{"title":"Projecting Interiority: Psychogenesis and the Composition of Outer Dark","authors":"Dianne C. Luce","doi":"10.5325/CORMMCCAJ.16.1.0002","DOIUrl":"https://doi.org/10.5325/CORMMCCAJ.16.1.0002","url":null,"abstract":"abstract:This paper integrates archival and biographical evidence to explore the nexus of the personal and the professional in the genesis and composition of Outer Dark. Before he began Outer Dark, McCarthy had written editor Larry Bensky a long defense of his strategies in The Orchard Keeper in hopes of avoiding revision. As he composed the second novel, he was considering the objections Bensky had raised to the first and attempting to forestall similar criticisms of Outer Dark. At the same time, he was dealing with his impending loss of Lee McCarthy and his newborn son Cullen. Thus he wrote the novel under emotional and professional stress, the evidence of which surfaces in various ways in the “Rough/ First Draft” and the “Early Draft.” McCarthy gradually refined his strategies for making Culla’s inner life exterior, revising from his monologues through a sequence of his dreams and finally to scenes of the triune as the walking manifestation of Culla’s inner life. The novel itself may be seen as an objective correlative for McCarthy’s own inner life, a working out of his grief and guilt over losing his son.","PeriodicalId":126318,"journal":{"name":"The Cormac McCarthy Journal","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130905663","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Existing Without Consent: American History and the Judge in Cormac McCarthy’s Blood Meridian","authors":"L. Brown","doi":"10.5325/CORMMCCAJ.16.1.0073","DOIUrl":"https://doi.org/10.5325/CORMMCCAJ.16.1.0073","url":null,"abstract":"abstract:This article offers a New Americanist reading that unites the theoretical implications of violence with its political effects to explain how some “ungrievable,” unassimilable populations not only survived historical violence like that which McCarthy chronicles in Blood Meridian, but persisted—even into the present—as living testimonials whose very existence contradicts the implicit narrative created by the judge and the exceptionalist U.S. social, political, and historical narrative he symbolically records and controls. The author argues that McCarthy’s novel offers insight about how subaltern counternarratives are possible despite the judge’s totalizing gaze and control. Furthermore, it illustrates how autonomous individuals like the kid can evade the violence of the nation-state’s totalizing power by refusing to consent to their own subjection.","PeriodicalId":126318,"journal":{"name":"The Cormac McCarthy Journal","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-04-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126308426","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“Men are made of the dust of the earth”: Time, Space, Matter, and Meaning in Cormac McCarthy’s Blood Meridian","authors":"Ken R. Hanssen","doi":"10.5325/CORMMCCAJ.15.2.0177","DOIUrl":"https://doi.org/10.5325/CORMMCCAJ.15.2.0177","url":null,"abstract":"While the narrative of Cormac McCarthy’s novel Blood Meridian is expansive and involved, suggesting an unearthly realm of deeply resonant symbolic meaning, the lack of a reflective consciousness at the mimetic level leaves description the only form of convincing representation, opening up on an evolutionary vista beyond human valuation. But description in the novel is not wholly disembodied, outside time and space; it receives its impetus from the movement of characters through the landscape, the world of natural and cultural phenomena. Through his engagement with the exhaustive particularity of this chronotopic continuum, McCarthy is able to go beyond both metaphysical speculation and evolutionary determinism and offer a view of the individual in his proper relation to human history and the natural world, harnessing his ostensibly senseless narrative of violence to an ongoing struggle for meaning and moral articulation.","PeriodicalId":126318,"journal":{"name":"The Cormac McCarthy Journal","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129146593","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Saving Sheriff Bell: Derrida, McCarthy, and the Opening of Mercantile Ethics in No Country for Old Men","authors":"P. O’Connor","doi":"10.5325/CORMMCCAJ.15.2.0152","DOIUrl":"https://doi.org/10.5325/CORMMCCAJ.15.2.0152","url":null,"abstract":"This article examines Cormac McCarthy’s No Country for Old Men. Rather than seeing McCarthy’s novel as a paean to a lost conservatism, I offer a subtler philosophical reading. Utilizing Jacques Derrida’s account of ethics and responsibility, I show that McCarthy offers a very rich account of ethical deliberation. On the surface, the novel presents a putative conservative ethics, where Sheriff Bell laments the current state of social laws and yearns for the simplicity of natural justice. Chigurh represents the logical conclusion of natural law, where morals are consistent with the natural, predictable, and mechanical laws of nature. The moral fulcrum of the novel dwells in the deepening wisdom of Bell in the face of Chigurh’s mechanization and naturalization of ethics. McCarthy’s philosophical and ethical insight in No Country for Old Men emerges from showing how the central protagonist Sheriff Bell struggles to exist beyond the good and evil he faces in the guise of the psychopath Chigurh's relentless rationalism. I conclude that McCarthy philosophically demonstrates the density and flawed nature of ethical decision-making, one that requires civil disobedience at the heart of the law.","PeriodicalId":126318,"journal":{"name":"The Cormac McCarthy Journal","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132001914","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"This, Too, Shall Pass: Distant Reading a Future in the Ruins of Cormac McCarthy’s Postsouthern Novels","authors":"J. Jackson","doi":"10.5325/CORMMCCAJ.15.2.0107","DOIUrl":"https://doi.org/10.5325/CORMMCCAJ.15.2.0107","url":null,"abstract":"Using Franco Moretti’s concept of distant readings, this article frames the novels published after Suttree (1979) as a journey through the ruins of a postsouthern space. As a wide-ranging cluster, the ruins scattered across this space clarify a pattern established in his first four novels and completed in The Road (2006), a pattern that predicts the future end of Western exceptionalist ideologies such as Western Christianity and global capitalism, as well as affirms the universal law: “this, too, shall pass.”","PeriodicalId":126318,"journal":{"name":"The Cormac McCarthy Journal","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130687913","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“He could not call to mind his father’s face”: Oedipal Collapse and Literary Decline in the Border Trilogy","authors":"J. Christie","doi":"10.5325/CORMMCCAJ.15.2.0128","DOIUrl":"https://doi.org/10.5325/CORMMCCAJ.15.2.0128","url":null,"abstract":"This article offers an intervention in one of the most significant critical debates to arise from Cormac McCarthy’s Border Trilogy. This is the debate surrounding the trilogy’s refusal of the normative conventions of the Bildungsroman and apparent withdrawal into regressive, deflationary and otherwise anticlimactic formations at the levels of narrative, character, and language. The essay argues that, while often compelling, previous engagements with this issue (for instance by James Lilley, Andrew Hoberek, and Gail Moore Morrison) have failed to register the significance of McCarthy’s antipathy toward literary production and his own biographical and institutional position as an author as the source of this structural regression. The article then reads the trilogy on the basis of this antipathetic relationship with its own literary form, placing particular emphasis on the allegorical function of the collapse of paternal authority and the cultivation of a postmodern philosophy of subjectivity, which is primarily rooted in Lacanian psychology. This reading aims in particular to highlight the significance of the links that exist between this textual logic displayed in the trilogy and a wider contemporary historical backdrop, which is defined in terms of a national crisis of literary production.","PeriodicalId":126318,"journal":{"name":"The Cormac McCarthy Journal","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125023522","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Eating and Mourning the Corpse of the World: Ecological Cannibalism and Elegiac Protomourning in Cormac McCarthy’s The Road","authors":"D. Huebert","doi":"10.5325/CORMMCCAJ.15.1.0066","DOIUrl":"https://doi.org/10.5325/CORMMCCAJ.15.1.0066","url":null,"abstract":"Cormac McCarthy’s ecopocalyptic novel, The Road (2006), is rife with cannibalism. Throughout McCarthy’s oeuvre, however, cannibalism is not common; it only appears in one previous novel and does not earn an entry in the index of The Cambridge Companion to Cormac McCarthy (2013). This article argues that the abundance of cannibalism in this novel is not incidental. Rather, McCarthy’s frequent depictions of cannibalism within the setting of ecological apocalypse encourages the reader to pair these two aspects of the text; The Road suggests that insofar as the planetary ecosystem is the “body” of the human species, recent human history has been a spectacle of the particular type of species self-cannibalization I call “ecological cannibalism.” This article questions the novel’s apparently clear moral dichotomy between “good guys” and bad guys (129), arguing that the man and the boy are not fundamentally distinct from human meat-eaters. Rather, an ecological perspective reveals a nebulous ethical zone that complicates McCarthy’s ostensible bifurcation of characters into the categories of unequivocal good and evil. Finally, this article argues that McCarthy tempers the novel’s tendency toward environmentalist proselytizing by engaging in what I call “elegiac protomourning,” a literary technique that acknowledges the bare reality of loss rather than simply re-emphasizing the environmentalist drive to conserve.","PeriodicalId":126318,"journal":{"name":"The Cormac McCarthy Journal","volume":"42 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-03-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115574379","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“There is no God and we are his prophets”: The Visionary Potential of Memory and Nostalgia in Cormac McCarthy’s No Country for Old Men and The Road","authors":"Marie-Reine Pugh","doi":"10.5325/CORMMCCAJ.15.1.0046","DOIUrl":"https://doi.org/10.5325/CORMMCCAJ.15.1.0046","url":null,"abstract":"Memory and nostalgia work in complex, paradoxical ways in Cormac McCarthy’s No Country for Old Men and The Road, haunting Sheriff Ed Tom Bell and the father, as well as bringing them to crucial realizations. They give up the traditional hero role for the more meaningful and generative image of “carrying the fire,” which unites the novels. Carrying the fire represents a memorial and nostalgic longing for home and family. Bell and the father attain this vision because of their obsession with the past, and their struggle with memory and nostalgia. Memory, for these characters, has both personal and collective dimensions. Nostalgia, likewise, has a dual function, following Svetlana Boym’s definition of nostalgics as being capable of restorative and reflective longing for the past. Family, or Paul Ricœur’s theory of close relations, bridges the gap between the conflicts of memory and nostalgia, acting as the means by which they understand this vision of carrying the fire while also embodying it. Additionally, the duality of both memory and nostalgia drive Bell and the father to seek a prophetic vision, a stability in the past to help them deal with present threats.","PeriodicalId":126318,"journal":{"name":"The Cormac McCarthy Journal","volume":"79 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-03-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114992567","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}