{"title":"Texting Scarlatti","authors":"B. Ife","doi":"10.1017/s1478570623000106","DOIUrl":null,"url":null,"abstract":"‘Texting Scarlatti: Composition, Reception, Performance’ is a two-year research project funded by the Leverhulme Trust (reference number RPG-2022-338), with additional support from the Research England Participatory Research Fund. Although the project is based at the Guildhall School in London, the project team is multi-disciplinary and international: Luisa Morales (Festival Internacional de Música de Tecla Española, Spain), Marco Moiraghi (Italy), Jérémie Lumbroso (USA), Jasper van der Klis (Netherlands) and Barry Ife (UK). A further substantial group of up to fifty volunteer ‘citizen scientists’ is assisting our work. The project is undertaking the first comprehensive and systematic study of all surviving eighteenth-century manuscript and printed copies of Scarlatti’s keyboard sonatas. The words ‘comprehensive’ and ‘systematic’ are crucial to the project’s ambitions in terms of scope and methodology:","PeriodicalId":11521,"journal":{"name":"Eighteenth Century Music","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2023-08-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Eighteenth Century Music","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/s1478570623000106","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 0
Abstract
‘Texting Scarlatti: Composition, Reception, Performance’ is a two-year research project funded by the Leverhulme Trust (reference number RPG-2022-338), with additional support from the Research England Participatory Research Fund. Although the project is based at the Guildhall School in London, the project team is multi-disciplinary and international: Luisa Morales (Festival Internacional de Música de Tecla Española, Spain), Marco Moiraghi (Italy), Jérémie Lumbroso (USA), Jasper van der Klis (Netherlands) and Barry Ife (UK). A further substantial group of up to fifty volunteer ‘citizen scientists’ is assisting our work. The project is undertaking the first comprehensive and systematic study of all surviving eighteenth-century manuscript and printed copies of Scarlatti’s keyboard sonatas. The words ‘comprehensive’ and ‘systematic’ are crucial to the project’s ambitions in terms of scope and methodology:
“斯卡拉蒂短信:作曲、接收、表现”是一个为期两年的研究项目,由Leverhulme信托基金(参考编号RPG-2022-338)资助,并得到英国研究参与研究基金的额外支持。虽然这个项目是在伦敦的市政厅学校进行的,但项目团队是多学科和国际的:Luisa Morales(西班牙的Festival Internacional de Música de Tecla Española), Marco Moiraghi(意大利),jsamrsammie Lumbroso(美国),Jasper van der Klis(荷兰)和Barry Ife(英国)。另外一个由多达50名志愿“公民科学家”组成的庞大团体正在协助我们的工作。该项目正在对所有现存的18世纪斯卡拉蒂键盘奏鸣曲的手稿和印刷副本进行第一次全面和系统的研究。“全面”和“系统”这两个词对于项目的范围和方法来说是至关重要的: