“WAS FOUNDED THIS ICON IN REMEMBRANCE OF GOD’S GOODNESS”. THE FAMILY ICON OF THE KALUGA NOBLES PIRAMIDOVS

Valentin Golubev
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Abstract

The article deals with the history of the creation, iconography, and style of a family icon of the Piramidovs nobles from Kaluga. According to the inscription on its back the reason for ordering was Olga Piramidova’s satisfaction at the court claim. That event took place at the end of 1800. Based on historical evidence the litigation can be associated with the “Pyramidovs’ case”. The iconographic program of the monument is typical for the noble taste: the patronal saints of the family members are depicted with dialogical express in their figures. The images of St. Luke and St. Philip reflect the memorial character of the icon, since their ecclesiastical commemoration coincided with beginning and the end of the court case. Careful analysis of those and other details helps to understand the principles of identity formation scenarios and memory strategies among the Russian provincial nobility. Thanks to precise dating and a confirmed connection to a noble family permanently residing in Kaluga province, the icon becomes an important point of reference in determining the distinctive stylistic features of certain Kaluga icons. Through a series of analogies, a stylistically unified group is formed, oriented towards samples of late Moscow Baroque and associated with the aesthetic preferences of the nobility
“为了纪念上帝的仁慈而建立了这个图标”。卡卢加贵族的家族偶像piramidovs
本文讨论了卡卢加Piramidovs贵族家族偶像的创作历史、肖像学和风格。根据它背后的铭文,订购的原因是奥尔加·皮拉米多娃对法院的索赔感到满意。那件事发生在1800年底。根据历史证据,该诉讼可与“皮拉米多夫案”联系起来。纪念碑的肖像程序是典型的贵族品味:家庭成员的守护神在他们的人物形象中以对话的表达来描绘。圣路加和圣菲利普的肖像反映了圣像的纪念性质,因为他们的教会纪念活动与法庭案件的开始和结束是一致的。仔细分析这些和其他细节有助于理解俄罗斯地方贵族身份形成的原则,场景和记忆策略。由于精确的年代和与永久居住在卡卢加省的贵族家庭的确认联系,该图标成为确定某些卡卢加图标独特风格特征的重要参考点。通过一系列的类比,形成了一个风格统一的群体,面向莫斯科晚期巴洛克风格的样本,并与贵族的审美偏好相关联
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