Diacritics最新文献

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Diacritics Pub Date : 2024-01-04 DOI: 10.1353/dia.2022.a916404
P. Lorenz, Eliseo Valdés Erustes
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引用次数: 0
The Afropessimist Never Drinks the Kool-Aid of Black Enlightened Progress: An Interview with Frank B. Wilderson III 非洲悲观主义者从不喝黑人启蒙进步的苦艾酒:弗兰克-B-怀尔德森三世访谈录
Diacritics Pub Date : 2024-01-04 DOI: 10.1353/dia.2022.a916403
Fernando Gomez Herrero, Frank B. Wilderson
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引用次数: 1
University and Its Other: On The Referent–We of Sylvia Wynter’s “No Humans Involved” 大学及其他者:论西尔维亚-温特 "没有人类参与 "的参照物--我们
Diacritics Pub Date : 2024-01-04 DOI: 10.1353/dia.2022.a916401
Vero Chai
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引用次数: 0
Hot and Cold Borders: Sketches for a Geopolitics of Environmental Media 冷热边界:环境媒体地缘政治学草图
Diacritics Pub Date : 2024-01-04 DOI: 10.1353/dia.2022.a916402
Francesco Zucconi
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引用次数: 0
Looking Together: Desiring Relations in James Baldwin 一起看詹姆斯-鲍德温眼中的欲望关系
Diacritics Pub Date : 2024-01-04 DOI: 10.1353/dia.2022.a916400
M. Tuhkanen
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引用次数: 0
Uncertain Turns: Addressing Animal Trauma 不确定的转折:处理动物创伤
Diacritics Pub Date : 2023-10-03 DOI: 10.1353/dia.2022.a908410
Natalie Lozinski-Veach
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引用次数: 0
Translation, Transference, Trouvaille: Derrida’s “what is a ‘Relevant’ Translation?” 翻译、转移、困扰:德里达的 "什么是'相关'翻译?
Diacritics Pub Date : 2023-10-03 DOI: 10.1353/dia.2022.a908406
Michael G. Levine
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引用次数: 0
Kleist in Italy: An Icon of Gendered Conflicts 克莱斯特在意大利:性别冲突的象征
Diacritics Pub Date : 2023-10-03 DOI: 10.1353/dia.2022.a908408
Mariaenrica Giannuzzi
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引用次数: 0
Free as A Bird: Nature as Freedom and Interval in Karl Marx’s Capital 像鸟儿一样自由马克思《资本论》中作为自由和间隔的自然
Diacritics Pub Date : 2023-10-03 DOI: 10.1353/dia.2022.a908409
Christina Chalmers
{"title":"Free as A Bird: Nature as Freedom and Interval in Karl Marx’s Capital","authors":"Christina Chalmers","doi":"10.1353/dia.2022.a908409","DOIUrl":"https://doi.org/10.1353/dia.2022.a908409","url":null,"abstract":"Abstract:Marx’s concept of bird-freedom or Vogelfreiheit—drawn from German legal history in which it meant “outlaw status”—describes the situation of free labor as “doubly free”: not enslaved as well as landless. The metaphorical valences of his satirical emphasis on the cynicism of the idea of “free labor” returns in many of Marx’s other satirical reworkings of concepts which refer to the state of nature. This essay looks at two such concepts engaged in explaining the process of “primitive accumulation” in Capital, Volume 1: the notion of the idyll (“idyllic relations” or “idyllic proceedings”) and the notion of outlawry as “bird-freedom.” The essay exemplifies the ways in which both moments constitute “natural-historical images,” in Theodor Adorno’s terms: a concept of hybridity, historical texture, and transition that might add to the scholarship on Marx’s philosophy of nature.","PeriodicalId":11350,"journal":{"name":"Diacritics","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-10-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139323796","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Images >> Jean-Xavier Renaud 图片 >> 让-格扎维埃-雷诺
Diacritics Pub Date : 2023-10-03 DOI: 10.1353/dia.2022.a908411
L. Dubreuil
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引用次数: 0
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