RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies最新文献_第2页

MECHANISMS FOR REALIZING THE RIGHT TO WORK AND PROFESSIONAL DEVELOPMENT OF WOMEN DURING MATERNITY LEAVE 妇女产假期间工作权和职业发展权的实现机制

RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies Pub Date : 1900-01-01 DOI: 10.28995/2073-6401-2022-1-201-214

A. V. Shvetsova

引用次数: 0

THE HEROES AND NONENTITIES, OR TELEVISION VERSUS SCULPTURE. YERBOSSYN MELDIBEKOV’S VISUAL ANTHROPOLOGY 英雄与虚无，或者电视与雕塑。Yerbossyn meldibekov的视觉人类学

RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies Pub Date : 1900-01-01 DOI: 10.28995/2073-6401-2022-3-125-145

Andrei N. Fomenko

{"title":"THE HEROES AND NONENTITIES, OR TELEVISION VERSUS SCULPTURE. YERBOSSYN MELDIBEKOV’S VISUAL ANTHROPOLOGY","authors":"Andrei N. Fomenko","doi":"10.28995/2073-6401-2022-3-125-145","DOIUrl":"https://doi.org/10.28995/2073-6401-2022-3-125-145","url":null,"abstract":"In 2001 Meldibekov created the work called Pastan – a video-performance in which the author is being methodically beaten and insulted in the process. Pastan is the first in the series that show four different scenarios involving a humiliated and suffering subject. That character represents regression to some kind of a primary state, assimilation with other living creatures and even inanimate objects. This anthropological and psychological ascesis is in line with the formal treatment of the video-performances, going back to the neo-avant-garde of the 1960s and 1970s. The main medium here is also the body of the artist, almost free of any trappings of sociocultural identity. However, unlike the “classics”, Meldibekov is interested not so much in the boundaries of art as in the boundaries of humanity. In general, his works form a visual anthropology based on two poles. On the one hand, one can see monumental and triumphant forms in which political power is expressing itself, using esthetic mechanisms to rise vainly above the perishable human nature. But ironically, it is these monuments that Meldibekov sees as a symbol of the ephemeral. On the opposite pole one can see something over which power rises, but which inevitably forms its substrate, its perishable flesh, the expendable of history. The character in those video-performances is an antipode to the hero of a monument: he is miserable and unmonumental. But he is much sturdier; he persistently faces the strikes of destiny and is not so easy to break.","PeriodicalId":127301,"journal":{"name":"RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128418269","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

“THE AUTUMN OF THE PATRIARCH”. ARCHITECTURE OF THE CENTRAL MOSCOW HIPPODROME CREATED BY I.V. ZHOLTOVSKY "族长之秋"由i.v. zholtovsky设计的莫斯科中心广场建筑

RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies Pub Date : 1900-01-01 DOI: 10.28995/2073-6401-2023-2-141-155

Ilya Pechenkin

{"title":"“THE AUTUMN OF THE PATRIARCH”. ARCHITECTURE OF THE CENTRAL MOSCOW HIPPODROME CREATED BY I.V. ZHOLTOVSKY","authors":"Ilya Pechenkin","doi":"10.28995/2073-6401-2023-2-141-155","DOIUrl":"https://doi.org/10.28995/2073-6401-2023-2-141-155","url":null,"abstract":"The article deals with the latter stage of creative career of one of the top Soviet architects, Ivan Zholtovsky (1867–1959). In the 1950s, this master, who had the status of the patriarch of the Soviet architectural school and the leader of his own workshop-school, was in charge of the designing several large buildings in which monumental classical forms got a strongly marked crisis character. Perhaps the main work in a number of Zholtovsky’s later pieces is the reconstruction of the Central Moscow Hippodrome (1951–1955), which clearly embodied literary centrism as well as some obsession with decorative in late Stalinist architecture. Solving a major urban planning problem, Zholtovsky used a non-standard composition of the building. In such a case he rejected the canons of classicism and renaissance, which he usually sacredly honored. Instead, he apparently considered ensembles of the Hellenistic era as sources of compositional logic, and such a choice is stunningly accurate for a conclusion opus of the grand Stalinist style. Along with that, the building of the hippodrome can be described as a kind of compendium of quotes taken from earlier buildings of Zholtovsky, including the first one – the nearby mansion of the Racing Society (1903–1905). Loquacious pomposity and a tendency to self-repetition are symptoms of decline, but this final phase of style and its specific manifestations in the work of the architect are certainly worth research attention.","PeriodicalId":127301,"journal":{"name":"RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128464793","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

“WAS FOUNDED THIS ICON IN REMEMBRANCE OF GOD’S GOODNESS”. THE FAMILY ICON OF THE KALUGA NOBLES PIRAMIDOVS “为了纪念上帝的仁慈而建立了这个图标”。卡卢加贵族的家族偶像piramidovs

RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies Pub Date : 1900-01-01 DOI: 10.28995/2073-6401-2022-4-142-169

Valentin Golubev

{"title":"“WAS FOUNDED THIS ICON IN REMEMBRANCE OF GOD’S GOODNESS”. THE FAMILY ICON OF THE KALUGA NOBLES PIRAMIDOVS","authors":"Valentin Golubev","doi":"10.28995/2073-6401-2022-4-142-169","DOIUrl":"https://doi.org/10.28995/2073-6401-2022-4-142-169","url":null,"abstract":"The article deals with the history of the creation, iconography, and style of a family icon of the Piramidovs nobles from Kaluga. According to the inscription on its back the reason for ordering was Olga Piramidova’s satisfaction at the court claim. That event took place at the end of 1800. Based on historical evidence the litigation can be associated with the “Pyramidovs’ case”. The iconographic program of the monument is typical for the noble taste: the patronal saints of the family members are depicted with dialogical express in their figures. The images of St. Luke and St. Philip reflect the memorial character of the icon, since their ecclesiastical commemoration coincided with beginning and the end of the court case. Careful analysis of those and other details helps to understand the principles of identity formation scenarios and memory strategies among the Russian provincial nobility. Thanks to precise dating and a confirmed connection to a noble family permanently residing in Kaluga province, the icon becomes an important point of reference in determining the distinctive stylistic features of certain Kaluga icons. Through a series of analogies, a stylistically unified group is formed, oriented towards samples of late Moscow Baroque and associated with the aesthetic preferences of the nobility","PeriodicalId":127301,"journal":{"name":"RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128752287","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

FEATURES OF THE INDUSTRIAL ARCHITECTURE OF THE URAL FACTORIES IN THE AGE OF CLASSICISM 古典主义时代农村工厂工业建筑的特点

RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies Pub Date : 1900-01-01 DOI: 10.28995/2073-6401-2022-3-123-134

Denis E. Nifontov

引用次数: 0

GENDER EQUALITY IN SCIENCE. ACHIEVEMENTS AND CHALLENGES 科学中的性别平等。成就与挑战

RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies Pub Date : 1900-01-01 DOI: 10.28995/2073-6401-2021-1-209-217

L. A. Brushkova, I. Prokhorova

引用次数: 1

SOCIAL AND ECONOMIC STATUS OF MID-LEVEL MEDICAL PERSONNEL DURING THE CORONAVIRUS PANDEMIC 冠状病毒大流行期间中层医务人员的社会经济地位

RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies Pub Date : 1900-01-01 DOI: 10.28995/2073-6401-2022-1-75-85

E. Fadeeva

引用次数: 0

ENVIRONMENTAL ISSUES OF AN URBAN AREA REPRESENTED IN LOCAL PRESS 一个城市地区的环境问题在当地报刊上的报道

RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies Pub Date : 1900-01-01 DOI: 10.28995/2073-6401-2019-4-61-70

V. Dvoinev

引用次数: 0

THE FEMALE FACE OF RUSSIAN POLITICS. BETWEEN EAST AND WEST 俄罗斯政治的女性面孔。东方和西方之间

RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies Pub Date : 1900-01-01 DOI: 10.28995/2073-6401-2022-1-345-351

M. Bakanova

{"title":"THE FEMALE FACE OF RUSSIAN POLITICS. BETWEEN EAST AND WEST","authors":"M. Bakanova","doi":"10.28995/2073-6401-2022-1-345-351","DOIUrl":"https://doi.org/10.28995/2073-6401-2022-1-345-351","url":null,"abstract":"The article compares the so-called political face of women in Western, Eastern countries and Russia. The main characteristics of women politicians in Western countries are: common descent and personal qualities as means to achieve a high position, specialized education and a good place to work before entering politics, early and late political careers, strong family ties with a minimum of children, and the high effectiveness of political decisions with a low failure rate. Women politicians in the Eastern group of countries are determined by heredity and continuity of political power, specialized or humanitarian education, a rather late start of a political career, often relying on a spouse, strong family ties and small families, a high percentage of political scandals, corruption charges and low management efficiency. Women politicians in Russia are more often characterized by a common descent with high personal qualities as means to achieve a political office and a specialized education, including at the level above the bachelor’s degree, they have to enter the political path early, sacrificing the opportunity to have an alternative job, the possibility of having more than one child or interrupting the career of a politician, while the effectiveness of the work of Russian women politicians is high, although political scandals are not rare. Thus, with a greater orientation of women politicians in Russia towards the West, they have both Eastern and their own personal characteristics associated with various reasons, the elimination of which will improve the political sphere for the advancement of women in this area.","PeriodicalId":127301,"journal":{"name":"RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies","volume":"106 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116217629","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

THE CRUCIFIED GOD AT THE BASIS OF MODERN EUROPEAN SCIENCE AND SOURCES OF THE INTERNALIST ANTIPOSITIVISM. ARTICLE ONE: KOYRÉ 被钉在十字架上的神是现代欧洲科学的基础和内部主义反实证主义的来源。第一条:koyrÉ

RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies Pub Date : 1900-01-01 DOI: 10.28995/2073-6401-2020-3-24-35

I. Kurilovich

{"title":"THE CRUCIFIED GOD AT THE BASIS OF MODERN EUROPEAN SCIENCE AND SOURCES OF THE INTERNALIST ANTIPOSITIVISM. ARTICLE ONE: KOYRÉ","authors":"I. Kurilovich","doi":"10.28995/2073-6401-2020-3-24-35","DOIUrl":"https://doi.org/10.28995/2073-6401-2020-3-24-35","url":null,"abstract":"The Religion-Science relationship is often understood as problematic one and they themselves as sides in the confrontation between clericalism and scientism. The background of those polemic party positions contributes to standing out the study of the positive significance of theological toposes, tropes, mythologemes in science when it is conducted secularly, and even more emphatically atheistically. One of the vivid examples for that occurs in the reflections of two French philosophers of Russian origin, Alexandre Koyré and Alexandre Kojève. By studying the genesis of science, Koyré discovers that modern mathematical physics requires a homogeneous world, and it became so for the first time in Christian Europe in the 16–17th centuries. Kojève continues Koyré’s reflections – according to him, the application of the celestial science of mathematics to terrestrial physics became possible through the habit of European thinkers to the scandalous thought about the Incarnation of God, about the possibility for the infinity and for the perfection to be born in the flesh and thus “heal” it. The positions of both have their origin in Hegel’s thoughts, but in some points they do not agree with him. The research consists of three parts published in three separate articles on the foundation of Modern science at Koyré, Kojève and Hegel. The first part is about Alexandre Koyré.","PeriodicalId":127301,"journal":{"name":"RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127715941","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0