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Eighteenth Century Music最新文献

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Laudate Pueri Dominum Niccolò Jommelli (1714–1774), ed. António Jorge Marques Lucca: Libreria Musicale Italiana, 2021 pp. xv + 165, ISBN 978 8 855 43074 6 Laudate Pueri Dominum Niccolò Jommelli (1714-1774), ed. António Jorge Marques Lucca: Libreria Musicale Italiana, 2021 pp.
IF 0.1 2区 艺术学
Eighteenth Century Music Pub Date : 2024-02-06 DOI: 10.1017/s1478570623000271
C. Pilla
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引用次数: 0
Philon und Theone Georg Anton Benda (1722–1795), ed. Austin Glatthorn Middleton, WI: A-R Editions, 2020 pp. xxiv + 166, ISBN 978 1 9872 0456 8 Philon und Theone Georg Anton Benda (1722-1795), ed., Middleton, WI: A-R Editions, 2020 pp.Austin Glatthorn Middleton, WI: A-R Editions, 2020 pp.
IF 0.1 2区 艺术学
Eighteenth Century Music Pub Date : 2024-02-06 DOI: 10.1017/s1478570623000416
Jacqueline Waeber
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引用次数: 0
Database of Harpsichord and Clavichord Makers Goes Online 大键琴和小键琴制造商数据库上线
IF 0.1 2区 艺术学
Eighteenth Century Music Pub Date : 2024-02-06 DOI: 10.1017/s1478570623000313
Jenny Nex
{"title":"Database of Harpsichord and Clavichord Makers Goes Online","authors":"Jenny Nex","doi":"10.1017/s1478570623000313","DOIUrl":"https://doi.org/10.1017/s1478570623000313","url":null,"abstract":"","PeriodicalId":11521,"journal":{"name":"Eighteenth Century Music","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139802120","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Laudate Pueri Dominum Niccolò Jommelli (1714–1774), ed. António Jorge Marques Lucca: Libreria Musicale Italiana, 2021 pp. xv + 165, ISBN 978 8 855 43074 6 Laudate Pueri Dominum Niccolò Jommelli (1714-1774)，编辑：António Jorge Marques Lucca：Libreria Musicale Italiana，2021 页。安东尼奥-豪尔赫-马克斯卢卡：意大利音乐图书馆，2021 页。xv + 165, ISBN 978 8 855 43074 6
IF 0.1 2区 艺术学
Eighteenth Century Music Pub Date : 2024-02-06 DOI: 10.1017/s1478570623000271
C. Pilla
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引用次数: 0
Periodization and Hispanic Music of the Eighteenth Century: Some Reflections 时代化与十八世纪西班牙音乐：一些思考
IF 0.1 2区 艺术学
Eighteenth Century Music Pub Date : 2024-02-06 DOI: 10.1017/s1478570623000404
Alejandro Vera
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引用次数: 0
Labours of Love: A Tribute to Caryl Clark's Vision 爱的劳作向卡里尔-克拉克的远见致敬
IF 0.1 2区 艺术学
Eighteenth Century Music Pub Date : 2024-02-06 DOI: 10.1017/s1478570623000386
Joshua Tolulope David, Maryse Legault, Shanti Nachtergaele
{"title":"Labours of Love: A Tribute to Caryl Clark's Vision","authors":"Joshua Tolulope David, Maryse Legault, Shanti Nachtergaele","doi":"10.1017/s1478570623000386","DOIUrl":"https://doi.org/10.1017/s1478570623000386","url":null,"abstract":"","PeriodicalId":11521,"journal":{"name":"Eighteenth Century Music","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139862156","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Power of Pastiche: Musical Miscellany and Cultural Identity in Early Eighteenth-Century England Alison C. DeSimone Clemson: Clemson University Press, 2021 pp. xiii + 315, ISBN 978 1 942 95477 4 戏剧的力量：Alison C. DeSimone Clemson：克莱姆森大学出版社，2021 年，第 xiii + 315 页，ISBN 978 1 942 95477 4
IF 0.1 2区 艺术学
Eighteenth Century Music Pub Date : 2024-02-06 DOI: 10.1017/s147857062300026x
Stephanie Carter
{"title":"The Power of Pastiche: Musical Miscellany and Cultural Identity in Early Eighteenth-Century England Alison C. DeSimone Clemson: Clemson University Press, 2021 pp. xiii + 315, ISBN 978 1 942 95477 4","authors":"Stephanie Carter","doi":"10.1017/s147857062300026x","DOIUrl":"https://doi.org/10.1017/s147857062300026x","url":null,"abstract":"","PeriodicalId":11521,"journal":{"name":"Eighteenth Century Music","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139800398","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Periodization and Hispanic Music of the Eighteenth Century: Some Reflections 时代化与十八世纪西班牙音乐：一些思考
IF 0.1 2区 艺术学
Eighteenth Century Music Pub Date : 2024-02-06 DOI: 10.1017/s1478570623000404
Alejandro Vera
{"title":"Periodization and Hispanic Music of the Eighteenth Century: Some Reflections","authors":"Alejandro Vera","doi":"10.1017/s1478570623000404","DOIUrl":"https://doi.org/10.1017/s1478570623000404","url":null,"abstract":"","PeriodicalId":11521,"journal":{"name":"Eighteenth Century Music","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139801497","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Foretaste of Heaven: Musical Teleology in Mozart's Ave verum corpus, k618 天堂的预感：莫扎特《万福全书》K618 中的音乐目的论
IF 0.1 2区 艺术学
Eighteenth Century Music Pub Date : 2024-02-06 DOI: 10.1017/s1478570623000258
Lauri Suurpää
{"title":"A Foretaste of Heaven: Musical Teleology in Mozart's Ave verum corpus, k618","authors":"Lauri Suurpää","doi":"10.1017/s1478570623000258","DOIUrl":"https://doi.org/10.1017/s1478570623000258","url":null,"abstract":"In June 1791, having composed almost no church music for ten years, Mozart wrote the short motet Ave verum corpus, k618, a setting of the Latin medieval eucharist hymn. The theological teleology in the text introduces a process-like aiming at a goal that cannot, however, be reached. This study is about how teleology operates in the motet – the ways in which the text's ultimately unfulfilled goal-directed processes operate in Mozart's music. The music is approached from a variety of analytical perspectives that reflect different aspects of this theme: the new Formenlehre and phrase structure, topic theory, and the analysis of voice-leading structure, register and hypermetre. Together, these approaches elucidate the multiplicity of musical processes that, as in the motet's text, announce a goal but fail to reach it.","PeriodicalId":11521,"journal":{"name":"Eighteenth Century Music","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139858860","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
C. P. E. Bach, Haydn and the Evolving Keyboard Idioms of the Later Eighteenth Century C.巴赫、海顿与十八世纪后期键盘乐器成语的演变
IF 0.1 2区 艺术学
Eighteenth Century Music Pub Date : 2024-02-06 DOI: 10.1017/s1478570623000349
David Schulenberg
{"title":"C. P. E. Bach, Haydn and the Evolving Keyboard Idioms of the Later Eighteenth Century","authors":"David Schulenberg","doi":"10.1017/s1478570623000349","DOIUrl":"https://doi.org/10.1017/s1478570623000349","url":null,"abstract":"The long careers of Carl Philipp Emanuel Bach and Joseph Haydn coincided with fundamental transformations in how keyboard instruments were built and played and how composers wrote for them. Haydn's keyboard music probably saw the more profound changes in compositional style, yet C. P. E. Bach and others preceded him in discovering ways to incorporate new keyboard idioms into pieces written for new types of instruments. Bach gradually shifted from writing generic keyboard music to composing in idioms most appropriate to two-manual harpsichords, unfretted clavichords or fortepianos. Haydn likewise began writing in a generic idiom; many works that have been posited as having been meant for the clavichord cannot in fact be assigned clearly to that or any other specific instrument. Although Haydn did eventually turn to writing specifically for the fortepiano, he too made a gradual, and relatively late, transition from a generic approach to one that centred on the grand fortepianos of the late eighteenth century. Bach's influence on Haydn is inseparable from the matter of the keyboard instruments. Although the precise nature and extent of Bach's influence cannot be determined, compositional elements derived by Haydn from Bach's music range from superficial thematic and notational parallelisms to fundamental conceptions of what keyboard music could be or could express.","PeriodicalId":11521,"journal":{"name":"Eighteenth Century Music","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139859175","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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