics vereinen bzw. verschmelzen Bild und Text auf eine Art und Weise, die ein Drittes ergibt. Comics sind nur in diesen performativen Synthesen aus Bild und Text verständlich und analysierbar. Hierbei ist es unerlässlich, auch die grafischen Elemente des Comics, die Gestaltung von Linien, Rahmen, von Panelformen und -aufteilung sowie von Schrift einzubeziehen. Den Begriff Comic benutze ich als Überbegriff für alle Subgenres Grafischer Literatur – von der franko-belgischen bande dessinée über Graphic Novels bis zum japanischen Manga. Dennoch ist es natürlich unerlässlich, die jeweiligen Kulturund Formgeschichten der Comicformate zu beachten. Ein Beispiel möge das verdeutlichen und gleichzeitig zum Hauptteil dieses Aufsatzes überleiten: Für bestimmte Handlungen, bei denen Maria Weilandt","PeriodicalId":141930,"journal":{"name":"Atem / Breath","volume":"475 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116167874","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Copycat Killer or Smelling a Sense of Home","authors":"D. King, M. Morris","doi":"10.1515/9783110701876-013","DOIUrl":"https://doi.org/10.1515/9783110701876-013","url":null,"abstract":"For a long time, I have been fascinated by the artistic and participatory possibilities of ephemeral materials in exhibition contexts. I have been researching the social and aesthetic implications of sensory experiences in various museum projects, classrooms, and publications. In my dissertation Kunst Riechen (Smell Art) I investigated the potentials of aesthetic experiences of smell in contemporary art projects and their application in educational contexts.1 Smell Art discusses odor in contemporary fine arts and examines how olfactory art can be used in educational settings. The artistic strategies and exemplary works by artists who consciously use smell are at the heart of my study. My investigation focused on possible changes in reception habits and aesthetic experiences through odor-based art. I used my findings to develop ideas on how to exhibit and mediate contemporary olfactory arts. In 2018, I met the artist Matt Morris at the 106th College Art Association conference in Los Angeles, for which our smell-art-loving colleagues Debra Parr and Gwen-Aël Lynn organized a panel on Olfactory Art and the Political.2 In this panel, researchers and artists working on smell uncovered and examined the various dispositions of olfactory artworks, the role that odor takes in contemporary and historical practices, and how olfaction not only challenges the visual, but also negotiates social demands for deodorized bourgeois (exhibition) spaces. Here, the question of how activists deploy olfactory tactics to achieve their goals was posed.3 Dorothée King & Matt Morris in Conversation","PeriodicalId":141930,"journal":{"name":"Atem / Breath","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123971228","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Breathing Skins. Plant Leaves and Architecture","authors":"Linn Burchert, L. Guiducci, P. Gruber, C. Sauer","doi":"10.1515/9783110701876-020","DOIUrl":"https://doi.org/10.1515/9783110701876-020","url":null,"abstract":"","PeriodicalId":141930,"journal":{"name":"Atem / Breath","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129800482","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Die Autor*innen / The Authors","authors":"","doi":"10.1515/9783110701876-022","DOIUrl":"https://doi.org/10.1515/9783110701876-022","url":null,"abstract":"","PeriodicalId":141930,"journal":{"name":"Atem / Breath","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132087377","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Politics of Breath: Reanimating the Air Art of Hans Haacke and Lygia Clark as Models of Social Critique","authors":"Gloria Sutton","doi":"10.1515/9783110701876-017","DOIUrl":"https://doi.org/10.1515/9783110701876-017","url":null,"abstract":"As part of their distinct, and manifestly influential bodies of work, artists Hans Haacke (b. 1936) and Lygia Clark (1920–1988), produced indelible artworks that engendered a fragile balance between air, the inorganic materials used to suspend or generate it, and the human bodies that impacted it. These works modeled the precarious relationship humans have with their environments: natural, technological, biological and social. Haacke’s and Clarke’s early investment in aligning kinetic processes alongside organic/biological and human/social ones presents an integrated system of transference – what can be thought of as a reciprocity between bodies of knowledge production and bodies breathing in real time and in real space. Installed in their retrospective exhibitions in New York – Clark’s The Abandonment of Art at the Museum of Modern Art (2014) and Haacke’s All Connected at the New Museum (2019) – these air art works first produced in the 1960s were re-staged against a more contemporary socio-political backdrop marked by the continued struggle for social justice reform stemming from the civil rights movements that defined the period of their initial making. Examined together here, selected works by Haacke and Clark pivot on notions of reflexivity and complicity – reanimating our understanding of the interconnectedness of visual art and cultural life in a manner that draws our attention to the politics of breath within contemporary art.","PeriodicalId":141930,"journal":{"name":"Atem / Breath","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122574790","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Body of Breath: Morphologies of Air Movement","authors":"L. Perraudin, Iva Rešetar, Clemens Winkler","doi":"10.1515/9783110701876-006","DOIUrl":"https://doi.org/10.1515/9783110701876-006","url":null,"abstract":"Iva Rešetar (IR): As we look back on our experiments with schlieren photography1, we can start this conversation by drawing connections between the role this technique had in the natural sciences and the ways we re-enact or ‘repurpose’ it in experimental design research. One can describe the schlieren apparatus as an optical set-up consisting of a parabolic mirror, a razor blade, a camera and a light – all placed in a precise configuration to expose differences in the refractivity of air. In this way, whatever transpires in front of the mirror will cause small changes in air density, temperature and pressure, creating the streaking effect of deflected light captured by the camera. This analogue manner of observing the temporal structure of air flows to “see the invisible”2 has made schlieren a tool for visualizing the complex behavior of fluid bodies, the patterns of their movement and expansion, and their interplay with solids. Tracing its sporadic deployment in science – from detailing candle plumes or plant respiration, to the high-speed physics of supersonic and ballistic experiments in the military-scientific context, it seems that for most of the time, without practical use and in the hands of many improvisers, it retained its character as a demonstrator – not necessarily for quantifying fluid dynamics processes, but as an ex perimental stage for performance and Léa Perraudin, Iva Rešetar & Clemens Winkler in Conversation","PeriodicalId":141930,"journal":{"name":"Atem / Breath","volume":"56 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130378741","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Shall I commence the breathing, admiral? Zur Ikonographie von Atmung und Atemnot im Science Fiction-Film","authors":"Marcus Becker","doi":"10.1515/9783110701876-015","DOIUrl":"https://doi.org/10.1515/9783110701876-015","url":null,"abstract":"","PeriodicalId":141930,"journal":{"name":"Atem / Breath","volume":"134 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116915443","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Degas’ gähnende Büglerinnen zwischen Decorumsverstoß und Hysterie","authors":"Lisa Hecht","doi":"10.1515/9783110701876-003","DOIUrl":"https://doi.org/10.1515/9783110701876-003","url":null,"abstract":"1 Georg Simmel, „Die ästhetische Bedeutung des Gesichts“, in: Der Lotse. Hamburgische Wochenschrift für deutsche Kultur 35, 1901, S. 280–284, hier: S. 282. 2 Siehe hierzu bspw. Ursula Mildner, Das Decorum. Herkunft, Wesen und Wirkung des Sujetstils am Beispiel Nicolas Poussins, Sankt Augustin 1983. 3 Vgl. Lisa Hecht, „Verwunderung und Staunen als Primäraffekte in Nicolas Poussins ‚Christus heilt die Blinden‘ (1650)“, in: Marburger Jahrbuch, Marburg 2020, S. 151–165. 4 Vgl. Anna Degler, Parergon. Attribut, Material und Fragment in der Bildästhetik des Quattrocento, Paderborn 2015, S. 166. 1901 schreibt Georg Simmel in seinem Aufsatz zur ästhetischen Bedeutung des Gesichts über barocke Pathosfiguren:","PeriodicalId":141930,"journal":{"name":"Atem / Breath","volume":"71 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114221288","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Atemnot und schöner Atem. Der Atem als Souveränitätspolitikum bei Marcel Duchamp","authors":"Lars Blunck","doi":"10.1515/9783110701876-010","DOIUrl":"https://doi.org/10.1515/9783110701876-010","url":null,"abstract":"1 Der vorliegende Text geht zurück auf einen Abendvortrag mit dem Titel „Der Künstler als Respirator. Marcel Duchamps Atemarbeit“, den ich am 12. September 2019 auf der Tagung Atem. Gestalterische, ökologische und soziopolitische Dimensionen 1900–Gegenwart an der Humboldt-Universität zu Berlin gehalten habe. 2 Siehe bspw. Stefan Banz (Hg.), Marcel Duchamp and the Forestay Waterfall, Zürich 2010. 3 Siehe hierzu insb. Lars Blunck, Duchamps Readymade, München 2017, S. 210–228. 4 Serge Stauffer (Hg.), Marcel Duchamp. Interviews und Statements, Ostfildern-Ruit 1992, S. 85, engl.: Anonym, „Art Was a Dream“, in: Newsweek 9 (54), New York, 9. November 1959, S. 118–119, hier: S. 119: „breather“. 5 Stauffer 1992 (wie Anm. 4), S. 85, engl.: Newsweek 1959 (wie Anm. 4), S. 119. 6 Ebd., S. 47, frz.: Alain Jouffroy, „Conversations avec Marcel Duchamp“ [1961], in: ders. (Hg.), Une Révolution du regard. A propos de quelques peintres et sculpteurs contemporains, Paris 1964, S. 107–124, hier: S. 109: „ J'ai élargi la manière de respirer.“ 7 Pierre Cabanne, Gespräche mit Marcel Duchamp, Köln 1972 [frz. 1967], S. 108, frz.: Pierre Cabanne, Entretiens avec Marcel Duchamp, Paris 1967, S. 134: „J’aime mieux [...] respirer.“ 8 Stauffer 1992 (wie Anm. 4), S. 64 [Übers. geänd.], engl.: Geoffrey Hellman, „Marcel Duchamp“, in: The New Yorker, 6. April 1957 (Fotokopie, Serge Stauffer Archiv, StaatsVielen seiner Zeitgenossen muss Marcel Duchamp, einer der wirkmächtigsten Künstler des 20. Jahrhunderts, in hohem Alter wie ein lebensund zugleich kunstweiser Pensionär erschienen sein.1 Obgleich, und dies hat die Duchamp-Forschung sehr tiefgreifend erschlossen, er bis zu seinem Lebensende recht umtriebig gewesen ist,2 hatte Duchamp (1887– 1968) dennoch von sich das Bild eines Grandseigneurs, eines emeritierten Künstlers, eines vorzeitigen Ruheständlers entworfen und seine angebliche Selbstemeritierung geradezu öffentlich zelebriert.3 Immer wieder stilisierte er sich in den 1950er und 60er Jahren öffentlich als ein entschieden Untätiger – und (er)fand dafür die Selbstbezeichnung als „Atmer“ (breather);4 um seine Untätigkeit zu markieren, rekurrierte Duchamp auf den Atem, auf das Atmen und auf sich als „respirateur“.5 Im Herbst 1954 beispielsweise teilte Duchamp im Alter von 67 Jahren mit, er habe, statt zu arbeiten, nunmehr „die Art zu atmen ausgeweitet“.6 Ein gutes Jahrzehnt später erklärte der damals 78-Jährige, er lebe lieber, „atme lieber“,7 als dass er arbeite. Bereits im Frühjahr 1957 hatte er allgemein von Künstler*innen – damit aber auch und gerade sich selbst meinend – behauptet: „Man lebt und man weiß nicht, wie man lebt. Man stirbt einfach nicht. [...] Die Leute fragen Künstler ständig, wie sie leben. Sie brauchen nicht zu leben. Sie atmen einfach.“8 Und zwei Jahre später, im November 1959, teilte Duchamp mit, er verLars Blunck","PeriodicalId":141930,"journal":{"name":"Atem / Breath","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131770896","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}