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VTU Review: Studies in the Humanities and Social Sciences最新文献

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Bodies in Service: Representations of the Servant’s Body in Two Victorian Novels 服务中的身体:两部维多利亚时代小说中仆人身体的表现
VTU Review: Studies in the Humanities and Social Sciences Pub Date : 2022-09-29 DOI: 10.54664/caia4718
M. Dimitrova
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引用次数: 0
Editor’s Introduction 编辑器的介绍
VTU Review: Studies in the Humanities and Social Sciences Pub Date : 2022-09-29 DOI: 10.54664/wyac5200
Jelena Šesnić
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引用次数: 0
Technological Encroachment and Social Changes in Late Nineteenth-Century American Writing 19世纪晚期美国文学的技术入侵与社会变迁
VTU Review: Studies in the Humanities and Social Sciences Pub Date : 2022-09-29 DOI: 10.54664/blov2517
Ksenija Kondali, Adna Oković
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引用次数: 0
The Sage of Concord: Weaving Transcendental Thoughts 康科德圣贤:编织超验思想
VTU Review: Studies in the Humanities and Social Sciences Pub Date : 2022-09-29 DOI: 10.54664/foha6310
Saša Simović
{"title":"The Sage of Concord: Weaving Transcendental Thoughts","authors":"Saša Simović","doi":"10.54664/foha6310","DOIUrl":"https://doi.org/10.54664/foha6310","url":null,"abstract":"Ralph Waldo Emerson, the proverbial sage of Concord, claimed that he was not “an original thinker” but only “clothed thoughts” that were “in the air.” Trying to explain the complex relation between humans and the outside world, he singled out man’s relation to his own self as the crux of the problem. His dualistic vision of the world, juxtaposing nature and the human soul and matter and spirit, is related to what he perceived as the human need to realize a connection to the “real” self. In the Emersonian vision of the world, nature is “omnipotent” insofar as through natural phenomena the human individual can give birth to brilliant ideas. The aim of this article is to highlight Emerson’s Transcendentalist vision of nature and the human relation to it.","PeriodicalId":124585,"journal":{"name":"VTU Review: Studies in the Humanities and Social Sciences","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115949946","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Renée Fox, Mike Cronin, and Brian Ó Conchubhair, Editors. Routledge International Handbook of Irish Studies. Routledge, 2020. 518. ISBN 9780367259136 rensame Fox, Mike Cronin和Brian Ó Conchubhair，编辑。劳特利奇爱尔兰研究国际手册。劳特利奇,2020年。518. ISBN 9780367259136
VTU Review: Studies in the Humanities and Social Sciences Pub Date : 2022-09-29 DOI: 10.54664/yldp5763
A. Kononova
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引用次数: 0
Variations of Death in Richard K. Morgan’s Altered Carbon. From Cybergothic to Candygothic 理查德·k·摩根《变碳》中的死亡变体。从赛博哥特到糖果哥特
VTU Review: Studies in the Humanities and Social Sciences Pub Date : 2022-09-29 DOI: 10.54664/tixo9713
Constantina Raveca Buleu
{"title":"Variations of Death in Richard K. Morgan’s Altered Carbon. From Cybergothic to Candygothic","authors":"Constantina Raveca Buleu","doi":"10.54664/tixo9713","DOIUrl":"https://doi.org/10.54664/tixo9713","url":null,"abstract":"The article presents an analysis of Richard K. Morgan’s novel Altered Carbon with a focus on postmodern, neo-Gothic perspectives on death. More generally, it explores Gothic thanatology in the postmodern world. Attention is also drawn to the representations of death and technological survival in Morgan’s novel.","PeriodicalId":124585,"journal":{"name":"VTU Review: Studies in the Humanities and Social Sciences","volume":"85 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128571318","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Milena Katsarska. Parapositions: Prefacing American Literature in Bulgarian Transla-tion 1948–1998. Plovdiv University Press, 2021. 319. ISBN: 978-619-202-669-1 米蕾Katsarska。错位:1948-1998年保加利亚语翻译中的美国文学序言。普罗夫迪夫大学出版社，2021。319. ISBN: 978-619-202-669-1
VTU Review: Studies in the Humanities and Social Sciences Pub Date : 2022-09-29 DOI: 10.54664/pisq6545
Vakrilen Kilyovski
{"title":"Milena Katsarska. Parapositions: Prefacing American Literature in Bulgarian Transla-tion 1948–1998. Plovdiv University Press, 2021. 319. ISBN: 978-619-202-669-1","authors":"Vakrilen Kilyovski","doi":"10.54664/pisq6545","DOIUrl":"https://doi.org/10.54664/pisq6545","url":null,"abstract":"","PeriodicalId":124585,"journal":{"name":"VTU Review: Studies in the Humanities and Social Sciences","volume":"182 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125828209","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
(Self-)Portrayals of Mixed Cultural Identities in the Works of Emily Carr and István Fujkin (自)艾米丽·卡尔和István·福金作品中混合文化身份的刻画
VTU Review: Studies in the Humanities and Social Sciences Pub Date : 2022-09-29 DOI: 10.54664/suvh5407
Krisztina Kodó
{"title":"(Self-)Portrayals of Mixed Cultural Identities in the Works of Emily Carr and István Fujkin","authors":"Krisztina Kodó","doi":"10.54664/suvh5407","DOIUrl":"https://doi.org/10.54664/suvh5407","url":null,"abstract":"The article examines the work of two artists, Emily Carr (1871 – 1945) and István Fujkin (1953), focusing on Carr’s early and mature “Indian paintings,” and Fujkin’s “Blue Owl” series, completed between 2001 and 2005. The paintings chosen from among Carr’s works are thematically linked to Klee Wyck (1940), her first fictional work describing her travels and experiences with the First Nations People in British Columbia. Though the two artists come from different cultural backgrounds, since Carr was descended from English immigrants and Fujkin is a Hungarian born in the former Yugoslavia, there are similarities in their work. Both artists depict work across time and make use of transnational imaginaries of nature and Native Canadian cultural symbols that ultimately function as a bridge between Native and western culture. Fujkin’s talent lies in his ability to “paint the music” composed and performed by Canadian Mohawk musician Robbie Robertson. Emily Carr’s paintings offer images of her visionary world that transcends cultural identities and provides an insight into nature infused with spiritual and magical elements.","PeriodicalId":124585,"journal":{"name":"VTU Review: Studies in the Humanities and Social Sciences","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114599802","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Тihana Klepač. Dancing in Red Shoes: Barbara Baynton and the Australian Myth. FF Press, 2020. 293. ISBN 978-953-175-798-0. Тihana Klepač。《穿红鞋跳舞:芭芭拉·贝恩顿与澳大利亚神话》FF出版社，2020。293. ISBN 978-953-175-798-0。
VTU Review: Studies in the Humanities and Social Sciences Pub Date : 2022-09-29 DOI: 10.54664/yhoz2252
V. Polić
{"title":"Тihana Klepač. Dancing in Red Shoes: Barbara Baynton and the Australian Myth. FF Press, 2020. 293. ISBN 978-953-175-798-0.","authors":"V. Polić","doi":"10.54664/yhoz2252","DOIUrl":"https://doi.org/10.54664/yhoz2252","url":null,"abstract":"","PeriodicalId":124585,"journal":{"name":"VTU Review: Studies in the Humanities and Social Sciences","volume":"45 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114301311","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Martina Domines Veliki and Cian Duffy, Editors. Romanticism and the Cultures of Infancy. Palgrave Macmillan, 2020. xv+273. ISBN 978-3-030-50428-1 Martina Domines Veliki和ian Duffy，编辑。浪漫主义和婴儿期文化。Palgrave Macmillan, 2020。十五+ 273。ISBN 978-3-030-50428-1
VTU Review: Studies in the Humanities and Social Sciences Pub Date : 2022-09-29 DOI: 10.54664/jbrb3347
Z. Varga
{"title":"Martina Domines Veliki and Cian Duffy, Editors. Romanticism and the Cultures of Infancy. Palgrave Macmillan, 2020. xv+273. ISBN 978-3-030-50428-1","authors":"Z. Varga","doi":"10.54664/jbrb3347","DOIUrl":"https://doi.org/10.54664/jbrb3347","url":null,"abstract":"","PeriodicalId":124585,"journal":{"name":"VTU Review: Studies in the Humanities and Social Sciences","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130002067","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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