{"title":"理查德·k·摩根《变碳》中的死亡变体。从赛博哥特到糖果哥特","authors":"Constantina Raveca Buleu","doi":"10.54664/tixo9713","DOIUrl":null,"url":null,"abstract":"The article presents an analysis of Richard K. Morgan’s novel Altered Carbon with a focus on postmodern, neo-Gothic perspectives on death. More generally, it explores Gothic thanatology in the postmodern world. Attention is also drawn to the representations of death and technological survival in Morgan’s novel.","PeriodicalId":124585,"journal":{"name":"VTU Review: Studies in the Humanities and Social Sciences","volume":"85 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-09-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Variations of Death in Richard K. Morgan’s Altered Carbon. From Cybergothic to Candygothic\",\"authors\":\"Constantina Raveca Buleu\",\"doi\":\"10.54664/tixo9713\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article presents an analysis of Richard K. Morgan’s novel Altered Carbon with a focus on postmodern, neo-Gothic perspectives on death. More generally, it explores Gothic thanatology in the postmodern world. Attention is also drawn to the representations of death and technological survival in Morgan’s novel.\",\"PeriodicalId\":124585,\"journal\":{\"name\":\"VTU Review: Studies in the Humanities and Social Sciences\",\"volume\":\"85 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-09-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"VTU Review: Studies in the Humanities and Social Sciences\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.54664/tixo9713\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"VTU Review: Studies in the Humanities and Social Sciences","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.54664/tixo9713","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Variations of Death in Richard K. Morgan’s Altered Carbon. From Cybergothic to Candygothic
The article presents an analysis of Richard K. Morgan’s novel Altered Carbon with a focus on postmodern, neo-Gothic perspectives on death. More generally, it explores Gothic thanatology in the postmodern world. Attention is also drawn to the representations of death and technological survival in Morgan’s novel.
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