Bodies in Service: Representations of the Servant’s Body in Two Victorian Novels

M. Dimitrova
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Abstract

The article discusses the representation of the servant’s body in George Moore’s Esther Waters and the Mayhew brothers’ The Greatest Plague of Life: Or, The Adventures of a Lady in Search of a Good Servant. It considers the various uses that the servant’s body is put to, focusing in particular on the figures of the wetnurse (Esther Waters) and the footman (The Greatest Plague of Life). The article explores the numerous acts of appropriation and commodification of the servant’s body – including its costing – and its peculiar vulnerability. It also considers instances of the body’s intransigence: its refusal to abide by class boundaries and its subversion of the purposes it is required to fulfil. By addressing these issues, the article demonstrates the intimate connections which Victorian fiction traced between problems of class and social identity and problems of the body.
服务中的身体:两部维多利亚时代小说中仆人身体的表现
本文讨论了乔治·摩尔的《以斯帖·沃特斯》和梅休兄弟的《人生最大的瘟疫:一个寻找好仆人的女人的冒险》中仆人身体的表现。它考虑了仆人身体的各种用途,特别关注保姆(埃斯特·沃特斯)和仆人(生命中最大的瘟疫)的形象。这篇文章探讨了仆人身体的大量挪用和商品化行为——包括它的成本——以及它特有的脆弱性。它还考虑了身体不妥协的实例:它拒绝遵守阶级界限,并颠覆了它需要实现的目的。通过解决这些问题,文章展示了维多利亚时代小说在阶级和社会身份问题与身体问题之间的密切联系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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